The Tenth Doctor Adventures: Dalek Universe 1 (Doctor Who - The Tenth Doctor Adventures: Dalek Universe 1)

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Gibson, Owen (14 May 2007). "Paxman to raise eyebrows at TV festival lecture" (online). The Guardian. UK. Archived from the original on 3 October 2014 . Retrieved 9 March 2010. Segal, Philip; Gary Russell (2000). Doctor Who: Regeneration. London: HarperCollins. ISBN 0-00-710591-6.

A rel is a Dalek and Kaled unit of measurement. It was usually a measurement of time, with a duration of slightly more than one second, as mentioned in " Doomsday", " Evolution of the Daleks" and " Journey's End", counting down to the ignition of the reality bomb. (One earth minute most likely equals about 50 rels.) However, in some comic books it was also used as a unit of velocity. Finally, in some cases it was used as a unit of hydroelectric energy (not to be confused with a vep, the unit used to measure artificial sunlight). This story knows it’s about nostalgia, and it makes for a fine match with a Doctor who longs for what he’s lost… It’s the big finale,” teases producer David Richardson. “Daleks, Davros, Movellans , River Song… and some Earth-shattering revelations that might just whip the rug from beneath your feet. The journey through the Dalek Universe leads to this point, and it’s the deadliest of destinations…” McMillan, Graeme (2 January 2010). "Better Off Ted Reveals The Origins of Doctor Who's Tin-Plated Bad Guys?". io9. Gawker Media. Archived from the original on 6 January 2010 . Retrieved 6 January 2010.In short, there’s some cool choices in The Dalek Protocol that elevate it despite its many weak aspects, but it’s just not enough to really feel like taking a side-step for two hours and a few extra dollars before getting to the main event. Even if you want to get caught up with all the preceding continuity before diving in, I’d say the The Syndicate Master Plan arc is much more important pre-listening, introducing Anya Kingdom and her strained relationship with the Doctor. If you’re going to get just one two hour Fourth Doctor audio as a prologue to Dalek Universe, go for The Perfect Prisoners, that series’ finale, over Dalek Protocol. a b c Destiny of the Daleks. Writer Terry Nation, Director Ken Grieve, Producer Graham Williams. Doctor Who. BBC1, London. 1–22 September 1979.

These four Daleks - Sec, Jast, Thay and Caan - returned in the two-part story " Daleks in Manhattan"/" Evolution of the Daleks", in which whilst stranded in 1930s New York, they set up a base in the partially built Empire State Building and attempt to rebuild the Dalek race. To this end, Dalek Sec merges with a human being to become a Human/Dalek hybrid. The Cult then set about creating "Human Daleks" by "formatting" the brains of a few thousand captured humans so they can have Dalek minds. [19] Dalek Sec, however, becomes more human in personality and alters the plan so the hybrids will be more human like him. The rest of the Cult mutinies. Sec is killed, while Thay and Jast are later wiped out with the hybrids. Dalek Caan, believing it may be the last of its kind now, escapes once more via an emergency temporal shift. [19] Daleks' voices are electronic; when out of its casing the mutant is only able to squeak. [24] Once the mutant is removed the casing itself can be entered and operated by humanoids; for example, in The Daleks, Ian Chesterton ( William Russell) enters a Dalek shell to masquerade as a guard as part of an escape plan. [22] An Imperial Dalek levitates up a flight of stairs in " Remembrance of the Daleks". a b Lyons, Steve; Chris Howarth (10 February 1999). "But Doctor, I haven't got the Ming-Mongs!". Doctor Who Magazine. No.274. Tunbridge Wells, Kent: Marvel Comics. pp.29–30. ISSN 0957-9818.They also appear in the Nintendo DS and Wii games Doctor Who: Evacuation Earth and Doctor Who: Return to Earth. a b Writer Russell T Davies, Director Graeme Harper, Producer Phil Collinson (5 July 2008). " Journey's End". Doctor Who. Cardiff. BBC. BBC One. Writer Terry Nation, Director Christopher Barry, Producer Verity Lambert (28 December 1963). "The Survivors". Doctor Who. London. BBC. These tales take the Tenth Doctor, Anya Kingdom and Mark Seven deeper into family histories, aboard the strangest of space stations and to a truth that might tear them apart… 2.1 Cycle of Destruction by Roy Gill Howe, David J.; Walker, Stephen James (2004). The Television Companion: The Unofficial and Unauthorised Guide to Doctor Who (2nded.). Tolworth, Surrey: Telos Publishing. ISBN 1-903889-51-0.

Through the first half of this four-episode story we only get glimpses of the Dalek threat, instead having writer (as well as director, native Exxilon Bellal, and the voice of human Barnard and the Daleks) Nicholas Briggs divulge in possibly his favourite planet in all of Doctor Who history and its local population and politics. Cook, Benjamin; Cribbins, Bernard (25 July 2008). "Bernard Cribbins: Stargazer: Wilfred Mott". Doctor Who Magazine. No.398. Royal Tunbridge Wells, Kent: Panini Comics. p.33. Dalek 6388 Remembrance". Dalek 6388 – A Dalek Prop History – Remembrance of the Daleks. Archived from the original on 25 March 2010 . Retrieved 9 March 2010.

Doctor Who - The Tenth Doctor Adventures

The Doctor, Mark and Anya head for an SSS space-station searching for the missing temporal scientist, Arborecc. But the officer in charge denies all knowledge of his presence and demands their departure.

a b Writer Russell T Davies, Director Graeme Harper, Producer Phil Collinson (28 June 2008). " The Stolen Earth". Doctor Who. Cardiff. BBC. BBC One. What's So Bad About Hating The Daleks, Anyway?". Gizmodo. 31 August 2014 . Retrieved 2 January 2023. Hilton, Marcus. "Radio Times Exhibition". Doctor Who News. Archived from the original on 1 August 2013 . Retrieved 29 July 2013.Of course, having a slow-down moment like that takes the listener off the edge, making it perfect timing to then hit them with chaos and destruction and Daleks! DWTV (15 November 2014). "Moffat: Daleks Are Not A Contractual Obligation". Doctor Who TV . Retrieved 18 May 2021. The instant appeal of the Daleks caught the BBC off-guard, [62] and transformed Doctor Who into a national phenomenon. Children were both frightened and fascinated by the alien look of the monsters, and the idea of 'hiding behind the sofa' became a popular, if inaccurate or exaggerated, meme. The Doctor Who production office was inundated with letters and calls asking about the creatures. Newspaper articles focused attention on the series and the Daleks, further enhancing their popularity. [34]