A few years later an aspiring fashion designer was poking through a second hand shop, looking for gems, when he came across a silk screen that he was very taken with. He began to produce and sell t-shirts featuring the image on the silk screen, and was very successful. The shirts became an international phenomenon, appearing on consumers from all walks of life. One day Van Zan opened a tattered copy of People magazine he found while waiting in line at the DMV, and he saw it. He saw his shirt.A grinning celebrity held out his chest proudly and pointed with both index fingers at the words, “Jesus is My Homeboy”. Then he saw his shirt on TV. Then, on the streets. Then he knew his message was being heard, and he was overjoyed. By portraying them as a group of young men who are often stereotyped and even stigmatized by the clothes they wear, the work shares the sentiment that the apostles were perhaps a group of misfits, joined together with common beliefs and a sense of brotherhood. I had a friend named Vondell Jones who was a journalist. We would sit around smoking weed and see more and more innocent victims of gang violence on the nightly news. I was like, “We should put ‘Jesus is my homeboy’ on a T-shirt, sell it and use some of the money to help innocent victims of gang violence.” He agreed. In 1992, the streets of LA were flooded with angry looters furious at the treatment of Rodney King, a victim of police brutality. They broke windows, stole from shops, and brutalized anyone who got in their way. The only printed silk screen for the “Jesus is My Homeboy” T-shirt was at the printers, and it vanished in the path of destruction left by the looters.It was seemingly gone forever, so Van Zan got on with his life, accepting his misfortune as simply the end of an era. All good things must come to an end, he thought.

He said, “Jesus is MY homeboy. And he’s your homeboy, and your homeboy,” and he pointed at random faces above him and he continued, “and your homeboy. Jesus is my homeboy and he is all of yours too. He is your homeboy.” Van Zan Frater was a young Texan, recently relocated to Los Angeles. It was the 1980s, a time of great financial opportunity, and he was ready to make his place in the world. He was becoming familiar with the area, but didn’t know it well yet, so he pulled into the stark, unadorned parking lot of a run-down looking liquor store in South Central LA to use a pay phone. His guard was down when it should have been up. Way up.Once everything had calmed down, I just kept thinking, ‘Jesus is my homeboy’ saved my life. I gotta do something with that. When fashion and fine arts photographer David LaChapelle saw someone wearing a “Jesus is my Homeboy” T-shirt in 2003, he was touched by the simplicity of the message. It made him wonder who Jesus’ original homeboys (the twelve apostles) were—or rather, who they would have been had God chosen to incarnate himself in twenty-first-century America instead of in first-century Palestine. He stood down, and one by one the rest of the crowd stood down as well until Van Zan understood that if he stood up and walked away, he would not be beaten down again. After that near-death experience, Frater designed the now-iconic “Jesus is my Homeboy” image. The man with the upturned palms and the gentle face is a Jesus without race or creed, he said. He’s a person you can count on to stand with you, no matter the situation. Frater had the image printed onto T-shirts, which he sold in a local park. It even became the official image of the peace conferences held for gangs in the late 1980s. David LaChapelle’s Jesus is My Home Boy series reinterprets traditional religious scenes in contemporary settings. David LaChapelle’s preference for transcendent themes, such as the divine presence in everyday matters or the inevitable moment of our death, is well represented in

Regarding to the bible the wine represents Gods promise in blood poured out in a humankind sin. It means that we have to self-examine ourselves and participate in body of Christ but instead the subjects are drinking beer and eating burgers and that is what the world came too. Therefore our interpretation shows that Jesus spent time with people from the street, hustlers because he feels comfortable and empathised with. The Bible interpretation of the Last Supper was considered blasphemous but is when Jesus actually pulled his believe for the people of the street. In a way that is why they are wearing modern clothes and they are in modern settings because this is the scenery would look like if we could get a second coming. Overall the majority were a shady characters as are we at best but many people do not notice that he tells this stories after when ”good people” were questioning him. They are surprised that how he could spend time with this characters and dine with them. In short maybe that is the place where he found open hearts and room to rest. Jesus is giving to poor understands them help them he says we all should be the same the more we give the more satisfaction from life we receive. Like many of the great masters, LaChapelle has been inspired by the classic nativity scene. While the artwork of Western religious narratives often glorified the church and portrayed Jesus in a more European mien, LaChapelle reimagines that tradition in this image, set in Africa. What’s the answer? “Well, I haven’t achieved enlightenment,” he laughs. “But I guess it’s balance. We have to get ourselves in alignment.” Does he not miss some of the whirlwind of those earlier chaotic days, the adrenaline? He nods a no. “You know Epictetus, the Greek philosopher? He’s like, we all have a role in life – play your role and live it to the fullest.” Jesus is My Homeboy” is way more than just an image.It is an epiphany. A revelation. It was not developed by a big fashion entity focused solely on making money. It was not created to cash in on a trend. “Jesus is My Homeboy” was born from a challenge that led to salvation; an inspiration fueled by a real life situation.At age 17, LaChapelle moved to New York City. Following his first photography show at Gallery 303, he was hired by Andy Warhol to work at Interview Magazine. I came to L.A. to start a singing and acting career around 1980. Three of my sisters and my baby brother had all moved here from Texas. I stayed in Oklahoma for nine or ten months right before that, and in that time, I had about five jobs. There was a lot of prejudice there. I worked at a plant with the son of the county’s grand dragon, the leader of its section of the Ku Klux Klan, and we got into a fight.