Now, decades later, the defiant spirits embodying that openness and desire for visibility among wrestling’s lesbian community refuse to keep their identities in the shadows. People like Ashley Vox and Rebel Kinney wear their identities openly in the ring without apology. Charlie Morgan’s promo in which she came out publicly in the ring at a Pro Wrestling EVE event is forever immortalized for its raw reality and ability to usher new LGBTQ fans into a welcoming wrestling space. These depictions were damaging in their ability to define lesbian identities to wrestling audiences, but they also masked the industry’s actual lesbian history. Names like Susan Green and Sandy Parker defied women’s wrestling gatekeepers like The Fabulous Moolah that did their best to outlaw LGBTQ wrestlers’ public expression of their identities within their stables. The image of Deville running through a Pride celebration on Total Divas exclaiming “I’m gay” is a GIF that plays on repeat in the minds of many (including me). The excitement in her voice perfectly matched with the joy on her face is both a landmark and an image that no one with knowledge of any mainstream pro wrestling programming from 1995 onward ever thought they would see. Some use their presence in the ring to shed light on other organizations that actively kept lesbian women obscured. The Great Bambina’s in-ring presentation is partially a radical response to the lesbian erasure perpetrated by the All-American Girls Professional Baseball League, whose history was dramatized in the film A League of Their Own,