Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, irisbutton for instant auto iris settings on compatiblelenses. Screen Dimensions URSA Mini Pro 12K with OLPF has better detail handling for high end feature film. Itincludes a12K Super 35mm 80MP sensor, wide dynamic range, G5 color science, revolutionary RGBW color and in-sensorscaling.

Blackmagic Design Pocket Cinema Camera – Tech Specs | Blackmagic Design

Despite looking like a handheld camera, this is one that’s going to be most at home on a tripod, on a meaty gimbal or on a rig with other accessories like mics, storage and a monitor.We could debate the merits of buying a mirrorless and adding an Atomos for RAW recording (which also requires batteries and rigging). Ultimately, the BMPCC with battery grip (or base battery) might be a more compact, all-in-one solution for affordable RAW capture.
As mentioned, the issues with the autofocus are known, and therefore manual-focus lenses and traditional focus-pulling are the likely the best routes.
Between the focus on internal-RAW recording and cine-style menu systems, the design philosophy feels classically cinema compared to its image-stabilized, auto-focusing, hybrid video/still competition. Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. Controls Battery operating time: approx. 60 min (recording of 6K RAW at 24 fps onto a CFast 2.0 card with 50% screen brightness)

Blackmagic URSA Mini Pro | Blackmagic Design Blackmagic URSA Mini Pro | Blackmagic Design

And if you’re coming to the camera from a mirrorless or DSLR model, you’re going to have to sacrifice a few home comforts. There’s no continuous AF, so although the 6K G2 can focus for you ahead of recording, you’ll have to do your own manual pull-focusing after that – maybe set up a rig with a follow focus unit. Features a customisable HDR touchscreen, built-in ND filters and a larger battery for longer battery life The BMPCC 6K G2 has a Canon EF mount, which makes it compatible with a vast array of lenses between Canon’s native glass and glass connected with adapters.
But this mount also highlights one of the system’s limitations compared to more technologically advanced hybrid cameras. Set of 9 shims and baffle tool for making precise changes to the flange focal distance for URSA Mini Pro's EF, PL or B4mount. Being able to perform stabilization in the editing suite instead of in a separate piece of software — as is the case with Sony’s cameras, where a dedicated app called Catalyst Browse must be used for stabilization — makes for a faster workflow.

Virtual Cinema Production

The BMPCC 6K G2 does record internal gyroscope data that the Resolve editing suite can use for post-processing stabilization, but that comes with a caveat. Designed as the most advanced ultra portable studio camera, this model has the features of the Studio Camera4KG2 Pro model plus alarger 6K sensor, EF lens mount and remote controllable NDfilters. x XLR analog switchable between mic, line and AES audio. Phantom powersupport. Analog Audio Outputs