Brian

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I rather liked this quiet unassuming book. The writing is very clear and straightforward, matching Brian’s life of routine. There’s a slightly relentless quality to the telling without section breaks, but that just kept me reading longer than I normally might. The book is at its strongest in portraying the comeradeship, if not really relationship, Brian enjoys with his fellow buffs, many of them socially unconventional, and indeed Brian looks down on some of them in the same way that Beavis has contempt for Butthead. First and foremost, I think, Cooper’s novel is a love letter to the cinema. Much of its length is given over to Brian’s thoughts on the films he sees. Even though I haven’t seen most of them myself, I felt again the sense of openness and possibility that comes from being able to range far and wide with films.

Brian by Jeremy Cooper | Book review | The TLS Brian by Jeremy Cooper | Book review | The TLS

Cooper has maximised the potential of this literary convention to achieve a work of great depth and quiet power. Over three decades, a mother and her artist daughter communicate only by letters, excavating their relationship as it evolves with melancholic, astute precision. At times spellbinding and mesmerising, the work also proves provocative and inspirational. As much a love letter to the lost art of letter-writing as it is a thirty year-long dialogue of familial love, Cooper has produced an understated book that nonetheless resonates powerfully. This book is deeply sensitive to the ebb and flow of relationships over time and the way love is disguised, expressed and experienced, and it achieves that elusive dream of all authors and finds new meaning in the recording of life.’ A study in how writing can give lives meaning, and in how it can fail to be enough to keep one afloat, this is a rare, delicate book, teeming with the stuff of real life.’Change the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. What happens at the end of my trial? This was only the second time Brian had been to the BFI, twenty years after his first visit, when he was nineteen, taken to see Kes along with two other youngsters by the manager at their hostel, to show them, Mr Trevor had said, that positive things do sometimes turn up, replacing hardship. Or something like that. It felt long ago, a period from which Brian had managed to move on, without ever finding a comfortable alternative place for himself. Why ever not, he wondered. Why had he delayed till he was almost forty to do something so obviously right for him?

Brian by Jeremy Cooper | Waterstones Brian by Jeremy Cooper | Waterstones

Lisa Hill, ANZ LitLovers on In the Belly of the Queen by Karosh Taha (tr. Grashina Gabelmann): Women in Translation Month On paper it sounds like an exaggeration but The Arts really do have a transformative effect on people. Jeremy Cooper’s novel Brian goes into this, the medium, in this case, is cinema. Hard to put into words just how much I loved this story of a solitary Northern Irish man who experiences a sense of belonging for the first time after getting a BFI membership at the age of 39. Low-key and understated, this beautiful book ... is a civilised and melancholy document that slowly progresses towards a sense of enduring, going onwards, and even new life. It feels like a healing experience.’ For cost savings, you can change your plan at any time online in the “Settings & Account” section. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial.It was excellent, not in the least bit disappointing, stuffed with tenderness and vengeance. Eastwood, who directed as well as starred, spent much of the film in the saddle and for this feat of skill and endurance promptly became Brian’s movie idol. For other reasons too: the lyricism of the Texan landscape through which Josey Wales pursued without mercy the Unionist guerrillas, killers of his wife and children; and for the depiction of peasant farmers of Missouri as people with hopes and pain. Brian" is the perfect title for this book. The eponymous character is the caricature of a middle-aged British man. Damaged by some indistinct yet ever-present childhood trauma, Brian makes his life as predictable, regular, and free of excitement as possible. Boeken kunnen mensen veranderen, of meer inzicht geven in het leven en de maatschappij. Dit hoeft vanzelfsprekend geen betoog op Goodreads maar hetzelfde geldt eigenlijk ook voor de 7e kunst, film. In Brian zien we het gelijknamige hoofdpersonage evolueren van een gesloten, eenzaam persoon, naar een mens met (weliswaar beperkte) sociale interactie en een breed wereldbeeld. Het is een langzame evolutie, aan de hand van de schier oneindige hoeveelheid films die Brian bekijkt dankzij een abonnement bij het British Film Institute (BFI). I was scared to read this becuase I loved the blurb so much that I felt there was no way it could live up to my expectations - but it did.

