Adventures In The Screen Trade: A Personal View of Hollywood

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Adventures In The Screen Trade: A Personal View of Hollywood

Adventures In The Screen Trade: A Personal View of Hollywood

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Bill Goldman is painfully frank about his struggles, his weaknesses, and the seamy underbelly of the business that has paid his bills for decades. While 'Adventures' is about the happy accidents and why no one really knows anything about how to make movie magic, 'Lie' is a great book about making choices and where to go from there. As far as the filmmaking process is concerned, stars are essentially worthless -- and absolutely essential.

Adventures in the Screen Trade: A Personal View of Hollywood

The last section of the book is a particularly helpful exercise where he takes one of his short stories, wrestles it into a screenplay, and then interviews a cinematographer, a production designer, an editor, a composer and a director about what they would do with his finished product.He has written, co-written or consulted on vehicles for towering movie stars including Robert Redford, Paul Newman, Michael Douglas, Dustin Hoffman, Laurence Olivier, Matt Damon, James Caan, Clint Eastwood and Anthony Hopkins. The usual shit, oh oh oh, violent movies did it-no, rap music-no, TV-no, the Internet-no, blank did it (fill in your own medium).

Adventures in the Screen Trade - Google Play Adventures in the Screen Trade - Google Play

It's so interesting to see insights into Michael Douglas' skills as a producer, or Clint Eastwood's stiff cool as a director, and numerous other examples.Not surprisingly, Goldman is not a fan of the auteur theory, a notion promulgated by young French new wave critics (including Francois Truffaut and Jean-Luc Godard) in the Fifties asserting that the director is the author of the movie. This memoir and masterclass in Hollywood tradecraft (436 pages) was published in March of 1983 by Warner Books, Inc. Este se centra en la parte inicial en comentar parte de esas vivencias que supongo no tuvieron cabida en el primer volumen. T. The Extraterrestrial would win the Academy Award for Best Picture (at the time, Gandhi wasn't out) to his casual comments about women in action movies (i. Billy also loves to explain other people's decisions and character traits he dislikes by ascribing thought processes to them, while managing to ignore the fact that he's making shit up out of boogers and ego.



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