Reach for the Stars: 1996–2006: Fame, Fallout and Pop’s Final Party: A Times Summer Read 2023

Product Information

Want a disclosure about quotes as inspiration? This quote-list is everything that you all need in your life to feel motivated. Reach for the Stars takes a delightful look at British pop music from the years 1996 to 2006. It was a more innocent time, before the dawn of the internet - radio, Top of the Pops and magazines like Smash Hits were the main ways teenagers learned about their favourite bands. CD singles sold in vast amounts and reaching the number one position in the weekly charts was still a meaningful and much-coveted achievement. You'll reach for your boogie board and catch a wave or two. I'll teach you how the lunar pull made those tides for you." I try to reach for the stars because if you say you want something small and it happens, you don't believe it. So I try to say something wild and crazy." To chat about Reach For The Stars, 1996 – 2006: Fame, Fallout and Pop’s Final Party, journalist Michael Cragg has worn aGirls Aloud T‑shirt for the occasion, from the band’s debut 2003 album.

The book attempts to chart the mainstream pop industry from the days of the Spice Girls through to The XFactor and it features lots of interviews from many of the main players within these bands and the music industry at the time. I particularly enjoyed the sections where the production of the music was discussed as this was new information that I hadn't seen elsewhere and it gave a great insight in to the production of the music and featured interviews with people such as the Xenomania team. Sean There were frictions within the band. And between the band and management. Then the band and the label. Frictions everywhere. A quote that motivates one to achieve goals is best. This quote-list to reach for the stars will be perfect for you.The more you reach, the more you learn. There's so much here to see. The world has wonders waiting for your curiosity." Carl Schurz, a 19th Century politician, and former U.S. senator was the first one to use the quote 'reach for the stars' indirectly in one of his speeches. Since then, many influential people have used this quote in many of their saying and speeches.

Always remember you have within you the strength, the patience, and the passion to reach for the stars, to change the world." Elsewhere, it’s revealed that Russell Brand once auditioned for the boy band 5ive, but has denied it ever since, “which is funny”, says member Scott Robinson, “because he’s done some dodgy things in his career, and auditioning for 5ive isn’t the worst”. However, somewhere around the chapter covering Blue, I started to get the feeling that the narrative was incredibly repetitive. Although I appreciate that Cragg wanted to cover the length and breadth of his subject - the fact that most of these bands split after several years meant that all the chapters ended similarly. Although some of these chapters did include some intriguing titbits; such as Blue being in New York during 9/11 and the swift production of the S Club 7 movie, there were few memorable moments. I thought the smaller chapters covering the rise of Garage music and the anecdotes about being hungover on kids' TV could've been cut completely. The exception to this rule is the chapter on Sugababes; an act that the author clearly has a love for and could've probably written an entire book about. Ritchie They wanted a band with edge and that’s what they bloody well got. We’re all very strong characters so eventually there’s going to be those eruptions. We were young, we didn’t have that level of maturity. I was very much buying pop music through a lot of this era, so it was fascinating to read the story behind the music, as told by (most of) the people who were there. The majority of this book takes the form of quotes from the people involved - with comments and context from the author inserted where necessary. Michael Cragg is a music writer, who works (or has worked) for a lot of major UK publications - so if he hasn't interviewed the people specifically for this book, he has interviews that he's done with them in the past that he can draw on. So you have four of the five Spice Girls (you can guess which one isn't in this) and members from pretty much every band that is mentioned. As a young person at the time that a lot of this was happening, I found it really interesting to read about what was going on behind the scenes and the press coverage and see how that affected my perception of the various bands and band members involved. And of course the other thing that's really fascinating is how the spotlight of fame affected the people in the bands. Many of them were very young when they joined the bands - and you get to see an array of different ways that fame - or being in a band can mess your life up. But in the early stages of this period, a lot of it was going on behind closed doors - as the book hurtles towards the mid 00s, you see the arrival of TV talent shows and people learning how to be in a band whilst on camera and making their mistakes in public.Dream big; at least you will have the joy of reaching for the stars instead of living in a box filled with unopened gifts." I was moving into my teenage years when the Spice Girls started, and so Iwas trying to work out who Iwas. But Iwas also trying to sort of hide who Iwas, and it was too revealing to talk about pop music. It was too revealing to say that you were afan of Girls Aloud, even, when they first started. And so Iwouldn’t.” Even at uni, Cragg would pretend to like Radiohead (“I kind of did… for abit”), while he was working out his sexuality and identity. ​ “I didn’t really talk about [pop music] – Ididn’t say that Iliked it.” I went to an event for this book where Michael Cragg interviewed Nicola Roberts from Girls Aloud - and it was absolutely fascinating (and sort of horrifying) to hear her talking about her own experiences, now she has the benefit of distance (and I suspect some counselling/therapy) to analyse what was going on and how it affected her. She also talked about how the era of the adverts in the stage, open auditions and TV talent shows provided a gateway for people without connections in the industry to get their big breaks - even if they didn't have the advice and support that they needed to navigate the world that they found themselves in - and that the pendulum has now swung the other way and that music is the poorer for it. Cases are regularly made for this or that period of pop history to be recognised as a “golden era”, and random chunks of the 1950s to the 1990s have been widely exalted. It is to Michael Cragg’s great credit that his new book, a thoroughgoing oral history, focuses on a period until now almost entirely shunned by critics: British millennial bubblegum. Kidadl provides inspiration to entertain and educate your children. We recognise that not all activities and ideas are appropriate and suitable for all children and families or in all circumstances. Our recommended activities are based on age but these are a guide. We recommend that these ideas are used as inspiration, that ideas are undertaken with appropriate adult supervision, and that each adult uses their own discretion and knowledge of their children to consider the safety and suitability.

