Rather than act the role of meek, put upon girl, Cinderella specifically tells the fairy to give her “‘earrings and a diamond brooch!”’ She also demands “silver slippers” and “nylon panty hose,” an accessory the traditional princess would never have mentioned. Lo empecé, por costumbre, en su versión traducida al castellano, y debo reconocer que el traductor ha hecho un trabajo magnífico, traduciendo los versos del inglés manteniendo el mensaje y la rima. Pero tras leer el primer cuento (Cenicienta) y decidir que iba a seguir adelante con el resto del libro (¡que es cortísimo!), decidí pasarme a la versión original, empezando de nuevo desde el principio. Y, a pesar de la estupenda traducción, os recomiendo fervientemente que hagáis lo mismo si tenéis cierto dominio del inglés: leer los versos de Dahl en su inglés original es mucho mejor que leer la versión española, por estupendamente traducida que esté… Cinderella also seems to have learned a lesson from the entire traumatizing afternoon and tells the fairy that she does not want any “more Princes” or money. Instead, what she is looking for is a “decent man,” one who does not chop off heads.

It is also her intention to make the “handsome Prince” fall for her. She is going to accomplish this with her newly acquired looks and fancy clothes. The fairy does not put up any resistance to this demanding version of Cinderella. She immediately gives her what she asks for and Cinderella appears at the ball. The only part of the traditional story that’s true is the “first bit” in which Cinderella is left at home by her stepsister while they attend the ball. Even though the story is the same, Dahl uses the phrase “dead of night,” darkening the overall mood. The “Ugly” sister set out wearing all of their jewels and leave behind “Cindy.” Her name is almost immediately shortened. This is in an effort to separate her further from the girl the reader might be picturing. It also adds an element of realism. She could be a real person. This is a choice made throughout the text as Dahl attempts to humanize a princess and a magic-based world. Roald Dahl sometimes shared a tonal kinship with Ogden Nash, and he could demonstrate a verbal inventiveness nearly Seussian…[His] stories work better in audio than in print.”– The New York TimesIn the fifth stanza the “Ugly Sisters” do what they can take the place of Cinderella. One of the sisters grabs the shoe and flushes it down the toilet. She then replaces it with the “slipper from her own left foot.” This clever manipulation of the original storyline shows a true cunning on the part of the sisters. The “ugly” sisters are turned off by the sight of their sister dancing with the Prince. Again, Cinderella does not act meekly. She embraces the Prince, pulls him to her, and he is “turned to pulp.” The young man falls for “Cindy” and is extremely distressed when midnight comes. Then, in humorous contrast to his own words, he places the shoe on a ”crate of beer.” This gesture should lessen one’s opinion of the Prince. It also foreshadows his true, less than gallant nature. The presence of beer in the scene of what has become a children’s story is also striking. It once again takes the narrative into the real world. The seventh stanza is also quite long, at a total of twenty lines. Here, Cinderella seals her own fate. After seeing and hearing Cinderella speak the Prince decides that she too needs to lose her head. He calls her a “dirty slut” and prepares to kill her. Just in time though there is a “blaze of light” and the fairy appears. She tells Cinderella, or “Cindy,” that she can make another wish. Did you think Cinderella married the prince and lived happily ever after, or that the three little pigs outsmarted the wolf? Think again! Master storyteller Roald Dahl adds his own darkly comic twists to six favorite tales, complete with rambunctious rhymes and hilarious surprise endings.

Qué es lo que tienen de bueno estos cuentos? Para empezar, que están escritos en verso, que ya es mérito. Pero es que además están escritos con una ironía (típicamente británica) y un humor (a veces negro) fantásticos. En ocasiones incluyendo también giros de guión inesperados, que reinventan totalmente los cuentos de una forma descacharrante.An audio book of Dahl's Revolting Rhymes was released, read by Timothy West and Prunella Scales. A later version was narrated by Scottish actor Alan Cumming. [4] The current audiobook is narrated by Stephen Mangan, Tamsin Greig and Miriam Margolyes and has been available since at least 2014. [5] The audio book recordings were later used for narration in an OVA for the book. In Cinderella, the plot stayed true to the original tale until one of the ugly sisters switches her shoe with the one Cinderella left behind at the ball. However, when the prince sees that the shoe fits one of the sisters, he decides not to marry her, and instead chops off her head on the spot while she is standing. When the prince removes the head of the second sister and makes to do the same to Cindy, she wishes to be married instead to a decent man. Her fairy godmother grants this wish and marries her to a simple, regular jam-maker. Cinderella’ by Roald Dahl retells the story of Cinderella and how rather than marrying the Prince, she ends up with a lovely man who makes jam. When the Prince sees that the shoe fits the first ugly sister he beheads her and then proceeds to do the same to the other sister. Cinderella is turned off by the idea of a man who beheads people and wishes to be married to a “lovely feller.” Immediately her wish is granted and she lives happily ever after. Many citizens, thousands, come forward to try on the shoe. Finally one of the sisters tries it on and of course, it fits. The Prince immediacy shouts out ‘“No!’” He is horrified at the thought of having this ugly woman for his bride, even though he made a promise to marry the owner of the shoe.

The poem begins with the speaker stating that the story which is about to follow is not the one the reader might expect. It is the true story of Cinderella, unedited. In the following stanzas, Cinderella makes her way to the ball via help from a Fairy. She meets the Prince and loses her dress and her shoe. Rather than try to fit their feet into the shoe, the ugly sisters flush it down the toilet and replace it with one of their own.The Prince sees the lost shoe and immediately grasps it. He is sure in that moment that he will be able to find the missing woman and make her his “bride!” His plan does not go as well in this telling of the story as it does in the original. It is his goal to visit everyone in town until he has found the “maiden,” or young, unmarried woman, that he fell in love with. Revolting Rhymes is a 1982 poetry collection by British author Roald Dahl. Originally published under the title Roald Dahl's Revolting Rhymes, it is a parody of traditional folk tales in verse, where Dahl gives a re-interpretation of six well-known fairy tales, featuring surprise endings in place of the traditional happily-ever-after finishes.