13

Product Information

Double LP on heavyweight 180 gram, audiophile vinyl and housed in a replica of the original sleeve artwork.

Salaverrie, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (PDF) (in Spanish) (1sted.). Madrid: Fundación Autor/SGAE. p.950. ISBN 84-8048-639-2 . Retrieved 23 September 2022. Hiatt, Brian (19 March 1999). "Blur Plan Three North American Promo Shows". MTV . Retrieved 15 May 2015. had originally been recorded as a demo in 1992 and was lost until Albarn found it again on a tape six years later. "Mellow Song" was demoed as a jam session known as "Mellow Jam" that was later included as the B-side of " Tender". a b Sillitoe, Sue (August 1999). "STEPHEN STREET: Producing Blur, Cranberries & Catatonia". Sound on Sound. Archived from the original on 29 October 2013 . Retrieved 3 September 2012. Blur's sixth album 13 has now been expanded across two discs, cut on heavyweight 180 gram, audiophile vinyl and housed in a replica of the original sleeve artwork.

The Best Of [vinyl reissue]

Japanese album certifications – ブラー – 13" (in Japanese). Recording Industry Association of Japan. Select 1999年3月 on the drop-down menu Britpop is dead, long live Blur". The Telegraph. 11 March 1999. Archived from the original on 2 September 2018 . Retrieved 2 November 2020.

Tender (7:40), 2 Bugman (4:47), 3 Coffee & Tv (5:58), 4 Swamp Song (4:36), 5 1992 (5:29), 6 B.l.u.r.e.m.i. (2:52), 7 Battle (7:43), 8 Mellow Song (3:56), 9 Trailerpark (4:... was nominated in the Album of the Year category at the 2000 NME Awards, losing to The Soft Bulletin by The Flaming Lips. [34] [35] [36] 13 was also nominated for the 1999 Mercury Prize, being Blur's second album to receive a nomination. The award was eventually given to Talvin Singh for OK. [37] [38]cd / New, Food, 1999, Cat# '499 1290.') - Brand New & Factory Sealed Not A Cutout Or Promo. [uk Import] [limited Edition]

Nationwide Mercury Prize". Nationwide Mercury Prize. Archived from the original on 7 February 2011 . Retrieved 11 August 2008.CDs in a deluxe lift-off lid box with four exclusive Blur artwork postcards and an expanded booklet that includes previously unseen photos and liner notes based on a brand new interview with all the band members and extra b-sides, remixes and demoes Blur - 13 - Lp Please Note That Uk/eu Customs And V.a.t. Charges May Be Incurred And Are The Responsibility Of The Customer To Pay Upon Receipt. Sleeve Condition- New, Media Con... Eccleston, Danny (March 1999). "There Was No Other Way..." Q. Archived from the original on 13 December 2013 . Retrieved 9 December 2013. Tender/bugman/coffee & Tv/swamp Song/1992/b.l.u./battle/ mellow Song/trailerpark/caramel/trimm Trabb/no Distance Left To Run/optigan 1

Additionally, you can opt out of some of these services by visiting the Digital Advertising Alliance’s opt-out portal at: http://optout.aboutads.info/. Masley, Ed (31 December 1999). "The Best of 1999/Pop CDs". Pittsburgh Post-Gazette . Retrieved 31 December 2016. In a more mixed assessment, Heather Phares of AllMusic felt that "the group's ambitions to expand their musical and emotional horizons result in a half-baked baker's dozen of songs, featuring some of their most creative peaks and self-indulgent valleys." [21] Keith Cameron of NME concluded that 13 was "Blur's most inconsistent and infuriating statement thus far. Infuriating, because divested of four solid-gone clunkers 13 could pass muster as the best of Blur." [25] Robert Christgau gave the album a three-star honourable mention rating, indicating "an enjoyable effort consumers attuned to its overriding aesthetic or individual vision may well treasure", and remarked that "halfway there, it sits down in the middle of the road and won't budge." [33]has received accolades from music critics, which ranks it among the greatest albums of the 1990s, according to Acclaimed Music. Some of these can be found below. [39] [40] Tension in the studio ran high during the recording sessions. In Orbit's words, "There was a battle between Damon's more experimental direction, and Graham's punk one, and Graham prevailed. If that tension had been growing on previous LPs, it came to a head here." [18] "Things were starting to fall apart between the four of us," drummer Dave Rowntree later revealed. "It was quite a sad process making it. People were not turning up to the sessions, or turning up drunk, being abusive and storming off." [7] "I had songs," Alex James remarked. "I played them to William. He liked them. But I was sulking. I didn't play them to the others... Now I know how George Harrison felt." [19] Coxon admitted, "I was really out there around 13, which made for some pretty great noise but I was probably a bit of a crap to be around." [7]