Whilst this is considered to be a fuzz pedal. I’d say it is both fuzz and distortion for bass in one. This pedal lets you go from subtle drive all the way up to high gain. It features a two-way selector knob which lets you opt between fuzz or distortion. The distortion channel misses the fuzz and the dry signal for a tone with more definition. The Fuzz setting is your straight-up fuzz setting. It has a tone, gain and volume knob. A good tip with this pedal is that you can use the volume knob as a boost function. However, this only works in fuzz mode and not distortion. Lastly, it is believed that this pedal is a clone on the Electro-Harmonix Bass blogger pedal. Okay, where to begin. So, the Mooer Micro ABY is a clone of the EHX Switchblade. Or, I should rather say that it WAS a clone of the Switchblade. You see, Mooer doesn’t produce the first version of the Micro ABY. Instead, they stopped making the Micro ABY and released a Micro ABY MK11.

Mooer Flex Boost Overdrive | Reverb

The world’s greatest electric guitar player, Jimi Hendrix used a silicon Fuzz Face. And, if achieving a similar tone to Jimi is what you’re after, I suggest starting with one of these. Now, the Silicon Fuzz face is still available on the market today. Despite having gone through different companies, Dunlop now makes these in pretty much the same fashion as the old ones. They can, however, become quite costly. But, the Mooer Blue Faze is a particularly good clone for a budget pedal.At first glance, this MOC1 effects pedal looks very complicated. However, it is in fact quite simple to grasp. To start with, there are eleven different modes for the various octaves. With each different mode, you’re able to adjust, add and blend the low and high octaves to your taste. You can also control your original signal so if you want none of it you can take it away. If you only want a subtle octave, you can retain most of your original sound. I also discovered that the Mooer Blue Comp uses an Optical TA7136 chip. Which, if I’m not mistaken is the same chip found in the Boss CS-1 So how am I sure this is not a clone? There are two massive dead giveaways that tell me this isn’t a Boss clone. Firstly, the frequencies are completely different from the Boss. Secondly, the Mooer is a 5 band EQ whilst the Boss is a 7 band eq. Here is a closer look at the difference in frequencies between Graphic B and the GEB-7: Mix: Allows you to blend the wet & dry signal. I.e. how much of the effect you want to come through in conjunction with your regular dry signal

Mooer - Flex Boost Pedal

The “Hot” setting is bigger sounding and delivers more gain and a lot more midrange. The “hot” setting on the green mile is very reminiscent of the Ibanez Turbo Tube Screamer. Which, also has a Hot mode. The Turbo TS also uses the TS-9 as a basis for the pedals sound. Therefore, I don’t think I’d be too far off from saying that the Green Mile is more of a clone of the Ibanez Turbo TS9DX, rather than the classic TS-9. Mooer Green Mile vs Tube Screamer Whilst there are some definite similarities in the way both these pedals sound, there are also some differences in the way in which the Mooer Ensemble chorus was designed. The biggest difference can be seen on the Mooer Ensemble with the addition of an extra volume knob. The Boss CE-2 came with only two control, which let you control the depth and the rate. But, the Boss CE-2 failed to come with a level knob. Something which could’ve been useful on such a legendary pedal. However, the Mooer is a pretty versatile chorus with a wide array of chorus effects. While for some of these there are newer and better alternative equivalents out there, a large number of these still holds their relevant place in their respective category - I will briefly review each, give my verdict as it pertains to me, and state notable alternatives! I like the Mooer Grey Faze a lot. I also think it fares well as a clone of the Germanium Fuzz. This pedal has a super simple layout. With only a volume knob and a fuzz knob, much like the Dunlop Germanium fuzz face. The fuzz knob controls the volume of the fuzz effect. Whilst the Fuzz knob controls how much fuzz you want. I find the fuzz knob to be very responsive on this Mooer pedal, which is something I really like about it.The Mooer Fog is actually a bass pedal. But it can definitely be used on the guitar, too. Apparently, this Mooer pedal is a clone of the Zvex Woolly Mammoth (also a bass pedal). The pedal Features 4 knobs which include; tone, volume, fuzz, and squeeze. The “Squeeze” parameter is where you can craft your own fuzz sound and can be related to the “pinch” knob on the actual Zvex Woolly Mammoth. The Sound Of The Fog Fuzz Mooer Pedal? Having said, these pedals do the bass sound from the band, “Muse” pretty well. So if you’re a bass player in a Muse cover band, then I highly suggest getting on of these pedals. There are some settings on the fog that you can set which will maintain the low end somewhat. However, for the most part, this pedal tends to cut out the low end. And as a result, you’re left with an underwhelming fizzy sound. This can often be the case with not only these bass fuzz pedals but bass fuzz pedals in general. All of those are truly great minis and stand up well against pretty much everything at this size, even against larger enclosure types. If you’re a lead guitarist then this is one of those essential distortion pedals you need on your board. The Original Riot distortion by Suhr would be the first choice. However, these are expensive and big. The Mooer is much cheaper and smaller and delivers the same features and similar sound as the Suhr does. The Solo has 3 different modes which can be activated by a toggle switch. These include: Looking to get extreme with your tone? Like death metal extreme. Then this Rage Machine distortion pedal will definitely do the job for you. Despite the tiny size, this pedal produces one of the largest sounds out of all the pedals in this range. The pedal features four separate controls. The level knob controls the volume. The Low and High knobs control their respective bass and treble EQ. And finally, the “rage” knob refers to the distortion control. Rage Machine Clone Vs Digitech Death Metal