Brian by Jeremy Cooper | Fitzcarraldo Editions Brian by Jeremy Cooper | Fitzcarraldo Editions

At Talacre one weekend a woman had walked over to Brian’s bench and introduced herself as Dorothy, Camden Council’s manager of the playground. She had noticed the gentle way he had been playing with the children on and off all summer and, being short of staff at weekends, she wondered if he might agree to keep volunteer-watch over the facility for a fixed couple of hours on Sunday mornings. The thought of community participation, of acceptance within a worthwhile group of local people delighted Brian and when, as it always seemed to, everything fell apart he felt especially hurt. Two mothers had complained about his unqualified status and, with regret, Dorothy asked him not to come again. For his own sake she suggested it might be safest if he did not visit the gardens at all for the time being, as his accusers were a vindictive pair, Dorothy warned.Brian is a middle-aged man, working in a clerical job at Camden Council, with no real friends or, until he, after exercising his characteristic caution and detailed preparation for trying anything new, he enters into the world of classical world movie, joining an informal crowd of film buffs that watch showings every day at the BFI at the Southbank. After having published his luminous Ash Before Oak, Jeremy Cooper now brings us Brian, equally a work of mysterious interiority and poetry. It confirms that however solitary life might be, art enriches both our imaginations and our realities. This is a very tender book.’ When we first meet Brian, he is about 30 years old, single, living in a small apartment, and already set in his ways. He loves films, however, and one night he decides to ride the local tram to the British Film Institute (BFI), which is showing a film he has long wanted to see. From enjoying that initial experience, Brian soon finds himself going to the BFI twice a week, and after six months or so, he decides to buy a membership in the BFI, to watch films more often. As his attendance increases, he notices a group of men—the same men every time—standing in the foyer discussing the film shown. Being Brian, he is too shy to approach the group, but loving films, he is curious about their conversation. He eventual allows himself to come within earshot of them and discovers a few enticing details: None are called by name, all have interesting things to say, and no one is trying to score points at the expensive of the others. The combined anonymity, camaraderie, and enthusiasm for film encourage Brian to approach the group and comment on a film. His comment is noted by the group and appreciated, and he soon finds himself joining in every night.

Brian by Jeremy Cooper | Goodreads Brian by Jeremy Cooper | Goodreads

The titular character is an office worker who lives a cautious existence, until, after a long process of thought, becomes a BFI member. Slowly he starts to become enamoured by cinema and the book documents his progress from the 90’s all the way to the present day. With an effort he managed to clear his head of unwanted family memories and continued on into Kentish Town Road. For several years he had promised himself he would become a member at the BFI, failing to do so for no reason other than the trepidation he generally felt about doing anything new. The Talacre Gardens fiasco impelled urgent action and after a visit to the watch-repairer in The Cut on a Saturday afternoon not long after seeing The Outlaw Josey Wales, Brian grasped the moment, walked on over to the South Bank and filled in the inexpensive BFI membership form. He felt a rush of rightness as he placed a copy of the month’s programme in his bag to study at home. From then on, he booked in for a screening at least every couple of weeks, berating himself for not having done so sooner. kaggsysbookishramblings on In the Belly of the Queen by Karosh Taha (tr. Grashina Gabelmann): Women in Translation Month Jeremy Cooper is a writer and art historian, author of six previous novels and several works of non-fiction, including the standard work on nineteenth century furniture, studies of young British artists in the 1990s, and, in 2019, the British Museum's catalogue of artists' postcards. Early on he appeared in the first twenty-four of BBC's Antiques Roadshow and, in 2018, wonThere’s a strange magic to Jeremy Cooper’s writing. The way he puts words together creates an incantatory effect. Reading him is to be spellbound, then. I have no idea how he does it, only that I am seduced.’ This type of book can work on many levels: on one it’s a look at how film and the film buff have evolved: from attending cinemas to streaming, plus the availability of global culture became more accessible by the 2010’s and so a wider variety of films were being screened with the technology to clean them up as well.