KINGSBURY, Paul, NASH, Alanna (ed.), Country Music – The Complete Visual History, Dorling Kindersley, London, 2006. Two quavers are equal to one crotchet, or four quavers are equal to one minim, or eight quavers are equal to one semibreve (which is why they’re called eighth notes, as they’re an eighth of a whole note). SCARUFFI, Piero, A History of Jazz Music, Omniware, San Fransisco, 2005. See also: http://www.scaruffi.com/history/jazz.html The correct determination of the different super-genres is very important, but much less difficult than determining the correct number of genres. The same super-genres return in various lists, summaries, other genealogies, literature, although sometimes with other names or a slightly different combination of genres. The boundaries of these super-genres are not rigid, after all. Just like smaller, regular genres, super-genres should be considered as fluid concentrations in the musical universe, fading over into each other. This overview can then be used in connection with databases (playlists) in the form of mobile apps, car apps, hi-fi media stations, and other multimedia to find and explore music. Implementation of this should be used with extreme caution as genre categorization of artists and albums is a gross oversimplification of the truth, and a diminishing of artistic expression. Musicmap is meant for exploring and discovering hard-to-find music by providing basic cornerstones (genres) as orientation points in an otherwise vast and incomprehensible musical universe. One must look at the collection of all popular music as a vast ocean in which drowning is easily possible without the rescue of a safety net: a music genre that provides a way of orientation. Where am I in the world of music and where do I want to go?

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Musicmap does not display any end time of music genres, only the (approximate) year of origin. A music genre after all, cannot die. It is never impossible to recreate a specific genre, even though the sociologic circumstances have been changed. Sometimes a return to one particular genre of the past happens on a larger scale, with updated equipment, sound and small alterations: a revival. Revivals form a big part of popular music in the last two decades, marking a possible saturation point of styles, and the perfect starting point for a summary of popular music genres thus far. The last instrument in our musical forest is the water xylophone. I’ve seen this done quite a few times, but it looks so prettyI had to try it! I got three of the same sized vases from the Dollar Store and filled them with different amounts of water. Musicmap is a first-phase experiment to achieve near perfect overview of all popular music genres. This process is never-ending, always incomplete, and requires further input from the international community. The current version (1.0) provides a starting platform that should already cover a great deal of the following main goals:BRADLEY, Laura, Decoding Dubstep: A Rhetorical Investigation of Dubstep’s Development from the Late 1990s to the Early 2010’s, Master’s Thesis, Florida State University, 2013. One thing to mention is that you don’t have to use a crotchet (quarter note) to represent one beat.

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HAUBNER, Annette, and SANDNER, Wolfgang, 100 Years of Jazz – The Complete Pictorial History, MUZE Monde, Amsterdam, 1994. DE LA CALLE, Eduardo, Beatz – Convergences and Contradictions of Electronic Music, Barcelona, 2014.

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This is common as most time signatures that beginners start by learning are those with the number four as their bottom number which represents a crotchet beat. REYNOLDS, Simon, Energy Flash: A Journey through Rave Music and Dance Culture, Soft Skull Press, Berkeley, 2012. CHRISTODOULOU, Chris, Rumble In the Jungle – City, Place and Uncanny Bass, in: Dancecult: Journal of Electronic Dance Music 3(1), p. 44-63, 2011. FABBRI, Franco, A Theory of Musical Genres: Two Applications, in: Popular Music Perspectives, pp.52-81, 1982. top-down method and rigid structure (left) versus bottom-up method and amorphous structure (right)]

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OH, Ingyu, LEE, Hyo-Jung, Mass Media Technologies and Popular Music Genres: K-Pop and YouTube, in Korea Journal vol.53/nr.4, pp.34-58, 2013.For each genre, nine to twelve prime examples of songs are listed. Whenever the genre name lists two or more distinct genres, the examples will be divided among these genres. These examples are not always the most well-known songs of their respective artists or the first within the genre, but rather fitting references for the genre characteristics. Although it is perfectly possible to place the same artist in two different genres, this never occurs on musicmap to allow a greater diversity of artist examples. Songs are deliberately chosen instead of albums or artists, as these rarely can be fitted into one genre category.