The poem ‘Belfast Confetti,’ one of the best-known poems of Ciaran Carson, pulls the reader into the aftermath of Belfast’s sectarian riot. The setting of Belfast Confetti is Northern Ireland during the Troubles whilst The Road Not Taken has the backdrop of New England, America. Firstly, he refers to the Saracen tanks and the metal netting used over the tanks that are known as the Kremlin-2 mesh.

Subject matter - Belfast Confetti - CCEA - GCSE English - BBC Subject matter - Belfast Confetti - CCEA - GCSE English - BBC

I'mtakingmyEnglishLitreatureGCSEthisyear-1-9Edexel(2018)andI'mstrugglingtomemoriseeverysinglepoem,withquotations. The word ‘stuttering’ reinforces this idea, whilst conveying the harsh sounds of the battlefield (links to ‘rapid fire’) as it is onomatopoeic for machine gun fire.The narrator’s inability to ‘complete a sentence in [his] head’ is a metaphor for the chaos and irrationality of the riot and the disorientating effect this is having on his composure. It tells readers how the conflicts in history (especially the Troubles in Northern Ireland) impacted those who tried to remain detached from the situation. He uses a first-person narrative technique to describe the events during the Troubles in Belfast from the perspective of a person who was there at that time. This has the effect of strengthening the reader’s connection with the narrator and making his thoughts seem more pivotal. During the mid-1970s, the groups of Irish nationalists had also started violent attacks to make the UK government build an independent region of Britain.

Belfast Confetti by Ciaran Carson test questions - CCEA - BBC Belfast Confetti by Ciaran Carson test questions - CCEA - BBC

Carson has adopted a narrative style in this poem ‘Belfast Confetti’ to depict an entire scene to the readers. IwaswonderingifIcouldgetawaywithstudyingafewpoemsindepth,thatmoreorlesscancomparetoanyotherpoem,suchasHalfcaste,TheClassGameorExposureandafewmore. The poem is about the aftermath of the Troubles (a period of conflict in Northern Ireland ranging for about 30 years) in the capital city of Northern Ireland, Belfast. Belfast Confetti" was written by the Irish poet Ciaran Carson and published in the collection The Irish for No in 1987.

This poem is about the conflict between the Catholics and Protestants, known as The Troubles, when in the 1960’s the Catholic community claimed they were being discriminated against by the Protestants. The allegory of Carson using punctuation to portray the violence begins as he describes it as ‘raining exclamation marks’. He has witnessed the death of several people right in front of his eyes, due to which he just can’t forget the violent memories.

Belfast Confetti by Ciaran Carson - Poem Analysis

To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. GCSE Poetry < Edexcel Conflict Belfast Confetti Extract from The Prelude No Problem Exposure The Class Game War Photographer (Satyamurti) What Were They Like? In his collection of poems, this poem is one of the most amazing and famous poems that the readers have ever come across.When you have settled on a suitable poem, you should note down a variety of links between the poems.

Belfast Confetti Poem Summary and Analysis | LitCharts

He lived through what came to be known as the Troubles close The Troubles The time of unrest and violence in Northern Ireland between 1969 and 1998. Easter, 1916 by William Butler Yeats– It’s another poem that describes the Easter Rising from the history of Ireland. This means you will have an unannotated copy of the poems and you will be asked to compare two poems from your chosen anthology. He is not only a poet but also an amazing novelist, who is cherished by almost all those who love literature.

The speaker can imagine a found of broken images floating in his mind and hear the sound of the explosion. Around the 1970’s the IRA (Irish Republican Army) failed to retrieve independence from British rule. Belfast Confetti is a poem about the aftermath of a sectarian riot in Belfast by Northern Irish poet and translator Ciarán Carson. Carson identifies how full ‘stops’ and ‘colons’ act like a barrier between two sentences or clauses in literature and transfers this to barriers, likely scattered debris, to the riot-torn streets. They may also imitate the irregular heartbeat of people in shock and fear as a result of the street fighting.