In 2003, Fab For with Robert Owens released a version with somewhat changed lyrics under the title "Last Night a DJ Blew My Mind", [31] reaching number 34 on the UK Singles Chart [32] and number six on the UK Dance Chart. [33] So we were limited in what we could do. But we were really conscious of the fact that it was very male, and we wanted to try and even it out. So one of the chapters we added was a chapter on women in DJing. Herrold saw himself as the first person to realize the entertainment possibilities of the medium, and gave all his neighbors crystal sets so they could receive the music and interviews he broadcast. was going to be a very different place, and records on the radio would play a huge part in making it so.

Last Night a DJ Saved My Life : Brewster, Bill, Broughton

His name was Christopher Stone and he had to work hard to convince the BBC to let him construct a program around just playing records. However, once on-air it was a great success and Stone's dry and For having such influence, Freed paid dearly. He was a clear example of how much power a DJ can wield, and an even clearer example of the lengths to which the establishment will sometimes go to curb that power. concept "Top 40" and applied it to radio programming with great success. WABC in New York adopted it in late 1960 and by 1962 was the city's number one station. Every label on every record specifically carried the warning that the disk was not to be broadcast," recalled pioneer DJ Al Jarvis in Billboard's seventy-fifth anniversary issue. "And Last Night a DJ Saved My Life is a comprehensive history of DJing over the last century and how innovative techniques spawned new genres of music. It's also a testament to the artistic merit of DJing which is commonly despised by people who think that DJing is nothing more than playing one record after another, without any sort of musicianship or skill. DJing is, in fact, a momentous artistic force that has helped to define eras in musical culture.

The DJ's early years were fraught with such mistrust and he met opposition from all sides. The musicians didn't want to see records put them out of a job; the record companies were afraid that hearing To be honest, it’s always nice to just walk into a random bookshop and see it. If I go into Rough Trade East, I fully expect it to be sold in there. But I’ve always loved Rough Trade East anyway: Of all of the typical places I might go to in London, it’s where you’d expect to see the book for certain. Almost immediately, the presence of records on the radio aroused opposition. In the U.S., the Department of Commerce granted preferential licenses to stations that didn’t use recorded music, since there was a feeling that playing records was a rather inferior style of broadcasting—mainly because live music gave far superior sound reproduction. In 1927 the industry’s new governing body, the Federal Radio Commission, reemphasized that phonograph performances were “unnecessary.” Tweed, and Ray Noble and Russ Morgan, other big stars of the time, became Reginald Norman and Rex Melbourne respectively.

Last Night a DJ Saved My Life (book) - Wikipedia

recording sessions which produced them. In Duncan McLean's book Lone Star Swing, Johnny "Drummer Boy" Cuviello, who played with western swing megastars Bob Wills' Texas Playboys, remembers recording Pennanen, Timo (2021). "Indeep". Sisältää hitin - 2. laitos Levyt ja esittäjät Suomen musiikkilistoilla 1.1.1960–30.6.2021 (PDF) (in Finnish). Helsinki: Kustannusosakeyhtiö Otava. p.110 . Retrieved June 27, 2022. Despite the early triumphs of such pioneers, radio had a long road to travel before it became anything we would now recognize. In its seventy-fifth anniversary issue in 1969, Billboard described the

while his cozy, friendly style won him plenty of listeners. From the early thirties his Make Believe Ballroom was broadcast six hours a day and became very successful.

Last Night a DJ Saved My Life: The History of the Disc Jockey

Thomas Edison, who invented the cylinder phonograph in 1877, hardly conceived of putting music on it, and in any case his equipment could only just be heard by a single person, let alone a group. Emil Berliner, We also wanted to bring more female voices into the story wherever we could. We’ve carefully added new quotes from female DJs, female commentators that we know, and women in the industry to give it more of a female voice. I mean, it’s very difficult because it is essentially a male story: Many of the things that happened were happening in gay men’s clubs where there were almost no women. In 2001, American R&B singer Mariah Carey co-produced a cover of "Last Night a DJ Saved My Life" with DJ Clue and Duro, which appeared on her eighth album, Glitter. Carey's version of the song features Fabolous and Busta Rhymes, and it is heard during a scene in the film Glitter, in which Carey starred. It was released as the album's sixth and final single in 2001 in Spain on a strictly promotional basis to boost the album's slow sales, as the preceding singles from the album had performed poorly. Because of its limited release and conflict between Carey and Virgin/ EMI Records, the single's music video (directed by Sanaa Hamri) was not released until late 2002–early 2003 through Carey's online fan club. If you have seen my profile you may think that this book is quite far from the usual, but not so much if we consider my interest in popular culture and, in addition, for my studies of sociology (although I am not working in this discipline) that has left me "installed" the curiosity about social phenomena. Of course as a young “dancing king” I frequently attended nightclubs, so from my own experience this is familiar to me. In 2004, UK house/ trance music producer Seamus Haji made several popular remixes of the song through his own label, Big Love Records, and released them on a 12" single titled "Last Night a DJ Saved My Life (ATFC Mixes)". This version reached number thirteen on the UK Singles Chart and number one on the UK Dance Chart in 2006.would usually fake up their own programs, making on that all twelve or so of the Texas Playboys were crammed into the tiny studio in Slapout, Oklahoma, or wherever. Announcers would come up with effortfully casual links The song was remixed by DJ Kambel and MC Magika in 2002, appearing on Dancemania Speed 8 with the name "Last Nite Kambel Saved My Life". [34] By the end of the war, radio DJs had started to enjoy much greater respect. In the fifties and the sixties, radio DJing would become a fully accepted profession, an integral part of the music industry. The The Cleveland Arena held 10,000 people and Freed had initially worried that he might not recoup his money. However, by 11:30 P.M., as the Cleveland

Last Night a DJ Saved My Life - Wikipedia Last Night a DJ Saved My Life - Wikipedia

ad-libbed commercials helped them sell 300 refrigerators during a blizzard, and when he made a wartime appeal for pianos to entertain the troops, the USO were offered 1,500. As his influence grew, he held a contest to come

It was in 1922 that radio is said to have begun in earnest. Before that there were just scientists and hobbyists dotted around the world toying with the medium and trying to find uses for the new technology. Radio was broadcast to midwestern farmers with coded weather predictions; it was used to boost the morale of the troops of both sides in the First World War trenches; Thomas E. Clark in Detroit broadcast to ships plying Lake Erie. In San Jos’ in 1909, Charles “Doc” Herrold saw himself as the first person to realize the entertainment possibilities of the medium, and gave all his neighbors crystal sets so they could receive the music and interviews he broadcast. By the end of the strike, ASCAP had won a significant increase in royalties. However, all the songs played in the meantime had been those licensed by BMI, most of them by upcoming artists signed to independent Italian band Mirage performed a remix of this song on the 2007 compilation After Dark, released by the Italians Do It Better record label. Not really, we’re really proud of the original book. It feels like you’ve had a child and they’ve gone out in the world, graduated from university, got a really good job and done really well. We had no idea it would get the reception that it did. I remember saying before it came out that it would be amazing if we sold 50,000 copies in our lifetime, that would be amazing. Now it’s already sold a lot more than that and has been translated into about nine different languages. The companion album, which was compiled by Brewster himself, serves as an overview of dance and DJ music.