Joined in 2023 
82 
63 About this deal
EVO 16’s 8 EVO Preamps provide 58dB Mic Gain, while its advanced converter technology offers a staggering 121dB dynamic range, providing professional grade audio performance across the board. The Production Expert team are first and foremost professionals working daily in music and post-production. Our content is informed by a team who are practitioners, meaning our tutorials are devised to help those working in real-world scenarios. You can also use the Audient Evo 4 with more platforms than you might guess. It works on Mac and PC without installing any extra software, and you can plug it into an iPad for use with apps like Garageband. I tried it with an older iPad Air and a USB-C to USB-C cable. No issues. The EVO software mixer is clear and simple, but gives access to some surprisingly deep functionality. When all you want is to record your band’s latest jam, lay down a beat or capture the chord sequence you just dreamed up before you forget it, the last thing you need is to get bogged down with preamps and gain levels. It was with this in mind that, in 2020, British pro-audio manufacturer Audient launched their easy-to-use EVO range.
products - EVO Our products - EVO
The main reason to pause is that sometimes you’ll often find the Audient ID4 selling for only slightly more online. While I have few major complaints about the Eve 4’s raw sound quality, that step-up model has more highly regarded pre-amps. EVO 16 breaks convention with its high resolution, full colour screen built into the unit. “With our all-new Motion UI (user interface) control system, we’ve found a new way of doing things,” explains Andy. “Motion UI uses the wide angle screen to intelligently display information on your session as and when you need it, making any interaction with EVO 16 a fully immersive, easy-to-use experience – more comparable to what you might expect when using a Smart device, with no menu deep diving required to activate features.EVO 16’s audio performance is entirely respectable and will stand up to scrutiny in most situations. If you’re trying to record birdsong 10 metres away with an SM7B then you might be disappointed, but for everything else, EVO 16’s inputs are clean and detailed, and its headphone outputs are loud are clear with moderate loads. With 58dB of gain in hand, the inputs boast a noise figure of less than -127.5dBu (making the unit one of the quietest things in your input signal chain in most scenarios), and can tolerate a whopping +16dBu from line sources. Specs And Pricing EVO 4 is scheduled to ship early in the first quarter of 2020 (location dependent). Delivery details for EVO 8 will follow hot on the heels of EVO 4. Audient started out as manufacturers of large‑ and medium‑format analogue mixing consoles, drawing on the immense experience of designer Dave Dearden. When they moved into making audio interfaces, one of the key selling points was their ability to apply this analogue design expertise in the new sector. Audient’s ID range thus combines ergonomic desktop form factors with mic preamps and other circuit designs closely related to those used in their flagship ASP consoles. Working alongside EVO 16’s hardware controls, Motion UI provides a centralised, one-knob control system for adjusting all EVO 16’s hardware parameters,” continues Andy. “Simply put, every adjustment is displayed on the screen in real time, letting the user make changes on the fly and take full control of the recording session without ever needing to look at the computer.”
EVO by Audient Home
Featuring 8 award winning EVO preamps alongside Audient's advanced converter technology ensures your recordings sound the best they possibly can. Intelligent mic preamps set their own levels with Smartgain and make use of the new, ground-breaking Motion UI control system. Key Features The much touted Smartgain feature has not previously interested me on their smaller interfaces for a simple guitar or vocal, but on an 8-channel device, for setting multiple levels like with a drum kit or small ensemble, it makes more sense. I am yet to test it but I assume/hope it leaves enough headroom on super-fast HF sources like ride cymbals and tambourines. For musicians who don’t want to faff around doing boring tech stuff, this can get you sorted in seconds, and you always have the option to manually tweak anything if you choose. The EVO 16's optical inputs and outputs have you got covered for sessions of any size! Supporting both ADAT and SPDIF, you can add up to 16 channels of mic preamps to your setup, giving you plenty of options for expanding your recording capabilities down the line. Monitor your settings via the LCD Screen At first, it seems simplicity is the sole hook. The Audient Evo 4 is light on dials and knobs, is small, and has a neat feature that sets you levels automatically to avoid clipping – brilliant for beginners.British audio company, EVO by Audient is delighted to announce the launch of the latest product in its range, EVO 16. A 24 in / 24 out Audio Interface, this newest release features eight award-winning EVO Preamps, advanced converter technology as well as the ingenious Smartgain feature which can be used on all 8 channels simultaneously, and continues to deliver on the EVO promise to ‘make recording easy’.
