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The Little World of Don Camillo (No. 1 in the Don Camillo series)

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It was also the highest-grossing film in France of all-time and is currently the sixth most watched French film at the cinema with 12,791,168 admissions and the 17th most watched film in France. [2] Sequel [ edit ] This film is the first in a series of five shot in the 1950s and 60s based on Giovanni Guareschi's well-loved "Don Camillo" stories. The joint Italian-French productions were made with the involvement of the author himself, who wrote screenplays and Italian dialog for various entries in the series; therefore, most consider them to be the official movie versions of the Don Camillo stories. Guareschi is quoted as warmly approving of the way that stars Fernandel and Gino Cervi brought to life his two famous protagonists, the battling parish priest and Communist mayor of a small village in post-war Italy. Today, more than forty years after the series was completed, the films are still played on European television, dubbed into a variety of languages. Unfortunately, however, they are all but unknown to English-speaking fans (particularly American ones) of Giovanni Guareschi and his wonderful characters. This movie begins with the town in an uproar. It's a heavily divided town and the Communists have just won the election for mayor. The old guard is quite unhappy and the unhappiest is the town's priest, Don Camillo (Fernandel). And, through most of the film, he and the Mayor butt heads and fight like dogs. It's all quite silly but enjoyable.

Don Camillo and Peppone - Wikipedia

The film was the highest-grossing film in Italy of all-time [6] and is currently the seventh most watched Italian film at the cinema with 13,215,653 admissions. [1] Absolutely excellent. This is a series of short stories written for a magazine in 1950s Italy. They are primarily comedic and concern the village priest and the communist mayor of a small village. Their conflicts and collusions are entertaining as they try to do the best for their town. I think the main message and themes are about conflict and not hating your political opponents which is still relevant today. In particular the last three stories conclude in a very poignant moment between the two characters. Other favourite stories of mine included: rustic philosophy, city types and Juliet and Romeo. Weekend Box Office Results: Five Nights at Freddy’s Scores Monster Opening Link to Weekend Box Office Results: Five Nights at Freddy’s Scores Monster OpeningI see at IMDb that more modern versions of some Don Camillo stories have been made, and I hope to see them. Eventually. Giovanni claimed that the voice from the crucifix was merely the voice of his own conscience, but in the stories, it is a living reality which enables solutions so simple that they are beyond the reach of political minds clouded with ideology and the need to win. I hadn't read any of the individual Don Camillo books, but my wife had read several of them in her youth, and spoke very fondly of them. So I bought this for her birthday, and then read it myself - and they are entirely delightful! The Little World of Don Camillo. [Pub: Pellegrini and Cudahy, 1950] ( Mondo Piccolo: Don Camillo, translated by Una Vincenzo Troubridge)

The Little World of Don Camillo (No. 1 in the Don Camillo

The Einaudi arrest occurred after Giovanni's satirical magazine, Candido, which had helped engineer the defeat of the 'Fronte Popolare' (the Communists) in '48, depicted Einaudi at the Quirinal Palace, surrounded by a presidential guard of giant bottles of Nebbiolo wine, suggesting perhaps that his love for the wine he produced on his farm near Dogliani might have eclipsed his commitment to the people. Don Camillo's Last Round (Italian: Don Camillo e l'onorevole Peppone; French: La Grande Bagarre) [8] There are logically five books in this collection, covering the period from the early 1950s to the mid-1960s, a period in which Italy steered itself from a broken-down post-war economy to a wild and swinging destination for fashionistas. And these stories focus on Don Camillo, the priest of a small town in the valley of the river Po, and Peppone, the leader of the local communist party. The stories centre around the ongoing love/hate relationship between Don Camillo and Peppone. Both love their town, but fight madly over what the best path to its success might be. The characters evolve beautifully over the years, and other characters make regular appearances, so you get to know them too. Also important are Don Camillo's mental conversations with Jesus, who admonishes him when he errs, and tweaks his nose when he gets too big for his boots. The following five were compiled into a larger book published in 1980: The World of Don Camillo, [4] to coincide with the television adaptation:Don Camillo in Moscow (Italian: Il compagno don Camillo; French: Don Camillo en Russie) [10] (1965) I got this book as a gift and it was a funny, heartwarming, enchanting little story, unlike anything I have read. Guareschi is a world-weary comedic writer who had lived through the Mussolini era, two world wars and a German prison camp. He isn't putting fascists in these stories, but he finds a lot of humor in pitting dogma against dogma. And while it's clear that he is no communist sympathizer, he puts heart into all sides of the conversation.

Little World of Don Camillo - Goodreads The Complete Little World of Don Camillo - Goodreads

It's an odd film from Duvivier, whose movies often celebrated the unseen hand of fate, leading men to destruction. Yet in this movie, everyone knows who they are and what is important, even if they disagree fiercely. So the old teacher rails against stupidity and hopes for a pension; the young lovers re-enact Romeo and Juliet; and the communist brings his newborn child to be baptized as Giuseppi Stalin. I want to say "charming", but there is more going on than that in this collection of short stories centering on the priest of a small, post-WWII north Italian village and his mostly comic assorted tribulations with local people and politics. ma molto più verosimili di quelle vere: basta fermarsi sulla strada a guardare una casa colonica affogata in mezzo al granturco e alla canapa, e subito nasce una storia. (pag. 9)Contains stories which were not in a specific Italian-language edition (the original English edition was published under the same title in 1954) For my taste, too often disputes get out of hand and Camillo and the mayor end up physically assaulting each other. Most importantly, the tales are too repetitive. Don Camillo is a character created by the Italian writer and journalist Giovannino Guareschi, whose name, and some of his character, is based on an actual Roman Catholic priest, World War II partisan and detainee at the concentration camps of Dachau and Mauthausen, named Don Camillo Valota (1912–1998). I first read Don Camillo in my early twenties, forty years ago, and for a long time I kept a copy of the stories beside my bed. On those nights when sleep came slowly I could dip in and out and find some peace of mind. Political forces other than the Communists and the Catholics have only a marginal presence. In one episode the local Communists are incensed at the announcement that the small Italian Liberal Party has scheduled an election rally in their town, and mobilize in force to break it up—only to discover virtually no local Liberals have turned up; the Liberal speaker, a middle-aged professor, speaks to a predominantly Communist audience and wins its grudging respect by his courage and determination.

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Don Camillo and the Devil. [Pub: Victor Gollancz Ltd, 1957] (Collection of stories for English publication, translated by Frances Frenaye) During filming, the actors spoke their own language. So there are two originals, one Italian, and one French, in which the actors of the other language are dubbed. [5] Reception [ edit ]

Old Maguggia interrupted him. "Let's get one thing clear. I'm asking for help from you, Don Camillo, a man I hold in high esteem, not you Don Camillo the priest who I must hold in low esteem because of the very fact that you are a priest." Mondo Piccolo: Il compagno don Camillo. [Pub: Rizzoli, 1963] Literally: Little World: Comrade Don Camillo Humor and warmth are the main threads in these stories. But as one might expect given all the author had lived through, there is a sobering darkness to these stories too. The stories still have the feel of comedy that had experienced tragedy. It brings depth to the tales and humanity to the characters.

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