Gwen and Gabriel, however, I did find quite unlikeable at times, though I suppose that's partly the point. The internalised homophobia in this novel is high, and this is something that I don't think I expected quite to this degree. Without going into detail, I found the ending to be a little too neat, especially considering my previous point. It felt slightly rushed as well, in comparison to the battle and main conflict, which I found slightly confusing to follow at time, as I don't think enough time was spent laying the groundwork for it. Can we please have more amazing, queer, romantic comedies like this?!?! I think the world would be a better place, if people read adorable books like this more often. Fun and genuinely funny, with lovely friendships and first-rate dialogue. Gwen and Art may not be in love, but I fell for both of them' - RAINBOW ROWELL, # New York Times bestselling author of the SIMON SNOW trilogy

Overall, The ambiance of the book was incredible, and it definitely hit that A Knight’s Tale modern historical mark, but I wish it developed the romances fully. I loved the friendships in the book as well. The one between Sidney and Arthur REALLY embodied that Heath Ledger and Alan Tudyk energy. I’d have preferred this book be split into two books in a duology, rather than the one with both relationships. But even then, I feel like the book as a whole will work better for me via audio, as that creates a more cinematic experience. Gwen & Art—a princess & a noble—are betrothed to be married, but find themselves far from loving each other considering they're both queer. Gwen can’t help admiring the only woman competing in the palace’s tournament of knights, while Art is falling for Gwen’s brother, the prince soon-to-be king.Arthur and Gwen, were some of the sweetest, relatable characters I’ve experienced. And don’t even get me started on Sidney or Bridget! I immediately fell in love with each and every one of these characters, scars, flaws and all. The ridiculous situations and conversations they kept falling into, were hilarious and heartwarming at the same time. Lex Croucher has such talent for writing some of the most witty banter and cheeky humor! (My face actually hurt from smiling and laughing so much.) Gwen & Art Are Not in Love was exactly what I needed right now—a delightful, heart-warming, hilarious historical romp, overflowing with queer panic and terrible jokes. I loved it.” - Alice Oseman, New York Times bestselling author of the Heartstopper series The historical details bring the story to life and allusions to the tales of the original King Arthur and his knights are appealing. There are the usual medieval tropes – knights and princesses, flirty ladies in waiting, jousting, even a legendary sword in the stone (technically Excalibur Nine, the previous incarnations having been lost or stolen down the years). There’s also modern language, political intrigue and a hearty dose of sarcasm. god i love these medieval idiots. i laughed my ass of again. i sobbed again. i fell in love with this rag tag group of stumbling kids who form a family within themselves, somewhere they truly feel seen and belong, and i feel so happy for them. Surprisingly the plot even kept me on my toes. You might wonder how a “Medieval romantic comedy”, could possibly do that… But the wonderful bits of Arthurian lore, strategically placed throughout the story, really created a wonderful book.

An utter delight. Croucher conjures a fresh new Camelot, full of jousts, hijinks and exuberantly queer characters that will make you swoon. This is the gay Camelot I always wanted! Lex Croucher on Gwen and Art Are Not in Love “I love how the drama of jousting and castles and medieval dances”I mean, for one thing, I don’t really believe you,’ said Sidney. ‘And for another – don’t you think you should meet people where they are?’ Gwen and Art Are Not in Love is a fast paced, funny, historical romance, with strong LGBTQ+ characters and touching sibling relationships. Told from their alternating points of view, Gwen and Art are strong protagonists, faced with very modern problems in a medieval world.