Obviously not everybody who ends up at The Unfairground accidentally gets spiked with acid by atoilet attendant taking them on atour of the compost loos. But this particular image – of him bleary-eyed, breath-taken, face like ahaunted plate – is what comes to mind when Ithink about some of the weirder sections of the naughty corner. The Unfairground – and Arcadia and The Common, which are directly across from it – are where you end up when you do not want to even slightly chill. They’re places to dance, sure, but they’re also places to lose your sense of time and phone and friends – but have fun anyway – and emerge victorious. In their own words, Michael and Emily Eavis reveal the stories behind the headlines, and celebrate 50 years of history in the Vale of Avalon. They're joined by a host of big-name contributors from the world of music - among them Adele, JAY-Z, Dolly Parton, Chris Martin, Noel Gallagher, Lars Ulrich and Guy Garvey and many more.

Glastonbury Festival 2020 | Glastonbury Festival

The artist and performer line-up and all billed attractions are subject to change at any time without notice, and access to any performance may be restricted, specifically or generally, to ensure public safety. Each of these venues pushes the boundaries of what art and club culture can be, but NYC Downlow will always be my personal favourite.c) evict all members of any group of persons where GFEL or the PLH consider that group is behaving in a persistent anti-social manner.

Glastonbury 50 by Emily Eavis, Michael Eavis | Waterstones

There were also various interesting snippets from well-known musicians about their experiences of performing at the festival plus other journalists and music industry people.

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Coaches will have at least one toilet on board, however, please note these will not be wheelchair accessible and will not be regularly cleaned during the coach journey. And then, one by one, these clubs began to disappear, as if eradicated by avirus in the middle of the night. There are amultitude of reasons for these mass closures – and we don’t have time to go into them here – but LGBTQ spaces became this rare and precious thing. There were no longer so many places to escape from reality or in which to lose your shit. In some ways it felt as if queer culture had turned inwards – existing online, in other people’s flats, on our phones – and while some of that reflects the natural evolution of our times, Ithink there was definitely asense of loss during those years, and maybe ever since.

Glastonbury 50: The Official Story of Glastonbury BIBLIO | Glastonbury 50: The Official Story of Glastonbury

Music had always been a big part of my life. I discovered Radio Luxembourg when I was at boarding school, and I’d listen to it every Sunday night, when Pete Murray and David Jacobs were on. Bill Haley and Bob Dylan captured my imagination, and although I never really went to concerts, I fell in love with pop music. The Premises Licence Holder (hereafter “PLH”) and Glastonbury Festival Events Limited (hereafter “GFEL”) reserve the right to: All the coaches will be full, please consider whether you will be comfortable being on a busy coach in close proximity to other passengers. Those who are aged 16 or 17 are allowed to attend the Festival unaccompanied, but we would strongly advise that this decision is made with the consent of a parent or legal guardian. The organisers of the Shangri-La stage, which was due to host Killdren, said they “in no way condone violence and will not allow this matter to overshadow the incredibly inclusive spirit of Glastonbury”. Read an exclusive extract from Glastonbury 50, by Michael Eavis

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As an organisation, we need to ensure that the data we hold about you is relevant, accurate, kept up to date, and store for no longer than is necessary. This means from time to time, we need to review the data we hold for you. Please note access to these facilities can reach capacity so we do recommend customers complete the Access Application form and return this to us as early as they can.

Kissing, dancing and getting lost in the naughty corner Kissing, dancing and getting lost in the naughty corner

Glastonbury 50 is the authorised, behind-the-scenes, inside story of the music festival that has become a true global phenomenon. Glastonbury is the most well-known and iconic festival in the world. After fifty years, it has become an institution. There have been films made about it. T‑shirts. Books. It’s on the news. On our TV screens. It’s embedded into the fabric of British culture, like football or sunburn or going, ​ “Wheeyyy!” when someone drops something. It is unusual, then, that Glastonbury has retained such afierce political streak. We are used to mainstream events distancing themselves from the issues that affect us – maybe so as not to alienate attendees or piss off brands – but Glastonbury has only got louder and more outspoken as each year passes. This makes sense when we consider the counter cultural roots of the Festival alongside the trajectory of politics in the UK. If Glastonbury wasn’t political, it wouldn’t really be Glastonbury. My first time at NYC Downlow – in the summer of 2015 – was acomplete blur. At the time Iwas working for Dazed &Confused and had arranged to meet Stephen and Gideon in acampervan to discuss their vision. We ended up getting deep into how gay culture had become pinkwashed in recent years and how Downlow was in some ways aresponse to gentrification, with all the most chaotic, alternative gay clubs in the city replaced by luxury flats, bank chains and branches of Pret aManger. In essence, they wanted to create aspace where people could have the freedom to do what they like – and be whoever they want – even if just for the weekend. The duo defended the song as a “crude” satire, and said it “would not exist at all if the destructive and violent policies of the Tory party hadn’t taken such a long and devastating toll on the UK. The band does not condone the killing of Tories or children, or anyone for that matter – regardless of political beliefs.” The festival’s identity soon started taking shape: the first year featured the hippy-oriented Green Fields, which remain a key part of modern Glastonbury. In 1971, the main stage was renamed – and rebuilt – as an early incarnation of the Pyramid stage known today. Glastonbury was held sporadically in the 70s before becoming an annual fixture (with occasional fallow years) during the 80s, when its political affiliations with Campaign for Nuclear Disarmament and later Oxfam, Greenpeace and WaterAid began.

BBC Glastonbury Experience

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