Film critic Roger Ebert called the popular embrace of disco's exuberant dance moves an escape from "the general depression and drabness of the political and musical atmosphere of the late seventies." [57] Pauline Kael, writing about the disco-themed film Saturday Night Fever, said the film and disco itself touched on "something deeply romantic, the need to move, to dance, and the need to be who you'd like to be. Nirvana is the dance; when the music stops, you return to being ordinary." [58] Early disco culture in the United Kingdom [ edit ] The a cappella jazz group the Manhattan Transfer had a disco hit with the 1979 "Twilight Zone/Twilight Tone" theme. House music displayed a strong disco influence, which is why house music, regarding its enormous success in shaping electronic dance music and contemporary club culture, is often described being "disco's revenge." [111] Early house music was generally dance-based music characterized by repetitive four-on-the-floor beats, rhythms mainly provided by drum machines, [112] off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalist, [112] and the repetitive rhythm of house was more important than the song itself. As well, house did not use the lush string sections that were a key part of the disco sound. The " Copacabana", another New York nightclub dating to the 1940s, had a revival in the late 1970s when it embraced disco; it would become the setting of a Barry Manilow song of the same name. The Night" by the Four Seasons was released in 1972, but was not immediately popular; it appealed to the Northern soul scene and became a hit in the UK in 1975 [51]

Disco Cherry Print - Etsy UK Disco Cherry Print - Etsy UK

This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. ( October 2023) ( Learn how and when to remove this template message) Roberts, David (2006). British Hit Singles & Albums (19thed.). London: Guinness World Records Limited. p.95. ISBN 1-904994-10-5. Foster, Buzz (May 17, 2012). "Disco Lives Forever!". YouTube. Archived from the original on December 11, 2021 . Retrieved November 4, 2021. Other Motown artists turned to disco as well. Diana Ross embraced the disco sound with her successful 1976 outing " Love Hangover" from her self-titled album. Her 1980 dance classics " Upside Down" and " I'm Coming Out" were written and produced by Nile Rodgers and Bernard Edwards of the group Chic. The Supremes, the group that made Ross famous, scored a handful of hits in the disco clubs without her, most notably 1976's " I'm Gonna Let My Heart Do the Walking" and, their last charted single before disbanding, 1977's "You're My Driving Wheel".

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The term "disco" is shorthand for the word discothèque, a French word for "library of phonograph records" derived from "bibliothèque". The word "discothèque" had the same meaning in English in the 1950s. Myron Floren, second-in-command on The Lawrence Welk Show, released a recording of the " Clarinet Polka" entitled "Disco Accordion." Similarly, Bobby Vinton adapted "The Pennsylvania Polka" into a song named "Disco Polka". Easy listening icon Percy Faith, in one of his last recordings, released an album entitled Disco Party (1975) and recorded a disco version of his " Theme from A Summer Place" in 1976. Even classical music was adapted for disco, notably Walter Murphy's "A Fifth of Beethoven" (1976, based on the first movement of Beethoven's 5th Symphony) and "Flight 76" (1976, based on Rimsky-Korsakov's " Flight of the Bumblebee"), and Louis Clark's Hooked On Classics series of albums and singles. The Legacy of Giorgio Moroder, the "Father of Disco" ". Blisspop. Archived from the original on October 19, 2020 . Retrieved December 14, 2020.

Disco Cherry - Etsy Disco Cherry - Etsy

Steve Hillage Terrascope Feature". terrascope.co.uk. Archived from the original on November 4, 2012 . Retrieved October 27, 2017. In France, Dalida released " J'attendrai" ("I Will Wait") in 1975, which also became successful in Canada, Europe, and Japan. Dalida successfully adjusted herself to disco and released at least a dozen of songs that charted in the top 10 in Europe. Claude François, who re-invented himself as the "king of French disco", released "La plus belle chose du monde", a French version of the Bee Gees song " Massachusetts", which became successful in Canada and Europe and "Alexandrie Alexandra" was posthumously released on the day of his burial and became a worldwide success. Cerrone's early songs, "Love in C Minor" (1976), " Supernature" (1977), and "Give Me Love" (1978) were successful in the US and Europe. Another Euro disco act was the French diva Amanda Lear, where Euro disco sound is most heard in " Enigma (Give a Bit of Mmh to Me)" (1978). French producer Alec Costandinos assembled the Euro disco group Love and Kisses (1977–1982). a b Tim Lawrence. "The Forging of a White Gay Aesthetic at the Saint, 1980–84". In: Dancecult, 3, 1, 2011, pp. 1–24. Online version: "The Forging of a White Gay Aesthetic at the Saint, 1980–84". Timlawrence.info. July 2, 2013. Archived from the original on October 31, 2017 . Retrieved October 27, 2017. a b c d e "Disco Music Genre Overview – AllMusic". AllMusic. Archived from the original on October 19, 2017 . Retrieved October 27, 2017.

a b c d Richard Dyer: "In Defense of Disco." In: Gay Left, 8, Summer 1979, pp. 20-23. Reprinted in: Mark J. Butler (ed): Electronica, Dance and Club Music. New York/London: Routledge 2017, pp. 121-127.