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Meanwhile, Handheld Night Scene mode is there to help you capture low light evening shots without the need for a tripod. It does this by taking four different images in rapid succession to achieve a longer total exposure. Again the images are auto-aligned and combined in-camera. In summary the new 650D / Rebel T4i is the most complicated yet friendly mid-range Canon DSLR yet, truly a camera that you can grow into as your photography skills develop. It only misses out on our highest Essential award because of the still slow Live View auto-focusing and a small price increase over the 600D, but is more than deserving of our still-coveted Highly Recommended award. a b c Westlake, Andy (June 2012). "Key technology / what's new". Canon EOS 650D (Rebel T4i) Hands-on Preview. Digital Photography Review. Archived from the original on 11 June 2012 . Retrieved 11 June 2012. Below ISO12800, and image noise is hardly noticeable unless you're zooming in at 100% view. We found it a real bonus being able to shoot handheld at ISO6400 in low light indoors. At any ISO setting between 100-3200 you'll find images free from any noise or loss of quality. Canon EOS 650D: HD Video The EOS 650D (Rebel T4i in North America) is equipped with a new 18-megapixel Hybrid CMOS sensor and powerful Digic 5 processor, that enables you to capture excellent, full-resolution images at up to five frames per second (fps).
Canon EOS 650D Review | Photography Blog Canon EOS 650D Review | Photography Blog
So you gain speed, but lose out slightly on the number of images you can record. To be fair though, how often do you need to shoot bursts of 20+ images? In case you're wondering, the touch-screen automatically switches off when you raise the Canon EOS 650D to your eye, so you won't tweak settings with your nose while you're taking pictures. Grunin, Lori (7 June 2012). "CNET Editor's Take: Canon EOS Rebel T4i". CNET . Retrieved 10 June 2012.
Sample Images
In addition to the new touchscreen the 650D also benefits from a number of other upgrades and improvements to its core specifications. Perhaps the most significant of these is the APS-C CMOS sensor at its heart. While effective resolution remains pegged at 18MP, the 650D’s revised sensor now employs some of the pixels in the central part of the chip for phase detection AF. Canon calls this ‘Hybrid CMOS AF’ and claims that it improves focus performance when the camera is being used in live view mode and when shooting video. However, you’ll still have to rely on the standard contrast-detection AF method when the subject you’re shooting lies outside of the sensor’s central area. The camera's Highlight Tone Priority mode allowed us to retain more highlight detail in contrasty scenes than would otherwise be possible without underexposing the midtones and the shadows. The built-in flash caused no red-eye, and the night photo came out very well. Overall, a very good showing from a camera that has considerably smaller pixels than some of its competitors.
Canon EOS 650D - Wikipedia Canon EOS 650D - Wikipedia
Canon Speedlites (220EX, 270EX, 270EX II, 320EX, 420EX, 430EX, 430EX II, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, Macro-Ring-Lite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT) We tested the EOS 60D with the EF-S 18-135mm f/3.5-5.6 IS lens, which offers a fairly broad focal range for a kit lens and crucially includes image stabilisation. This is important for Canon, as competitors like Sony, Olympus and Pentax all offer image stabilisation in their DSLRs. The difference between Canon (and Nikon) and the others is that Sony, Olympus and Pentax have opted for stabilisation via the camera body, rather than the lens, which therefore works with their entire range of lenses. Canon's system is obviously limited by which lenses you choose, but it does offer the slight advantage of showing the stabilising effect through the viewfinder. Canon and Nikon also claim that a lens-based anti-shake system is inherently better too, but the jury's out on that one. In use, we found the Canon EOS 650D / Rebel T4i to be a responsive and versatile camera that almost never got in the way of picture taking. As noted earlier, the auto focus was fast when using the optical viewfinder, and not always painstakingly slow when using Live View, either. Its continuous shooting speed is good for its class, though its six-frame raw buffer is smaller than we'd like. It takes a bit of time for the camera to fully start up if you wait for the sensor cleaning cycle to be completed, but as sensor cleaning can always be interrupted at a half-press of the shutter release, this is not a real issue. The only thing we found to be truly and somewhat inexplicably slow was entering Live View - it invariably took several seconds for the camera to raise its mirror and display the live image. Based on the CIPA Standard and using the batteries and memory card format supplied with the camera, except where indicated Westlake, Andy (June 2012). "Touchscreen controls". Canon EOS 650D (Rebel T4i) Hands-on Preview. Digital Photography Review. Archived from the original on 1 July 2012 . Retrieved 11 June 2012.
Canon's first touchscreen DSLR is put through its paces
Noise handling is also very good considering the pixel density. Shooting RAW is again a good idea if you plan on taking lots of high-ISO shots, as you can get better detail with less chroma noise than by shooting JPEG. As regards the colours, we have found them to be a little on the dull side, though this is nothing you can't change in-camera, by way of tweaking the available Picture Styles or creating your own. The flash settings on the EOS 650D / T3i are Auto, Manual Flash On/Off, and Red-Eye Reduction. These shots of a white coloured wall were taken at a distance of 1m.
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