The Metropolitan Museum of Art. “1800-1866, Plate 079.”Gift of Leo Van Witsen. https://libmma.contentdm.oclc.org/digital/collection/p15324coll12/id/11916

Are Fashion Plates Accurate? - The Costume Rag". The Costume Rag. 2018-01-31 . Retrieved 2018-02-03. The dress and textile collection is complemented by related material in the social and working history, photograph and printed ephemera collections, and the museum library. These holdings include the Harry Matthews Collection of costume and fashion plates consisting of around 3,500 prints dating from the 16th century to 1829. Custom Fashion Designer Desk Name Plate Wedge Personalized Fashionista Nameplate Office Sign Shelf Tabletop Plaque Gift Decor Costume and accessories associated with the theatre, music hall, opera, ballet, circus, cabaret and television from the late 18th century to 1970.Several ladies’ magazines aimed at fashionable society appeared towards the end of the 18th century and in increasing numbers in the 19th, anticipating new styles as well as recording what had been worn. Until the 1820s engravings were made on copper printing plates, the softness of which limited the number of prints that could be taken. But their replacement by harder steel-faced plates, the introduction of new mechanised printing methods in the middle of the century and the removal of the tax on papers in 1854 all led to larger editions and a dramatic increase in sales, as well as a substantial decrease in price. The Metropolitan Museum of Art. “Women, 1790 – 1799, Plate 002.” Gift of Woodman Thompson. https://libmma.contentdm.oclc.org/digital/collection/p15324coll12/id/3469 From Dot Cotton’s Alexon coat to Mr Fish’s maxi-smoking dress, here’s a peek into the Museum of London’s Fashion City exhibition. Screenprint with offset lithography, hand colouring and collage 29 1/2 × 25 5/8 (749 × 650) on paper 39 × 27 1/4 (990 × 692) watermarked ‘FABRIANO’, offset lithography printed by Sergio and Fausta Tosi, Milan, screenprinting by Chris Prater at Kelpra Studio, published by Petersburg Press in an edition of 70

Clothes began to be collected as soon as the idea of a museum for London became reality in 1911. Until around the 1960s mainly garments from earlier periods were added with the exception of the two World Wars when contemporary collecting took place. The early curators of the museum were aware of the importance of clothes to bring history to life and in 1933 the museum was the first in Britain to publish a catalogue of its costume collection. Fashion plates do not usually depict specific people. Instead they take the form of generalized portraits, which simply dictate the style of clothes that a tailor, dressmaker, or store could make or sell, or demonstrate how different materials could be made up into clothes. The majority can be found in ladies' fashion magazines which began to appear during the last decades of the eighteenth century. Used figuratively, as is often the case, the term refers to a person whose dress conforms to the latest fashions.Along with advancements in technology, depictions of children's clothing can also be seen in nineteenth century fashion plates. a b "Fashion Plates introduction - National Portrait Gallery". www.npg.org.uk . Retrieved 2021-03-18. Determined to make a print as a further step towards a painting, Hamilton photographed, in collaboration with Tony Evans, a carefully-chosen grouping of studio equipment for fashion photography, to act as a frame for a head-and-shoulders image, and to emphasise the ritualistic character of the fashion photo-session. This was lithographed in Milan, soft tonality and luminous whiteness being accentuated. Hamilton began building up on the sheet... collage elements which should recur throughout the print's edition. As this proceeded, the difficulty of obtaining sufficient identical collage material for an edition combined with the developing physical interest of this and other studies to change the project to one of an interlinked series of collage- drawings (Morphet, p.86).