The sound of the soundtrack is excellent — the dynamic range is wide, the balance is even, the scene is wide, very good detail. A6 - Published by: Ducky Donath Music (BMI) / Songs Music Publishing / Sony/ATV Music Publishing LLC. B5 - Published by: Ducky Donath Music (BMI) / Songs Music Publishing / Sony/ATV Music Publishing LLC. B3 - Published by: Ducky Donath Music (BMI) / Songs Music Publishing / Sony/ATV Music Publishing LLC.

Every record is shipped in original factory-applied shrink wrap and has never been touched by human hands. The album cover is decorated very beautifully, but, in my opinion, to give naturalness to the picture, there is not enough texture to emphasize the brush strokes.My only grudge is that there’s quite a bit of sibilance, which is especially noticeable for a whispery, spoken kind of singing (which is the case for a lot of this record). Sometimes, this also involves being single—a breakup and a raucous house party serve as thematic through-lines—but romance is only part of the album’s script. When Lorde sings it to the empty space beside her on “Supercut,” toward the end of her shining record Melodrama, we share a bit of her noted synesthesia: We see that bright, electrode glow of possibility, feel its siren shine on our faces. the vinyl have some black splatter on it , i was scared if it would ruined the sound quality but thank god it dont! B2 - Published by: Ducky Donath Music (BMI) / Songs Music Publishing / Sony/ATV Music Publishing LLC.

Whatever the next “Gossip Girl” is—whatever soapy serial next attempts to harness the teen zeitgeist with plush fabrics and sharp cheekbones—“The Louvre” will probably soundtrack its climactic moment. Use of this site constitutes acceptance of our User Agreement and Privacy Policy and Cookie Statement and Your California Privacy Rights.The same could be said for one’s teenage years, which the 20-year-old Ella Yelich-O’Connor exits so graciously on this album. But I hear sounds in my mind/Brand new sounds in my mind,” she exults, after thoroughly mocking the bastard in falsetto sing-song. But as Lorde’s voice rises in it, awed in adoration as she whispers, “Well, summer slipped us underneath her tongue/Our days and nights are perfumed with obsession,” whatever’s onscreen can’t match her luminosity.

el side a suena mejor que el side b, éste último no destaca tanto el sonido de las dos últimas canciones. the gatefold is incredible quality, and inserts are beautiful, and the blue vinyl is sturdy and a wonderful royal shade. At the beginning of side A there is a cyclic beating sound, which gradually disappears after the second track.B1 - Published by: Ducky Donath Music (BMI) / Songs Music Publishing / Sony/ATV Music Publishing LLC. The vinyl isn't very heavy, the outer sleeve is unusually flimsy (no gatefold like Pure Heroine), and the printed inner sleeve is thin and clung to the record with so much static that I thought I wouldn't be able to pull it out without ripping the sleeve.