Dance Your Way Home: A Journey Through the Dancefloor

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At the intersection of memoir, social and cultural history, 'Dance Your Way Home' is an intimate foray onto the dancefloor – wherever and whenever it may be – that speaks to the heart of what it is that makes us move." There’s a monthly club party I go to in Berlin with the promo slogan “nothing matters when we’re dancing”. Contrary to what you’d expect, its demographic is not students and twentysomethings: it’s mainly thirty-plus and mixed in gender, occupation and race. In Berlin the dance floor’s been a democratiser since the Berlin Wall came down; it’s often said that it was on dance floors that German reunification first happened.

Frank Broughton: It’s an amazing book. So personal and so deep. I was blown away by how great it is, and how emotional it made me. I guess it was a very personal book to write as well. And what about the age make-up? Are we getting more segregated by age in dance floors? I do think there’s a bit of a rebellion against that.Choose the style of dance that you want to learn. There are so many different types of dance which means that there is bound to be a style that suits you. Look at dance books, watch dance videos online, or see dancers perform to find a style that you want to focus on. Some popular types of dance include ballet, jazz, contemporary, ballroom, and hip hop. [1] X Research source The point of this book, or what I took from the book in the main, is we are all dancers. We inform our cultures by our dance and continue, for me anyway, our love affair with music by sometimes finding a dark corner near a speaker in a club or letting off a dance in the kitchen. The book ends with young people dancing their stories. A fitting place for a new beginning.

Through the book, she is careful not to overstep beyond her own experience and knowledge. Indeed, instead, Warren’s own experiences are central to this book. She tells the story of herself and her family within their wider context – be that dancing to Top of the Pops as a child in the front room, or the specifics of Ireland’s contentious dance halls around the time her maternal grandmother, Máire, left the country for England. She asks questions about what dancing means through the lens of Britishness, Englishness and, in turn, what those terms even mean. Looking at dances from different regions, she suggests, lends us some insight into identities. It’s kind of different from the communal thing, though, isn’t it? It’s about learning something and being precise. When it comes to the dancefloor, its greatest strength is bringing people together. It’s something we missed during the pandemic, when there was genuine fear that clubs would never open again, or that gigs were arelic of the past. It’s arelease from the 9 – 5, aplace where lovers meet for the first time, where sartorial styles are invented, where new friendships are formed and where youth take their first steps into adulthood.Most of us are familiar with the great feeling we get from spending time on the dance floor. From weddings and holiday parties to aerobic classes or even dance lessons, moving our body often lifts our mood. Turns out dancing can improve our mental health, and there’s a scientific explanation behind those mood-boosting moves. Mirror the movements of the instructor in the dance video. Face the dance instructor in the video and pretend that you are the mirror image of the instructor’s movements. Watch the instructor at all times and try to keep up with all of the steps. [8] X Expert Source Yolanda Thomas Us club regulars need no convincing. But throughout Warren’s book, the police are aforeboding presence, poking their beaks into almost every chapter. They’re either closing down aparty, attempting to end the fun, or at least moaning about it. ​ “I wasn’t expecting to be writing abook with so much police in it,” Warren says. ​ “We know the Met have troubles and need to do some radical fixing up of the systems of accountability around policing, generally, in this country. Iwonder if they just need some dancing culture-ation?” I am often an enthusiastic presence on a dance floor. There are photographs and videos of me as a chubby toddler wriggling to my parents’ Bollywood tapes, I did standard sparkly childhood ballet, I was a huge fan of making up dubious choreographed routines at school discos; and, even now, I love being in the club with the bass reverberating in my chest, laughing with friends as they catch wines in a humid crowd at carnival, or else dancing alone, swaying my hips in the company of my reflection in my bedroom mirror.