I’m surprised to see how well the lens does at 105mm – all corners look pretty sharp with no difference between the crops. Sharpness Test – Nikon 55-300mm @ 200mm Center Frame My 2.0x Kenko TC works on both cameras, but it doesn't autofocus, and holding steady enough to get really sharp images at these very long net focal lengths is difficult. I don't use a tripod, but that might help here. As usual with that particular TC, there is definite image degradation over the sharp 1.4x TC The 70-300 may be sharper because (extending the reasoning often given for why prime lenses are superior) it is easier to construct a quality lens in a narrower zoom range. The lens has two control features: a switch to enable or disable autofocus, and a switch to enable or disable vibration reduction. The lens does not feature a distance scale, depth-of-field indicators or infrared index. The lens takes 58mm filters: as mentioned, these will rotate during focusing.

Nikon 55-300mm f/4.5-5.6G VR Review - Focusing and VR Nikon 55-300mm f/4.5-5.6G VR Review - Focusing and VR

It is an ideal lens to be used for family events and vacations to capture distant subjects, and the use of Vibration Reduction (VR) technology makes it easier to get sharp photographs at slower shutter speeds, especially when shooting at 300mm. Similar to the Nikon 28-300mm VR lens, the Nikon 55-300mm VR comes with two Extra-low Dispersion (ED) Elements, which due to fewer air bubbles and glass deformities within the glass elements help minimize chromatic aberration and deliver sharper images at large apertures. The Nikon 55-300mm VR lens is only designed to work on Nikon DX (cropped) sensors and has an equivalent field of view of approximately 82.5mm-450mm (in 35mm equivalent), which makes the lens particularly good for reaching distant subjects. Autofocus is practically silent, thanks to the Silent Wave Motor (AF-S) within the lens. The AF-S Nikkor 55-300mm f/4.5-5.6 lens has a very narrow focus ring located in front of the – much wider – zoom ring. There are hard stops at both ends of the range, making it easy to set focus at infinity. Polariser users should take note that the 58mm filter thread rotates on focus. The lens shows good resistance to chromatic aberration. Chromatic aberration is present at the wide angle (55mm) when the lens is stopped down considerably, but is very low indeed until around 135mm. At 200-300mm, chromatic aberration begins to become problematic, especially in the corners.The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges. Averaging them out gives the red weighted column. Despite being a consumer-grade lens, the Nikon 18-300mm is beefed up with plenty of optical technologies from Nikon. The lens sports the second generation VR II (vibration reduction) technology, offering camera shake compensation equivalent to a shutter speed increase of approximately four stops, allowing to shoot at slower shutter speeds without introducing camera shake.

Nikon Nikkor AF-S DX 55-300mm f/4.5-5.6G ED VR review

Although the bokeh looks a little “edgy”, it is not as bad as the bokeh on the 28-300mm. The Nikon 28-300mm bokeh looks very dirty in comparison. Macro results are fair for this lens, with a magnfication of 0.28x, and a close-focusing range of 1.4 meters (around 4 and a half feet). Detailed specifications for the lens, along with MTF charts and other useful data can be found in our lens database. NIKON D800E + 18-300mm f/3.5-5.6 @ 30mm, ISO 110, 1/200, f/8.0 Lens Construction and Handling The lens ships with the HB-57 hood, a rounded hood that offers protection from flare. The lens can be reversed and mounted on the lens for storage; when mounted, it adds 1.5 inches to the overall length of the lens.Although not terribly compact, this optic only weighs 530g. It's light weight should make the lens balance well on Nikon's entry level bodies such as the D40, D60, D3000 or D5000 as well as more advanced bodies such as the D90 or D300 used for testing. Here is how the lens compares to the new Nikon 80-400mm VR (center) and Nikon 70-200mm VR II (right) lenses: Switching between automatic and manual focusing, and activation of the vibration reduction (VR) system are both carried out using a pair of sliders at the rear of the lens on the left-hand side (seen from behind the camera). Unusually for a Nikon lens, the AF speed proved to be a little sluggish when compared with that of the other lenses in this group test. When used at its widest apertures, the lens' performance is somewhat uneven; it needs to be stopped down even by one stop to achieve consistently sharp images across the frame. Results when used wide open at 200mm and below are decently sharp if uneven, at around 2 blur units; at 300mm, it's not as uneven, but corner softness moves up to 3 blur units. At 105mm, both lenses are close in aperture, with the Nikon 55-300 @ f/4.8 (Left) and Nikon 55-200 @ f/4.5 (Right):

