The microphone is equipped with a selection of filters, including a high frequency boost, low frequency cut-off, and a -10dB attenuation pad. All these filter options are clearly marked and are accessible on the microphone’s base, making it easy to adjust your sound on-the-fly. Its built-in rechargeable battery is touted to last 150 hours, so you’ll never have to worry about this mic cutting off mid-take. The battery can be recharged using the micro-USB port recessed in the microphone’s XLR port, requiring only 2 hours for a full charge. It also comes with the Rode pistol grip for hand-held recordings. Alternatively, it can be mounted to a mic stand or boom pole via standard 3/8” thread.

21cm Long Foam Sponge Windscreen Shotgun Cover for Microphone

Tape the excess plastic down at the top of the shotgun. Try to make the surface as smooth as possible.

NTG-2 has the same specifications as the NTG-1, but with the added flexibility of battery powering (via a single 1.5V AA cell) as well as standard 48V phantom power. Both have XLR-3 connectors. Although Rode doesn’t list a value for wind attenuation, Rycote makes a deadcat specifically for the Rode blimp and by their testing, they say their deadcat + the Rode blimp equals 50 dB of wind attenuation. The NTG-8 is a 'broadcast quality' shotgun microphone featuring true externally RF biased condenser capsule. The super-cardioid pattern and 559mm length gives the user increased directionality, and this coupled with low handling noise and range of 40Hz-20kHz results in a smoother and more natural sound. The microphone's resistance to high humidity environments and high immunity to radio frequency interference means it is suited for many uses including long distance miking, film, television, sports and outdoor broadcasting. The NTG-8 is 48V phantom powered (44-52V, minimum 2.5mA), with a 3-pin XLR connector. High frequency boost: maintains clarity in your sound when using your shotgun microphone with a blimp or deadcat.

Shotgun Microphone Windscreens - Scan Sound, Inc. Replacement Shotgun Microphone Windscreens - Scan Sound, Inc.

The Softie Windshield has become the industry standard for wind protection on location. Rycote is the most trusted brand of professionals for wind protection because of their build quality and performance.If you need a blimp, the overall length of your microphone is more important because the blimp has to encompass the entire microphone. A pop filter is going to serve you best in the studio when you’re in a controlled environment (ideally an acoustically-treated one as well!). Pop filters help diffuse some of the acoustic energy behind plosives, which lends itself to a cleanly recorded vocal that requires less editing. Pop filters commonly attach to a microphone stand and are made out of nylon or metal. NPR audio engineers tested the sound quality of these mic protection methods. If an engineer can fix your tape before it goes on-air, that’s ideal. Also engineer-approved are the cleaning and sanitization methods detailed below. You’ll notice that the Cyclone has a very unique design. That’s because it’s wrapped in 3D-Tex, Rycote’s latest innovation. Cut off the excess towards the handle. Then tape to keep the cover secure and reduce crinkling noise.

Shotgun Microphones | RØDE Microphones Shotgun Microphones | RØDE Microphones

Lightweight short shotgun microphones featuring true externally-polarised condenser capsules. A wide bandwidth and controlled polar response, coupled with low-noise electronics, delivers excellent results for film and broadcast video applications. The NTG-1 is 48V phantom powered, with integral switchable HP filter and has an XLR connector. Included accessories: RM5 microphone clip, windshield and ZP1 zip pouch. ( NTG-4+ also includes Micro USB cable). Rode NTG3: This legendary shotgun microphone paved the way for the NTG5, introducing RF-bias technology and a sound signature ideal for interior location shooting. We get this question all the time: “Are pop filters really necessary? Do I actually need a windscreen for a decent recording?” The honest answer is, “It depends.” Wash your foam microphone windscreens and softies (dead cat) using a mild solution of soap and water, per the sanitization tips below.Indoors Controlled (zero): Recording stationary sounds indoors with only 1 person. Just you and your subject. Under these circumstances, there is virtually zero air movement. Not only that, it also eliminates any “surprises” that may stir up some wind caused by people walking by or turning on fans. This level of control makes for an “air-tight” environment, requiring zero wind protection.

Microphone Windscreen vs Pop Filter: What’s the Difference? Microphone Windscreen vs Pop Filter: What’s the Difference?

Put on gloves or put your hands in baggies. Remove any barriers you have put on your microphones and throw them in the trash. Attenuation pad: reduces the gain of your microphone, helping you cleanly capture loud sources such as concerts or people yelling.Take your scissors and cut off the excess plastic. Loose ends can cause crinkling sounds when touched. When you’re deciding whether to use a windscreen vs pop filter, consider the situation first and foremost. It isn’t so much that one is better than the other, but that they each attempt to preserve the integrity of a recording under different circumstances. On the contrary, microphone windscreens are primarily used outdoors when recording on location for film, TV, and broadcast. As the name suggests, they minimize wind and outdoor ambience from ruining the recording. Microphone windscreens are a kind of microphone cover that envelopes it, such as with a shotgun mic, and are made out of foam or faux fur.