Every character is extremely flawed yet very loveable. There are characters of every age and stage of life. Some have their shit sorted (mostly) and others are clutching at straws and just hanging in there. As we get to know the characters we become invested in many stories and are seeing everyone’s perspectives without an inch of confusion of who is who or what was going on. Befriended by newly widowed next door neighbour Phyllida (or Phil, as she likes to be called), her days have some meaning. Especially when Stu has trouble coming to terms with being a responsible adult and a father. This story line is interspersed with Phil’s own children and their troubles. Not the most compelling story, I was surprised Meg Mason also wrote Sorrow and Bliss (one of my favourites of last year), as the books are so very different in pace and style. Abi embodies a new generation moving beyond these outdated cultural norms, while still nodding towards the struggles faced by those born into disadvantage – and the millennial gentrification of once working class urban areas. All the stars for this affectionate study on mothers and their children (mostly daughters). Abi, of a troubled upbringing, falls pregnant to Stu, Aussie uni student, so they decide to make a go of it in Sydney. New to parenting (weren’t we all), Abi’s only experience is with her hoarder mother; until she meets Stu’s mum - the intimidating and disapproving Elaine ‘She emphasised the E, as though sadly accustomed to people making too short of that improtant first syllable. E-laine. She had a narrow frame, neat bosom, and a coarse, ferociously brushed plume of hair. Its short sides and rounded top put Abi in mind of a toilet brush.’

SORROW AND BLISS is a modern love story that’s funny and dark, sharp and tender, hopeful and hard to put down. It has a brooding Sally Rooney vibe (but explores a slightly older and more mature slice of life) with exceptional inner monologue and palpable chemistry among the characters.” GOOP Imagine the warmth of Monica McInerney, the excruciating awkwardness of Offspring and the wit of Liane Moriarty, all rolled into one delightful, warm, funny and totally endearing novel about families – the ones we have, and the ones we want – and the stories we tell ourselves about them. I loved You Be Mother and found it to be a delightful read that took me off to another world and made me look forward to the hours I could spend reading. Sometime laugh-out-loud funny, other times sad, this was a warm, insightful, bittersweet and very poignant book about families that I cannot recommend highly enough. I thoroughly enjoyed every minute of it! But it is a bit of a strange novel. The events in the novel seemed completely unbelievable, especially when Abi returned to London. The story with Stu and his family really didn't add anything to the story; honestly, Stu's decision in the end was just completely out of the blue. Actually, that was the case with all the characters. Completely insufferable until the last few chapters and they all seemed to magically resolve all their issues to live a happy life. One of the many triumphs of the journalist Meg Mason’s second novel is that it is both fantastically dark and almost unbearably funny, so funny that you often have to put it down for a bit and laugh, out loud, sometimes to the point of tears. Then just as you’re laughing the hardest, Mason breezily fires off another little arrow that hits its target with such accuracy that you’re left reeling.” INDIA KNIGHT, THE SUNDAY TIMES

Meg Mason began her career at the Financial Times and The Times of London. Her work has since appeared in The Sunday Times, The Sydney Morning Herald and The Sunday Telegraph. She has written humour for The New Yorker and Sunday STYLE, was a GQ columnist for five years and a regular contributor to Vogue, marie claire, and ELLE. I haven’t cried while reading a novel in a very long time and this just took me straight to a place within that I never knew was there. This novel is hilarious, heartfelt, touching, saddening and infuriating (this one is for the Brush).

Born in New Zealand, writer Meg Mason began her career at the Financial Times in London before switching to The Times to write on lifestyle, parenting and humour. After relocating to Sydney, she began writing for the Sydney Morning Herald, Russh, the British Medical Journal, Cosmopolitan and GQ. She now writes regular features and the popular ‘Mum vs. World’ column for Sunday magazine. She lives in Sydney with her husband and two daughters. In Meg Mason’s almost eerily accomplished SORROW AND BLISS, the narrator Martha has suffered from mental illness since her teens. Yet, without ever playing down her pain, the result is often disconcertingly funny.” THE SPECTATOR Evocative and hopeful, this book changes our perception of break-ups and interpersonal relationships.” BOOK RIOTSharp yet humane, andjaw-droppingly funny, this isthe kind of novel you will want to press into the hands of everyone you know. Mason has an extraordinary talent for dialogue and character, and her understanding of how much poignancy a reader can take is profound.A masterclasson family,damage and the bonds of love:as soon as I finishedit, Istarted again.” JESSIE BURTON, author of THE MINIATURIST SORROW AND BLISS is a thing of beauty. Astute observations on marriage, motherhood, family, and mental illness are threaded through a story that is by turns devastating and restorative. Every sentence rings true. I will be telling everyone I love to read this book.” SARA COLLINS, author of THE CONFESSIONS OF FRANNIE LANGTON Ever since I read "Sorrow and Bliss" I understood that not only Meg Mason was one of my new favorite authors but also that she was one of the greatest, brightest and sharpest writers of this day and age. Rarely have the excoriating effects of mental illness been articulated quite so beautifully – as heartbreaking as it’s funny.” RED MAGAZINE What do you do, when you find the perfect family, and it's not yours? A charming, funny and irresistible novel about families, friendship and tiny little white lies.

The story is told primarily in short, sharp chapters with names! (I love chapters that have names – these are titled from a quote from a character each time and can be quite funny). It’s definitely worth persevering through the early stages as the second half is wonderfully complex and dramatic with a pinch of fun. It] belongs to a lineage of intelligent, witty and inventive novels that interrogate the problem of whether selfhood can survive motherhood, including Jenny Offill’s DEPT. OF SPECULATION and Sheila Heti’s MOTHERHOOD.This all sounds incredibly bleak, but Martha’s sharpness is acerbically funny and compellingly direct and worthy of the frequent comparisons to Phoebe Waller-Bridge’s FLEABAGand Ottessa Moshfegh’s works.” MELBOURNE WRITERS FESTIVAL

The loneliness, isolation and grief throughout is heartbreaking but the moments of belonging and healing make up for this. The difference between those characters who have family vs those who desire family creates a real contrast which also tugs on the heart strings quite a bit.

This was a great book. The whole time I was thinking, Jesus, Abi cannot catch a break! It goes to show how impactful social determinants of health really are. Abi was set up for failure...her sister died, her dad died, and she was barely parented and raised by her mother who was as good as dead. This all contributed to really poor decision making and falling for to the world's shittiest boyfriend (not kidding) and getting pregnant accidentally. Because of this, Abi makes the decision to move from England to Australia to be closer to him. It is an incredibly funny novel, and one that’s enlivened, often, by a madcap energy. Yet it still manages to be sensitive and heartfelt, and to offer a nuanced portrayal of what it means to try to make amends and change, even when that involves ‘start[ing] again from nothing.’” THE GUARDIAN AUSTRALIA

Where can I start? I did wonder if I’d need to rush through this book to begin with but, by the final chapters, I was trying to drag it out and savoured every sentence. This is a story that will settle in the hearts and guts of anyone whose life has been touched by the devastation of not knowing exactly what is wrong, but hoping against hope that there is some way to fix it.” THE SPINOFF, NZ