a b Vena, Jocelyn (March 11, 2010). "Lady Gaga's 'Telephone' Looks: Fashion Experts Weigh In". MTV News. Archived from the original on March 17, 2023 . Retrieved March 17, 2023. a b "R&R:: Going For Adds:: CHR/Top 40". Radio and Records. January 26, 2010. Archived from the original on May 14, 2010 . Retrieved March 27, 2010. R&R:: Going For Adds:: Urban". Radio and Records. January 26, 2010. Archived from the original on April 2, 2012 . Retrieved March 27, 2010. a b "Lady Gaga's Fame Monster – it's a proper album (and a very good one at that)". Popjustice. October 26, 2009. Archived from the original on December 27, 2009 . Retrieved November 30, 2009.

Billboard Hot Dance Club Songs: Week Ending February27, 2010". Billboard. February 27, 2010. Archived from the original on December 26, 2013 . Retrieved November 10, 2010.New York magazine reported that the concept of the video involved Beyoncé as she bails Gaga out of jail. In published photos from the set, they were seen shooting in a car called the "Pussy Wagon", which Uma Thurman's character drove in Quentin Tarantino's 2003 film Kill Bill: Volume 1. The two wore "destroyed denim pieces" designed by Frank Fernández and Oscar Olima. [51] [52] [53] CIS Year-End Radio Hits (2010)". TopHit. Archived from the original on August 11, 2019 . Retrieved April 6, 2023. American single certifications – Lady Gaga – Telephone". Recording Industry Association of America . Retrieved March 3, 2016. There are transsexual women and transgender women and suddenly it becomes poisonous and something else because there are some people in this world that believe being gay is a choice. It's not a choice, we're born this way. That's why for me this video is groundbreaking because it has one foot in the art community and one foot in the commercial world. Lady Gaga wears a custom made chain and jumpsuit by Viktor & Rolf, a half-smoked cigarette glasses, and boots by Pleaser customized by Haus of Gaga. Commissary & Bailout

Week 21 24.05 – 30.05.2010". Bulgarian Association of Music Producers. Archived from the original on July 25, 2011 . Retrieved April 8, 2023. Exploring the history of telephone songs and their relationship with female empowerment in popular music, Lisa Colton – a professor of musicology – saw Gaga's "Telephone" as a modern interpretation of the relationship between technology, gender and power. She argued that the telephone has been a popular subject in many songs due to its social history and function, which are closely associated with issues such as gender equality. For example, in the past, women's roles were limited to that of operators or low-status employees, and the telephone was a source of controversy as some men worried it gave women more independence and opportunities for romantic engagements. [18] Telephone (Crookers Vocal Remix) – Single de Lady Gaga & Beyoncé". Apple Music (Portugal). Archived from the original on February 9, 2022 . Retrieved February 28, 2021. The second single from The Fame Monster, “Telephone” was originally written by Gaga for Britney Spears‘ Circus album, but Spears rejected it. Later, Gaga recorded the song as a collaboration with Beyoncé. Diner extra — Carla Cluberson, Craig Seitz, Elatrice Wilkerson, Elaine Ballce, Greg Shore, Ishanique Lomax, Jillian Lester, Jimmy May, Joanna Ingco, Justin Tranter, Keith Biondi, Kenny Knoll, Kimberly Jindra, Malcolm Garland, Mary Hallman, Sharon King, Shavelle Wasson, Sin Gin Wong, Tracy Sayed, Yeva LavlinskiCaramanica, Jon (August 6, 2017). "Review: Lady Gaga, the Flashy Provocateur, Battles Lady Gaga, the Raw Voice". The New York Times. Archived from the original on August 20, 2017 . Retrieved September 9, 2017. a b * "Telephone (Electrolightz Remix) – Single de Lady GaGa & Beyoncé". iTunes Store (France). January 2010. Archived from the original on November 11, 2012 . Retrieved March 18, 2010. Lady Gaga's additional vocal production — Michael Donaldson at 2nd Floor Studios (Los Angeles, California, )

Kreps, Daniel (February 18, 2010). "Lady Gaga Amps up 'Electro-Opera' Monster Ball for Arena Tour". Rolling Stone. ISSN 0035-791X.

Brasil Hot 100 Airplay (Jul 18, 2010)". Billboard Brasil. No.11. BPP Promoções e Publicações. August 2010. p.84.