The included microphone means you can take hands-free calls. And the hugely impressive claim of 40 hours of wireless listening rings true; we only have to charge the K371-BT once during our extensive wire-free listening.

In our tests, it turned out that our 2019 Apple MacBook Pro communicated just fine with the K361-BT over AAC, although with a noticeable deficit in quality when compared with the sound achieved when used with one of the supplied cables. In wireless mode, the sound had a one-dimensional feel to our ears, not particularly forward-sounding, with a frequency response that was seemingly quite flat with a bit of a bump in the mids. Initial impressions were of a good stereo image but not too much high-end detail, with a bottom end that’s decent and not overdone. The impedance on these is only 38 ohms, but unusually for a low-impedance design they seem to respond better when driven quite hard. With the AKG K361, users can be sure to have quality sounding audio regardless of use. The headphone delivers a really nice audio quality when listening to vocals, or even when connected with instruments. It produces clear sound with outstanding detail. The AKG K361 has a low treble and produces an unstrained sound that allows users to be able to hear sub-bass frequencies very well though it might not exactly deliver as much quality with mid-range as sound is not balanced at that level. It does, however, deliver quality highs and lows when in use and provides a sort of light sound feel. We’re reviewing the AKG K371-BT primarily as a headphone proposition for the hi-fi enthusiast and music-lover, rather than a dedicated tool for professional recording and mixing. That said, both parties want similar things: transparency, neutrality, a sound that’s open, detailed, faithful and uncoloured by stylised tuning, lag or poor integration.But this is where the problems start. Where the slider and the headband meet, there’s a weak point where it looks like the frame almost comes apart when the headphones are worn. This is an obvious pressure point and we wouldn’t be surprised to see the headband break in this area over time.

I bought these headphones as my old Audiotechnica M30X's broke after years of use and abuse, and I had recently bought an AKG microphone which had become my favorite, so I gave this brand a go. The headphone comes with two cables, a short and long one, and well, the long one surely helps to ensure you can move around, to some extent, when you're plugged in. It is, however, compatible with desktop and other devices that allow connectivity with its 3.5 to 6.35 mm adapter. For iPhone users, you might need to get some extra bit of cable to help connect while some android is simply just not compatible. It can be used by different professionals across several areas. It can be used by audio engineers, vloggers, gamers, podcasters, and just every lover of music that would be interested in listening to really quality sounds.In Sia’s Chandelier, meanwhile, the intentional compression, noise and grainy texture that helps dirty up Sia’s range later on is revealed, as the K371-BT continue to dig up more detail than you’d expect for the money. The treble is clear, sparkling and never harsh. While they could be a bit more upbeat in terms of timing, it’s a minor shortfall at this level. It’s not often we don’t equate good sound with a good review, but there are significant design flaws here that cannot be overlooked. The fragile build isn’t up to AKG’s usual high standards and the touch controls are unreliable. You don't get any of the usual user-friendly features here either, remember – the AKG Y400 and Y500 Wireless both offer auto-off functionality, an Ambient Aware mode and USB-C charging all for slightly less outlay. I needed headphones with low impedence that I could use to listen to music on my phone aswell as in the studio to record/mix a little with.