When reading this book, you're likely to vanish down a YouTube wormhole, revisiting forgotten gems or favourite songs from the likes of A1, Billie Piper, Sugababes and Steps, or discovering that the music of certain groups still sounds awful more than twenty years later (Atomic Kitten...) I should note that it's not exhaustive, which is OK as the book is long enough without going into even further detail. The focus is on Britain, with occasional references to Irish groups popular in Britain, but not much context outside of this, or else we would certainly be hearing about Aqua, who were massively popular. Perhaps the British band Scooch could have had a mention, as they did moderately well in the early 2000s. I would've appreciated a little more about B*Witched, as the way I remember it, they were almost as popular as the Spice Girls. Regarding the Spices, the chapter would've have more appeal if I hadn't recently read Melanie C's memoir, which more or less covers the same territory.

Give AI a Try!

Ritchie I personally harbour no ill-will to J or Abs. I would want nothing more than to hear that they’re happily getting on with their lives. J was quite a domineering character and he wanted things done his way. He was willing to get that point across in a physical way sometimes. A lot of it, like the music itself, seems throwaway, the stuff of gossip. We learn, for example, that even in the early stages of the Spice Girls, Victoria Adams was far more interested in shopping for clothes than she was in recording vocals. “She just wasn’t there,” co-member Geri Halliwell says of the Wannabe studio sessions. “Bless her.” It’s revealed that Russell Brand once auditioned for the boy band 5ive, but has denied it ever since The list of contributors, made up of performers, producers, moguls and journos, will be mostly familiar to anyone with a passing interest in this topic, to the degree that you’re left with an impression of just how small the British scene is. Fun to see Alex Needham (Chart Music podcast) and Peter Robinson (Popjustice). If I were to quibble, I’d say I’d have preferred less channel 5 talking heads and more analysis but I’m not about to look a gift horse in the mouth.

In life, all people need some kind of motivation to move ahead and dream of a difficult goal. Some search it in a book, a movie, a quote, or dreams. These reach for the stars quotes will be perfect for you.Kidadl cannot accept liability for the execution of these ideas, and parental supervision is advised at all times, as safety is paramount. Anyone using the information provided by Kidadl does so at their own risk and we can not accept liability if things go wrong. Sponsorship & Advertising Policy Ritchie Neville I turned up and it was a media circus. There was press there and a Spice Girls tribute band performing. I was in this queue just going, “What the hell is this?”