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Musa Okwonga - In The End, It Was All About Love

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A short one lent to me by my law student… nothing super radical but just a very honest and relatable story of loneliness and longing and growth and identity. Recommend! The power of the romantic narrative to drive dating behaviour and commerce is clear but it may also have darker consequences. In 2017 the testimony of 15 women regarding intimate partner violence (IPV) was published. It was clear that one of the issues with IPV was the stories these women had heard about what love was. Love overcomes all obstacles and must be maintained at all costs (even when you’re being abused). Love is about losing control, being swept off your feet, having no say in who you fall for (even if they are violent). Lovers protect each other, fight for each other to the end (even against the authorities who are trying to protect you). It is interesting to contemplate the power of our words. We speak without thinking but the stories we tell our children have consequences.

In The End, It Was All About Love | Book Musa Okwonga - In The End, It Was All About Love | Book

There is a specific time and date you have been fearing for much of your adult life. When that moment passes, you will be precisely one second older than your father was when he died, and you will have precisely no idea what to do next.The narrative itself, writing about the past in present tense second-person was a very good idea that makes reader's sharper feelings and stronger emotions. Coming up to the age at which his father died, the narrator is having something of a mid-life crisis, his career rewarding intellectually but not financially, failing to find love, and increasingly finding Berlin is not the refuge from racism he has hoped. I remember putting this together in our rehearsal studio on Hollywood and Vine, working overnight in a room with no windows. I had no idea what time of day it was; I just slept when I was tired, and worked on this song until it took shape. The first guy to hear it was Rob, who told me (I’m paraphrasing) that this was ‘exactly the kind of song he wanted us to write. Part One: Righteous Migrants - the poem concerns the lingering effect of the winds that blew the slave ships, and the narrative tells of the narrator's time in Berlin.

In the End Lyrics | Genius Lyrics Linkin Park – In the End Lyrics | Genius Lyrics

Ae-jeong then finds out that Dae-o was leaving without telling her and she’s heartbroken. Dae-o explains that he wants to tell the world their real story but that it will take time. He doesn’t want everyone pitying Ha-nee and Ae-jeong. She tells Dae-o that he can write the real love story without leaving them. Dae-o is worried about people talking and not leaving them alone — he wants to write in solitude. While she fulfills her dream, he will become a new writer. Ae-jeong shares the news with her mother and cries, explaining how heartbroken she is. This really is the last roll of the dice to keep these two apart in the finale — the K-drama series could not help itself. The ending of the finale Many people will call it that, even those who should know better. It is not a bubble. A bubble is a carefully-sealed world whose occupants are oblivious to everything that happens beyonf: it. Berlin is something different. It is a refuge, an enclave, a safe haven. If Berlin were your bubble then that would mean you were incurious about whatever happened in other parts of the world. But you are acutely aware of those happenings, and that is why you are here. There is a very good chance that you are here because you fled the true bubbles of our societies—the small suburbs and villages where you were raised. where your difference was at best tolerated. There is a very good chance that those places, those bubbles, will resent how you see them now. that they will interpret your distance as elitism and snobbery as opposed to an essential act of self-protection. Those places, those bubbles, will not stop to think about what they did to you, that you were so traumatised that you had to flee at the earliest opportunity.

Ha-nee seems content on keeping up to date with the news — she’d rather know what everyone else is saying than not know. She tells her grandmother that the kids have not bullied her over it and actually, they’ve been nice. Ha-nee continues and states that she can tell Dae-o is not a bad man. The narrator arrives in Berlin, a place famed for its hedonism, to find peace and maybe love; only to discover that the problems which have long haunted him have arrived there too, and are more present than ever. As he approaches his fortieth birthday, nearing the age where his father was killed in a brutal revolution, he drifts through this endlessly addictive and sometimes mystical city, through its slow days and bottomless nights, wondering whether he will ever escape the damage left by his father’s death. With the world as a whole more uncertain, as both the far-right and global temperatures rise at frightening speed, he finds himself fighting a fierce inner battle against his turbulent past, for a future free of his fear of failure, of persecution, and of intimacy. There’s something about the third person that I don’t like. I have always found it jarring and there are very few books utilising this writing which I have liked. Musa Okwonga’s In the End it was All About Love has joined that tiny list. And finally you are free; in the end, it was all about love ….your vehicle circles round the yard, draws out of the field and indicates to its right, and then begins the slow descent towards Kampala. It’s a special team. The club I play for, the Unicorns, is set up with a specific charter of being anti-racist, anti-homophobic, anti-sexist. The players are selected on being good at football, but also on being good people. We would have trials and then go for a drink at the pub with all the trialists to see what they’re like. Sometimes brilliant footballers would come to trial but wouldn’t be invited to the squad because they aren’t gentle people.

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