Mooer Audio Flex Boost Effect Pedal | Guitars XS | Reverb

One of the best descriptions I read about this pedal went something along the lines of, fuzzy on the outside and warm on the inside. This is such an accurate description of this Mooer fuzz pedal. Mooer Audio Grey Faze Fuzz Vs Dunlop Germanium Fuzz Face That is why it is recommended to run a separate dry signal to maintain the low notes of the bass. After all, that’s what the bass is there for! It makes no sense to me, to use a pedal that cuts out the very essence of what the instrument was intended for. Alas, I am biased due to the fact that I’m in a band with a bass player that has never used any pedals. Mooer Fog Bass vs Zvex Woolly Mammoth?Boss DM-2 is definitely one of the most classic Boss guitar effects pedals from the early days of the compact stomp boxes. This Boss DM-2 is still an exceptionally sought after pedal. Especially due to the fact that Boss stopped making them for a very long time. It is only now in recent times that they’ve reissued these. Before then, it was hard to get your hands on this epic analog delay. That was until Mooer created this great clone. The Ana Echo analog delay is the Mooer mini version of the DM-2 by Boss. These are both analog delays with. However, I’d say that the Boss DM-2 sounds more natural to my ear. There’s also a certain organic decay that the Boss has which the Mooer doesn’t. This is such a minor detail that most people won’t ever notice. In my personal experience, these Mooer clone pedals were some of the first mini pedals I came across. And they were some of the first mini pedals that were made available at prices that most guitarists can afford. Whilst the Mooer clones might not have been the very first mini pedals to come out, they surely played a massive role in popularising mini guitar effects pedals. The Blues crab is more of a clean drive pedal that is merely meant to boost or push the front of a tube amplifier. Either to an amp that is about to break up or an already driven amp. The blues mood, on the other hand, has more gain on tap and can be used to achieve subtle gain to crunch bluesy goodness.

MOOER Audio MOOER Audio

I like the overall naturalness of the chorus sound I get from the Mooer Ensemble. Many other cheaper Chinese clone pedals tend to produce a tiny and thin chorus tone which I don’t like. The Mooer Ensemble king does not do this, and that is why I think it is such a great clone. It’s pretty tough, I would imagine, to recreate such a legendary Boss pedal. But, Mooer does it really well with this pedal. Explaining this 3-way toggle switch, and this auto-wah pedal, in general, is very tough. Describing an auto-wah is immensely difficult to put into words. However, the video below should give you more than a sufficient look at this pedal as well as the tones you can achieve from it. Mooer Funky Monkey For Bass? I am so glad that Mooer has released a pedal that is a clone of the original Marshall Blues Breaker pedal. I mean, Marshall does have a newer V2 of the Blues breaker but it is not quite like the original. To my ears, I’d say that the Mooer Blues Crab is even closer to the sound of the Vintage Marshall Blues Breaker pedals than that of the actual Marshall BB-2. Finding that original blues breaker tone was difficult until Mooer released the Blues crab. The colors are also pretty darn similar. Thus, further confirming confirmation that this is a clone. The video down below this is a fantastic demonstration of the Mooer Ana Echo Vs Boss Dm-2. Listen carefully as it can be quite hard to distinguish between the two pedals. As I’ve already said above, I do tend to find that the Boss has a more “analog” sound if that makes sense. There’s honestly just something about the decaying notes that the Boss DM-2 produces which the Mooer Ana Echo misses out on slightly. Completely unnoticeable in a gig or live band setting.The difference between these two pedals is that the Boss has a completely different layout. The Mooer Pitch Box has one knob which controls the Pitch. Along with a 3-way toggle switch which does actually maintain some of the same modes as found on the Boss PS-5. Such as Harmony, Pitch Shift, and Detune mode. Whereas the Boss PS-5 has essentially 4 knobs (5 if you want to get technical) which include: Balance knob, Key selection knob, Pitch knob, and a mode selector knob which allows the choice between5 different modes including harmonist, pitch shift, detune, T. Arm and flutter. There is also the really high quality Japanese OneControl brand with its excellent Bjørn Juhl -designed minis, and LA-based Italian-made F-Pedals which both could do with more advertising really and more exposure. Yet within all of that Mooer still has a place for providing quality pedals at the right price - the sort of M&S of mini pedals I guess. There are lots of pedal snobs out there, but I personally have a healthy mix of pedals from all corners of the world and I rate them not on where they come from but how they play and how they sound. Admittedly there are only a couple of mins currently in my pedal-chain - largely because I get more options and versatility with compact sized enclosures. If there color, layout, and font weren’t enough of a giveaway, I can surely tell you that the Mooer Hustle Drive is a clone of the OCD overdrive pedal by OCD. In my opinion, the Hustle Drive by Mooer Pedals is not quite as good as the original OCD Pedal, but I’ll get into that a little further down. As far as the volume drop is concerned. I have not experienced this “fault” unless of course, the internet is referring to the fact that this pedal produces a volume-drop type of effects. In which case, it definitely does. Trelicopter Vs Demeter Tremulator The Silicon Fuzz Faces are known for being a rather wild and in your face fuzz tone. I like to describe it as a brash fuzz, but I the word “brash” in a positive way. What I mean by this is that when you engage the pedal, you’ll definitely stand out. Which is something I love about the sound of these. They’re full-blown fuzz in the true sense of the word. I much prefer the silicon fuzz sound to that of the germanium fuzz pedals. Mooer Blue Faze Vs. Dunlop Silicon Fuzz Face