Samsonite Andante 2 Wheeled Duffel

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Epstein, David (1995). Shaping Time: Music, the Brain, and Performance. New York: Schirmer Books. ISBN 0-02-873320-7. Marty, Jean-Pierre (1988). The Tempo Indications of Mozart. New Haven: Yale University Press. ISBN 0-300-03852-6. Twentieth-century classical music introduced a wide range of approaches to tempo, particularly thanks to the influence of modernism and later postmodernism. American Symphony Orchestra League (1998). "Journal of the Conductors' Guild, Vols. 18–19". Journal of the Conductors' Guild. Viena: The League: 27. ISSN 0734-1032. For a modern example of L'istesso, see measures 4 and 130 of Star Wars: Main Title, Williams (1997), pp. 3 and 30.

Italian Musical Terms - Music Theory Italian Musical Terms - Music Theory

Allegretto – by the mid-19th century, moderately fast (112–120bpm); see paragraph above for earlier usage I literally could not stop ooo-ing and aah-ing over this duffel when it arrived. The vegan leather is so soft and luxurious, and the colorways are sure to put a smile on any traveler’s face. This bag has so many smart features.With the advent of modern electronics, beats per minute became an extremely precise measure. Music sequencers use the bpm system to denote tempo. [2] In popular music genres such as electronic dance music, accurate knowledge of a tune's bpm is important to DJs for the purposes of beatmatching. [3] Andranik Tangian (1994) "A principle of correlativity of perception and its application to music recognition". Music Perception. 11(4), p. 480 Modern classical music [ edit ]

Tempo - Wikipedia Tempo - Wikipedia

William E. Caplin; James Hepokoski; James Webster (2010). Musical Form, Forms & Formenlehre: Three Methodological Reflections. Leuven University Press. p.80. ISBN 978-905-867-822-5. Many tempo markings also indicate mood and expression. For example, presto and allegro both indicate a speedy execution ( presto being faster), but allegro also connotes joy (from its original meaning in Italian). Presto, on the other hand, simply indicates speed. Additional Italian words also indicate tempo and mood. For example, the "agitato" in the Allegro agitato of the last movement of George Gershwin's piano concerto in F has both a tempo indication (undoubtedly faster than a usual Allegro) and a mood indication ("agitated"). While the base tempo indication (such as Allegro) typically appears in large type above the staff, adjustments typically appear below the staff or, in the case of keyboard instruments, in the middle of the grand staff. Williams, John (1997). Star Wars: Suite for Orchestra. Milwaukee: Hal Leonard Corp. ISBN 978-0-793-58208-2.More extreme tempos are achievable at the same underlying tempo with very fast drum patterns, often expressed as drum rolls. Such compositions often exhibit a much slower underlying tempo, but may increase the tempo by adding additional percussive beats. Extreme music subgenres such as speedcore and grindcore often strive to reach unusually fast tempo. The use of extreme tempo was very common in the fast bebop jazz from the 1940s and 1950s. A common jazz tune such as " Cherokee" was often performed at quarter note equal to or sometimes exceeding 368bpm. Some of Charlie Parker's famous tunes ("Bebop", "Shaw Nuff") have been performed at 380bpm or more. [ citation needed] There is also a subgenre of speedcore known as Extratone, which is defined by music with a BPM over 1,000 BPM. The ideal size of a duffel bag for travel will depend on your individual needs and preferences, as well as the specific type and duration of your trip. As a general rule, the best travel duffel bags are around 50-75 liters in volume.

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Andantino – slightly faster than andante, but slower than moderato (80–108bpm) (although, in some cases, it can be taken to mean slightly slower than andante) Stretto – in a faster tempo, often used near the conclusion of a section. (Note that in fugal compositions, the term stretto refers to the imitation of the subject in close succession, before the subject is completed, and as such, suitable for the close of the fugue. [26] Used in this context, the term is not necessarily related to tempo.)Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often indicated by a conductor or by one of the instrumentalists, for instance the drummer. Some of these markings are today contentious, such as those on his "Hammerklavier" Sonata and Ninth Symphony, seeming to many to be almost impossibly fast, as is also the case for many of the works of Schumann. See "metronome" entry in Apel (1969), p. 523. Apel, Willi, ed., Harvard Dictionary of Music, Second Edition, Revised and Enlarged. The Belknap Press of Harvard University Press, Cambridge, Massachusetts, 1969. ISBN 978-0-674-37501-7