Nikon 55-300 DX and 70-300 What is the difference between the Nikon 55-300 DX and 70-300

I have now taken many more pictures with this lens on my D7100, specifically looking for difficult subjects and conditions. In most cases, it has been pretty good to about 200 or 210mm, with or without a Kenko 1.4x TC, in or out of crop mode. So up to roughly 400mm DX net it's fine for "normal" subjects. The quality of bokeh this lens produces is pretty good. It is not as good as what the Nikon 70-300mm VR and other exotic lenses such as the Nikon 85mm f/1.4G can do, but still quite pleasing for a lens like this. Here is a bokeh comparison between the Nikon 55-300 and 28-300: Nikon 55-300mm vs Nikon 28-300mm Bokeh Due to differences in field of view between the Nikon 55-300mm and Nikon 28-300mm, I had to adjust the focal length of the Nikon 55-300mm to match around 70mm of 28-300mm. Here are 100% crops from both lenses wide open and f/5.6 (Left: Nikon 55-300mm, Right: Nikon 28-300mm): In this review, I will go over my thoughts on the Nikon 300mm f/4 AF-S lens, provide sample images and compare it to other telephoto lenses like the new Nikon 80-400mm VR, Nikon 200-400mm f/4G VR and Nikon 70-300mm VR. NIKON D700 @ 420mm, ISO 800, 1/1250, f/6.3 Unlike the slower variable aperture telephoto lenses like Nikon 80-400mm VR and 70-300mm VR, the Nikon 300mm f/4D does not have the same autofocus “chatter” issue, where AF will hesitate, constantly making AF adjustments during continuous autofocus operation (AF-C mode). NIKON D3S + 300mm f/4 @ 420mm, ISO 450, 1/1000, f/10.0

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The Sigma is on par with the Nikon for sharpness, corner shading and distortion; the Nikon handles chromatic aberration much better. The Sigma doesn't offer the extra reach of 300mm, but it is a third-stop faster at the wider 50mm. Also, about half the price of the Nikon. The focus ring feels like a bit of an afterthought, a ribbed rubber ring a quarter-inch wide. The ring offers ninety degrees of focus travel, with hard stops on either end of the spectrum. It's worth noting that there's some slight lens extension during autofocus, with the lens barrel protruding an additional 3/4 inch at 300mm. It's not impossible to achieve accurate manual focus, but it's definitely harder than it needs to be. Clearly, this is a lens that's not intended for anything but autofocusing. That said, autofocus, while dependent on the body, is very accurate. Wide open, the Nikon 55-300mm is now at f/5.0, while the Nikon 55-200mm is at f/5.6. Sharpness-wise, both are almost identical, with the 55-300mm slightly outperforming the 55-200mm at f/5.6.

Nikon 55-300mm f/4.5-5.6G VR Review - Optical Features Nikon 55-300mm f/4.5-5.6G VR Review - Optical Features

In terms of features, the Nikon AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II is a bit of a mixed bag. One one hand, it has Vibration Reduction on board – hence the VR abbreviation in the product name –; on the other, it isn't as sophisticated as on some other Nikon lenses. There's an on-off switch on the lens barrel, but there's no choice between active and normal modes. Likewise, the lens has a built-in auto-focus motor that allows AF operation on every Nikon DX camera body, including entry-level offerings like the D3300 or D5200, but – unlike with most other AF-S lenses – focusing is not internal, although manual focusing is possible even when the focus mode selector is set to the 'A' position. The lens has no distance scale and no focus limiter, either.

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Again, the sharpness is pretty good overall, but we are already seeing some loss of sharpness at the largest aperture and f/5.6. Stopping down the lens to f/8.0 and f/11.0 produces the best results. Sharpness Test – Nikon 55-300mm @ 105mm Corner Frame Disappointingly the Nikon AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II doesn't ship with either a dedicated plastic hood or a soft case. Focal Range