No Singing For Demi Moore". Tribune Media Services. Sun-Sentinel. April 19, 1996. Archived from the original on December 5, 2014 . Retrieved December 1, 2014. Katzenberg had also wanted Meat Loaf for the role of Quasimodo, but he passed on the role after Disney could not come to an agreement with his record company. [21] Mandy Patinkin was also approached for the title role, but his style of portraying Quasimodo collided with the producers' demands, and Patinkin stated, "'I [was] just there at the audition [and I] said, 'I can't do this. '" [25] Tom Hulce was cast as Quasimodo following his first audition for the role, and according to the actor, he noticed during the audition that the Disney executives, producers, and directors "were staring at the floor. It looked like everyone was at a memorial service" until he noticed the floor was lined with storyboard sketches. According to Wise, the filmmakers "like to audition the voices with our eyes closed, so we see the character's face." [26] Quasimodo was originally portrayed as older and with more of a speech impediment during the early rehearsals, but Hulce commented that "we experimented, endlessly. At one point I was ready to call in and say 'Things just aren't happening'." [27] Ultimately, the directors desired to portray Quasimodo with a younger voice different from the previous portrayals since "[Victor] Hugo described Quasimodo as 20." [8] Additionally, Hulce was permitted to do his own singing after performing a demo recording of " Out There." [28] Past Saturn Awards". Saturn Awards.org. Archived from the original on September 14, 2008 . Retrieved May 7, 2008. The Nutty Professor' weighs in at No. 1". Daily Record. July 2, 1996. p.23. Archived from the original on May 6, 2023 . Retrieved April 29, 2023– via Newspapers.com. Hartl, John (June 19, 1994). "The Lion King' Gives A New Voice To Disney Storytelling". The Seattle Times. Archived from the original on December 26, 2019 . Retrieved December 6, 2014.

According to the film's production notes, Quasimodo is "symbolically viewed as being an angel in a devil's body." He is "trapped between heaven above [and] the gritty streets of urban Paris viewed as Hell." The version of the alphabet Quasimodo recites in a daily ritual reflects Frollo's view of the world – full of abominations and blasphemy. He is also constantly called deformed, ugly, a monster, and an outcast who would be hated if he ever left the confines of the church. [45] Release Round up as many well known British thespians who prefer theatre and shower them with money to appear. kocham ta bajke przysiegam w ciagu osttnich 4/6 miesiecy obejrzalam ją przynajknije 300 razy znam wszytko na pamiec a i tak sie nie nudzi blagam frollo kocham cie nadepnij na mnie nwm spal mn na takim stosie kochamc ie A world based on the movie, "La Cité des Cloches" (The City of Bells), made its debut appearance in the Kingdom Hearts series in Kingdom Hearts 3D: Dream Drop Distance. It was the first new Disney world confirmed for the game. [ citation needed]

A Plac Maubert dośó przecież wielki! – zauważył jeden z aplikantów, umieszczony na zastawie okienicznej. Zaczynajcie natychmiast! Misteryum! misteryum niezwłocznie! – huczał motłoch. A nad wszystkiemi górował głos Jehana de Molendino jako gwizdałka sród rozhulanego prażniku w Nimes. Bates, James; Apodaca, Patrice (June 20, 1996). "Stalking the King of Animation". Los Angeles Times. Archived from the original on June 24, 2021 . Retrieved June 21, 2021. Bates, James (July 23, 1996). "Quasi-Successful". Los Angeles Times. Archived from the original on December 22, 2014 . Retrieved December 8, 2014.

Chicago Sun-Times film critic Roger Ebert rewarded the film 4 stars, calling it "the best Disney animated feature since Beauty and the Beast – a whirling, uplifting, thrilling story with a heart touching message that emerges from the comedy and song." [66] In his review for the Chicago Tribune, Gene Siskel awarded the film 3 + 1⁄ 2 (out of a possible 4) stars, describing the film as "a surprisingly emotional, simplified version of the Victor Hugo novel" with "effective songs and, yes, tasteful bits of humor." [67] Owen Gleiberman of Entertainment Weekly graded the film an A, labeling it as "the best of Disney's 'serious' animated features in the multiplex era, (...) an emotionally rounded fairy tale that balances darkness and sentimentality, pathos and triumph, with uncanny grace." [68] Tego, co ma nastąpić? – przerwał Gringoire. – Ależ, mej Boże! w tym celu najlepiej jest słuchać przedstawienia. Stewart, Jocelyn (February 10, 2008). "Artist created many famous film posters". Los Angeles Times. Archived from the original on March 14, 2010 . Retrieved February 10, 2008. Owa! czy was djabli, mistrzowie kunsztu!... i te wszystkie wasze pyszne kapy czarne! i czerwone wszystkie kapy!Nelson, Valerie (August 20, 2006). "Tony Jay, 73; Veteran Voice Actor in Film and Video Games". Los Angeles Times. Archived from the original on December 22, 2014 . Retrieved November 30, 2014. Some audiences expressed concerns about whether the film was appropriate for children. [79] Jason Alexander said that while "Disney would have us believe this movie's like the Ringling Bros., for children of all ages," he would not take his then-four-year-old child to view the film. [12] However, some newspaper publications reported child audiences being unaffected by the mature content and praising the film. [79] [80] Some audiences criticized the film for having "homosexual undertones," noticeably with the song "Out There," being the name of a gay pressure group and as a call to come out of the closet. [81] [82]

Powiedz raczej, opacie – odrzekł kardynał głośniej z uśmiechem – powiedz raczej: Porcos ante Margaritami.Rose, Simon (July 11, 1996). "Quasi-rudo!; Disney takes a risque with sexy scenes". The Mirror. Archived from the original on December 9, 2014 . Retrieved December 8, 2014– via The Free Library. Notre damn". The Advocate. Here. July 23, 1996. Archived from the original on July 2, 2021 . Retrieved February 16, 2015.

Disney Signs Up More Toon Talent". Variety. November 5, 1995. Archived from the original on December 26, 2014 . Retrieved November 30, 2014. Vincent, Mal (June 20, 1996). "Will Disney's Hunch Pay Off? This Animated Feature Is a Broadway Musical". The Virginian-Pilot. Archived from the original on March 29, 2015 . Retrieved February 16, 2015. Glancey, Jonathan (July 15, 1996). "Do we need Disney?". The Independent. Archived from the original on February 21, 2017 . Retrieved February 16, 2015. Since Who Framed Roger Rabbit (1988), other animators hired by Disney Feature Animation were from Germany, France, Ireland, and additional ones from Canada were involved in providing animation duties at the recently opened satellite studio, Walt Disney Animation Paris, [18] of which about 20 percent of the film was done. [35] Meanwhile, at the Feature Animation Florida studio, which had been working on Mulan (1998), their first in-house production, at least seven animators penned about four minutes of screen time, which mostly involved Frollo and Quasimodo. The studio had also provided additional layout, cleanup, and special-effects animation. [36]Hej-ty! mistrzu Joachimie Ladehors! Hej-drugiś, Ludwiku Dahuille! Hej-tam ty poczwaro jakaś! Lambercie Hoctement! Wasza Eminencya napróżno tylko grzeczność traci z tymi wałkoniami flamandzkiemi. Margaritas ante porcos.