Aladdin (Disney Aladdin) (Little Golden Book)

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So Aladdin sets off, unsure of how he will ever recover the pavilion and his wife. Then, as he is thinking, he rubs the magic ring he still wears, and the genie of the ring appears. The genie is unable to override the genie of the lamp and so cannot restore the pavilion to Aladdin, but he agrees to transport Aladdin to the place where the pavilion now stands. The original version of the comic book character Green Lantern was partly inspired by the Aladdin myth; the protagonist discovers a "lantern-shaped power source and a 'power ring '" which gives him power to create and control matter. [23]

Adam Robert, The History of Science Fiction, Palgrave Histories of Literature, ISBN 978-1-137-56959-2, 2016, p. 224 Arafat A. Razzaque (10 August 2017). "Who was the "real" Aladdin? From Chinese to Arab in 300 Years". Ajam Media Collective. A 1967 TV movie was based on the Prince Street Players stage musical. This version is very close to the touring musical with about 15 minutes cut to be adapted into the 50 minutes tv program. It had Will B. Able as the Genii and Fred Grades as Aladdin.

In 1986, an Italian production (under supervision of Golan-Globus) of a modern-day Aladdin was filmed in Miami under the title Superfantagenio, starring actor Bud Spencer as the genie and his daughter Diamante as the daughter of a police sergeant. In Kyōryū Sentai Zyuranger, the sixteenth installment of the long-running Super Sentai metaseries, the Djinn (voiced by Eisuke Yoda) that appears in the eleventh episode ("My Master!" Transcription: "Goshujin-sama!" ( Japanese: ご主人さま!)) reveals that he was the genie from the tale of "Aladdin and the Magic Lamp", which did take place. A 1998 direct-to-video movie A Kid in Aladdin's Palace directed by Robert L. Levy which is a sequel to A Kid in King Arthur's Court.

Known along with Ali Baba as one of the "orphan tales", the story was not part of the original Nights collection and has no authentic Arabic textual source, but was incorporated into the book Les mille et une nuits by its French translator, Antoine Galland. [2] Gogiashvili, Elene (3 April 2018). "The Tale of Aladdin in Georgian Oral Tradition". Folklore. 129 (2): 148–160. doi: 10.1080/0015587X.2017.1397392. S2CID 165697492. Aladdin Aur Jadui Chirag ( Aladdin and the Wonderful Lamp) is a 1933 Indian Hindi-language fantasy-adventure film by Jal Ariah. A remake of the 1931 film in sound. [35]Aladdin Aur Jadui Chirag ( Aladdin and the Wonderful Lamp) is a 1937 Indian Hindi-language film adaptation by Navinchandra. [35] Aaj Ka Aladdin ( Today's Aladdin) is a 1935 Indian Hindi-language film by Nagendra Majumdar. It is a modern retelling of the folktale. [35] Adventures of Aladdin is a 1978 Indian Hindi-language adventure-film based on the tale, by Homi Wadia. Thereafter, too, he can come across as greedy, someone who – thanks to the gift of the magic lamp, which he does little to earn – merely has to summon his loyal servant, the genie, to gain whatever he wishes. In the original story, he shows no interest in the princess’s personality or feelings: whether she wants to marry him or not doesn’t seem to cross his mind, as he has her bridegroom thrown into the damp privy and abducts her to his own home. Yet the evil magician is specifically described as living in Africa, as distinct from where Aladdin lives. (This is probably because the anonymous authors who passed down the story of Aladdin over the centuries weren’t too hot on geography, and merely wanted the setting of the story to be somewhere in ‘the East’ or ‘Orient’.)