John Wick: Chapter 4

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when in any given frame not everything can be clearly discerned, but doing an A to B comparison with the 1080 disc showed at least some sequences, but both an extended, unedited "shot from above" vignette and a fantastically exciting car chase around the Arc de Triomph provide some

this fourth outing, as John has come to the semi-reasonable conclusion that the only way he's ever going to be able to survive is to assassinate theAlongside the film, the 4K Ultra HD, Blu-ray, DVD, and digital versions of the film will also include a wealth of bonus features. Among them are a series special shorts, focused on the making of the film, trailers, and more.

reliance on purples and teals and a noticeable push toward blues and yellows. I almost jokingly thought maybe director Chad Stahelski had been replaced by Wes Anderson (wouldn't that have been interesting) due to the prevalence of symmetrical framings on display throughout the also managed to at least briefly reintroduce The Bowery King (Laurence Fishburne), who in fact is the "culprit" with the match, leading tomarginal improvement. A light dusting of digital grain tends to be most noticeable in the more brightly lit moments, as in the early scene in the desert a number of standout effects, but some of them actually tend to be most effective when they're relatively subtle, as when New York's Continental gives storytelling despite that baseline simplicity, including any number of characters who are shall we say on the hyperbolic side. But certainly one of