Rexroth, Kenneth– “One Hundred Poems from the Chinese” and “In Defense of the Earth” (read by the author) – Free Stream

Levertov, Denise– City Psalm, Open Secret, Love Song, The Ache of Marriage, To the Muse, The Certainty (read by the author) – SoundCloud

About the contributors

Oliver, Mary– “The Summer Day,” “Little Dog’s Rhapsody in the Night,” “Many Miles” and “Night and the River” (read by the author) – YouTube The sector is unravelling,” Ms Duignan said, adding that each month the situation was getting worse, and the sector could take years to rebuild. This book was an important part of the class I taught on music and communication last summer. Though most of the readings I assigned for the class were articles and book chapters, this was the only entire book I assigned. Frankly, I had a hard time finding any books that provided what I wanted to teach from...until this one. The book has 57 essays (admitidly i haven't read everone just yet) which gives a wide scope of different perspectives on the subject. If you would like to submit your demo submission's for the label please feel free to upload your demo to the dropbox. Thanks for the Support!!

Both Ms Duignan and the Minister pointed out “the arts and culture sector was the first to shut and will in many cases be the last to reopen”, because of Covid-19, and the proposals in the taskforce report were vital to ensure survival. Hemingway, Ernest– “In Harry’s Bar in Venice” (a short story read by Hemingway: .au format, .gsm format, .ra format) Blake, William – Songs of Innocence and Songs of Experience, as read by Allen Ginsberg – Free Stream/MP3Having read this book extremely slowly over two years, it seems to me that my listening experience (and growing appreciation) of more experimental side of music must have helped in perception of these texts. I would say that this book of essays, articles, interviews and other kinds of strange texts, with extensive chronology, bibliography and discography is a great 'sneak peak' into what was happening in the music of 20th centrury, especially in the fifties and sixties. If you are open to it, you can find how it can spur furher interest in you. But the circle was truly closed with the final paper - "The Aesthetic of Failure: Post-Digital Tendencies in Contemporary Computer Music" by microsound artist Kim Cascone. The article examines the nature of modern glitch music and speaks to its future artists.

Each chapter opens with thoughtful quotes relating to the section and each paper begins with a brief summary of the author's musical and theoretical sphere. Bradbury, Ray– Futuria Fantasia (a sci fi short story collected edited by Ray Bradbury) – Free Stream There is a clear advantage to supplementing traditional learning with audio elements, but you need to think carefully about how and when. Research by Clark and Mayer shows that audio complements visual content in elearning by engaging multiple senses. But when you combine graphics, audio and text you risk tipping over into overwhelming the learner. How can you adopt and embrace audio in your learning programmes? Epic working group, representing skilled event industry workers, said the task force had produced “crucial recommendations critical for the survival of the live events sector”. Poe, Edgar Allan– “The Masque of the Red Death” and Annabel Lee (read by William S. Burroughs) – Free YouTube AudioThis output, he says, was partly born of his love of sound: “I’ve always done my own soundscapes for all my plays.” He has written eight plays during the pandemic, all for the stage, and is keen to return to the theatre to see them brought to life. Philip Sherburne, “Draw a Straight Line and Follow It: Minimalism in Contemporary Electronic Dance Music” Whichever way you look at it, podcasts and audio is here to stay. So, maybe it’s time we embrace both in the workplace too? So, how does this apply to learning? Ashbery, John– “Meditations of a Parrot,” “The Painter” and “The Picture of Little J.A. in a Prospect of Flowers” (read by the author)- Free Stream/MP3

Adopt a podcast approach and create content in audio form for on-the-move learning e.g. for a series of internal comms messages about organizational change or for sharing success stories like internal staff interviews. Poe, Edgar Allan– 5 Hours of Edgar Allan Poe Stories Read by Vincent Price & Basil Rathbone – Spotify From the actor’s point of view, there is a distinct art to performing an audio role, says Andoh, who has been involved in radio dramas since the late 1980s and trains other actors for the medium. “I have always said the microphone is the listener’s ear, and all you have as an actor is your voice.” Performing on radio will often require proficiency in several accents, she says, and much of its art lies in giving the voice nuance.Borges, Jorge Luis– Ibn Hakkan Al-Bokhari, Dead in his Labyrinth (Read by Orhan Pamuk) – Free Stream The rising popularity of podcasts has led to the rebirth of audio plays, she thinks, and the pandemic has also reminded us of its value: “We have remembered we can tell stories in a different way.” But while some suggest that the pandemic has forced the audio play out of its dusty Radio 4 enclave, and dragged it into the contemporary age, Andoh says its evolution had been taking place many years. Joyce, James– A Portrait of the Artist as a Young Man – Free iTunes– Free MP3 Zip File– Free Stream Freelance Composer, Sound Designer and Mix/Mastering Engineer. Based in Sheffield UK. Always looking for work. Whilst the rise of the podcast and the injection of audio into our everyday lives is exciting and gives us lots of new opportunities - it’s important to also consider accessibility here.