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Alto Truesonic TS310 2000-Watt 2-Way Active Loudspeaker - 10 Inch

£9.9£99Clearance
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The Alto TS310 is also intended for those who refuse to be weighed down by bulky and hefty audio equipment when going from one venue to the next.

There’s also a useful amount of mic gain if you plug a mic directly into the XLR input, which is always good to know for those ‘broken mixer’ emergencies or for basic announcement work, though there’s no opportunity to add EQ or effects if you work that way. Using newly-designed transducers along with custom engineered, highly efficient class D amplifiers, the Alto TS310 delivers a hefty peak 2000 watts with a solid 1000 watts continuous RMS. You have a wide variety of set up options with the TS310 as it is pole-mountable via 36mm standard pole mount and can be wall or ceiling mounted using a TSB810 bracket or flown using the integral M10 suspension points. That’s because it has a massive 10-inch driver designed to ensure that there’s never a shortage of bass during the performance. An updated control surface gives clearer indications, and in combination with the standard pole socket and integral M6 suspension points make set-up a simple process.That being the case, it isn’t really surprising that it doesn’t sound as ‘hi‑fi’ as a decent mini line array and that its midrange is perhaps less precise, but with a little mixer EQ you can get a very workable vocal sound out of these speakers, and a pair will provide adequate volume for smaller venues, where the feedback threshold will probably place a limit on volume before the power of the speaker does. The Alto TS310 combines truly high-performance audio with elegant style and flexible placement/mounting applications.

We advise you to update to a currently supported browser (such as Chrome, Edge, or Firefox) to improve your security, speed, and overall experience. The TS310 is the ideal loudspeaker for users looking for a powerful, reliable PA speaker without the big investment. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. With an on-board two-channel mixer that provides combo inputs for compatibility with XLR and 1/4" jack cables, you get custom control over levels, input type, and balancing these for your space. This speaker is driven by a 2000w Class D amplifier while brand new transducers provide you with the cleanest possible sound.

inch compression driver that work in perfect unison to give you the most precise, natural sound possible.

The information obtained through cookies allows us to compile ad performance statistics and serve retargeting ads on The Trade Desks advertising network.Newly designed transducers and custom engineered, highly efficient class D amplifiers come together to deliver up to 2000 watts of seriously high-performance audio that will blow you and your audience away. Their new TX range is designed in the US but manufactured ‘offshore’, and we’re informed that it is underpinned by some of the technology used in the company’s more costly TS3 series. Dual XLR combo mic/line inputs, independent level controls and an XLR link output deliver I/O and setup versatility.

inch HF driver with precision wave guide delivers clean and smooth high frequencies, while the 10-inch LF driver with high-temperature voice coil provides the deep, body shaking bass.The high-efficiency class D amplifiers benefit from a passive cooling design which means they don’t use a fan so the speakers run quieter and have a longer lifespan. Just like most other speakers in the market that are meant for professional use, the control panel of the Alto TS310 is located at the back. Despite the popularity of mini line‑array systems for small venues, there’s still a healthy market for the more conventional box‑style speaker. inch tweeter that both work in perfect synch to deliver a smooth sound with a frequency response that ranges from 54 Hz all the way to 20 kHz and can reach a maximum sound pressure level of 129dB. Two LEDs indicate power and the presence of signal/clipping, while a rotary control adjusts the input gain, which offers enough range to cater to both line‑level and mic‑level sources.

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