Gothic Violence

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Characteristics [ edit ] The ruins of Wolf's Crag castle in Walter Scott's The Bride of Lammermoor (1819) This debate, nevertheless, is ongoing and has extended to include other forms of storytelling, such as film and video games. The Castle of Otranto | Summary, Characters, Analysis, & Facts | Britannica". www.britannica.com . Retrieved 2022-04-19.

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Early and Pre-Gothic Literary Conventions & Examples". Spooky Scary Skeletons Literary and Horror Society. Spooky Scary Society. 31 October 2016 . Retrieved 26 March 2016. Meyer, Michael (1987). The Bedford introduction to literature: reading, thinking, writing. pp.21–28. ISBN 978-1-319-03465-8. OCLC 1029304382.Killeen, Jarlath (31 January 2014). The Emergence of Irish Gothic Fiction. Edinburgh University Press. p.51. doi: 10.3366/edinburgh/9780748690800.001.0001. ISBN 978-0-7486-9080-0. S2CID 192770214.

The Gothic | The British Library

On the other hand, a character who transgresses social principles imposes this harm on others. It can come in forms of psychological or physical abuse and, in extreme cases, murder – the target of which ranging from a single character to an entire community. Common large-scale violence in literature takes place in situations of war, colonization, and serial killer sprees. Shootings, stabbings, and poisonings are few examples of how such character versus other violence – rising from an underlying conflict with the self – can manifest. [28] [1] Frayling, Christopher (1992) [1978]. Vampyres: Lord Byron to Count Dracula. London: Faber. ISBN 978-0-571-16792-0. Potter, Franz J. (2005). The history of Gothic publishing, 1800-1835: exhuming the trade. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. ISBN 1-4039-9582-6. OCLC 58807207.

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As for human-induced violence, the story of Cain and Abel (first sons of Adam and Eve) describes the first murder committed upon the Earth, and is virtually the same in all three religions: Cain's sacrifices to God are rejected but his brother's accepted, and out of jealousy, the first slays the latter. [12] [11] Other accounts of human-induced brutality include descriptions of battle, conquest, sacrifice, imprisonment, stoning, and crucifixion – among others. Typically, these accounts serve to not only educate the followers of the religions about previous nations but to warn them of the darkness of human nature as well as the consequence of sin, oppression, and God's power. [13] Gothic literature [ edit ] a b The Holy Bible: containing the Old and New Testaments; translated out of the original tongues and with the former translations diligently compared and revised. American Bible Society. 1986. OCLC 13621095. Smith, Andrew, and Diana Wallace, "The Female Gothic: Then and Now." Gothic Studies, 25 August 2004, pp. 1–7. Conflict is an essential element of narration that creates the tension necessary to advance a plot. [28] It can be an internal struggle with one's own thoughts and emotions, or external; between a character and nature, other characters, or society as a whole. [29] Unresolved conflicts, regardless of the type, can result in violence. Fiction maintains depictions of violence to expose the basic conflicts in social relationships and in turn provide readers with an understanding of both personal and collective life experiences. [30] In his book How to Read Literature Like a Professor, Foster (2003) classifies fictional violence into two categories: authorial and character-imposed. [1] Authorial violence [ edit ]