Audient EVO 16 - Sound On Sound Audient EVO 16 - Sound On Sound
In every Expert review we ask three of our team of contributors to give their first impressions of the product. We ask them to give the product a hit or miss, based on factors such as originality, innovation, usefulness, quality and value for money. For each hit the products gets an Expert Award. One hit and it gets our bronze award, two hits gets silver and for a hit from all three of the panel it gets a coveted gold award. Of course if there’s three misses, there’s no award. Luke Goddard On EVO 16 Combi XLR/line inputs As both of the primary inputs will take 6.35mm plugs or XLR cables, the EVO 4 is just as home with microphones as guitars Another solution might be to utilise the EVO 16’s digital I/O. The unit features two pairs of optical connectors that let it handle up to an additional 16 channels of I/O, albeit via suitable preamps and/or converters. Each optical connector can be switched between ADAT or SPDIF formats, and so the actual number of digital ins and outs varies depending on how the interface is configured. Nevertheless, including the analogue I/O, maxing out at 24 channels of I/O at up to 48kHz and 16 channels at up to 96kHz is impressive for any audio interface, let alone one this affordable.As part of this mission, whenever we review a product we send the company a series of questions to help us gauge and make transparent the impact the device has on the environment. The Evo 4 offers 48V phantom power, for those who plan to use condenser mics that require it. And the little “fader” button to the right side of the control panel represents the other neat feature here. It’s a dry/wet signal control, letting you choose how much you hear of the raw signal from your guitar/mic, and how much from the output through your recording software. The core of the EVO range’s ease of use is Smartgain, a system that analyses the incoming signal and sets the ideal input gain for it. With the EVO 16, Smartgain can set the gain for all eight analogue inputs simultaneously, a massive time-saver especially if you’re a self-recording band or drummer. Just get connected, activate Smartgain, play for 20 seconds and you’re ready to record.
Audient EVO 16 24-in 28-out USB-C Audio Interface
Audient’s recently announced EVO 16 promises a glimpse of things to come for the interface market, but how well does it actually perform? See it and hear it as three Experts give their verdict… Evolving The Interface As with the smaller EVO products, EVO 16 comes with the Smartgain feature, which automatically sets the gain with the touch of a button. “The added bonus with EVO 16, is that it can automatically set the gain for all 8 channels at once, ideal for drummers who have multiple mic inputs and synth players needing lots of line inputs,” explains Andy. “Smartgain has been designed to take the guesswork out of setting gain. Not only does it save time for the user, but it eliminates the hassle for those working on their own, which means users can spend less time figuring out the tech and more time recording.” I like the flexibility of the software and the fact that it can easily be driven from the front panel. My daily driver is a (distinctly premium) Focusrite Red4Pre and I control that almost exclusively front the front panel. Having an easy to use interface with a clear and informative front panel display in a unit at this price is great. The total gain range on the mic preamps is 58dB, and the alignment is quite nicely judged. At one end of the scale, you can get a healthy level from close‑miked speech with a moving‑coil dynamic mic, and on the other, you can record drums without clipping. Equivalent Input Noise is less than ‑127.5dB (presumably A‑weighted, though this is not stated) and the A‑D converters deliver a dynamic range of 112.5dB A‑weighted; the practical upshot is that even with the headroom that Smartgain leaves, the noise floor of the EVO 16 itself is always going to be way, way below that of your source. Input impedance in high‑impedance mode is 500kΩ, which is on the low side, but of course you can easily attach a DI box if you feel this is loading down your electric guitar.The ID‑series interfaces are competitively priced, but on the pure value‑for‑money front, they are undercut by rival products that use mass‑market, off‑the‑shelf components and circuits. Hence the launch of Audient’s EVO series of interfaces, brought to market more affordably by the use of generic audio circuitry instead of the Audient custom designs employed in the ID series. But price isn’t the only thing differentiating the EVO interfaces from their ID brethren. Tabula Rasa Also, the fabulous Audient JFET instrument inputs are on this device. The quality of these caught me by surprise on my iD14 when I first plugged a bass into it. Short of a dedicated high quality DI and preamp combination, this input really sounds great. The mixer settings can be stored in the hardware as a standalone setup. You can then use the EVO 16 as a multi-channel preamp, router and rudimentary mixer without connecting it to a computer, which is ideal for location filming work. The Audient Evo 4 is one of the best audio interfaces for someone starting out in home recording, podcasting or content creation. I mentioned the ability to adjust preamp gain from software as one of the pluses of the digital approach, and in this case, the software in question is simply called EVO. As the EVO 16 is a class‑compliant device and uses the Mac’s built‑in Core Audio driver, you can actually operate it on Apple devices without installing the EVO software, but I can’t imagine why anyone would do so! In look and feel, EVO adopts the ‘clean and clear’ look also favoured by manufacturers such as Focusrite and Arturia, and which probably owes a lot in the first instance to Ableton Live. When you first load it up, in fact, you might think everything is greyed out, but you soon realise that it’s just very grey.
Great Deal 
New Comment