universe, Lionsgate and A24 actually went to the trouble of having their public relations folks overtly ask that the "at" in the title of the film be For those not familiar with the details regarding Ultra HD Blu-ray you can refer to my article that includes some pertinent data on the subject. Here is the link: Audio Commentary– Writers/Directors Daniel Kwan & Daniel Scheinert (aka “The Daniels”) give us everything we wanted or needed to know about the film, its inspiration and etymology. They’re razor sharp with their comments and this is must listen for any true fan of the film. Are there different rules for capitalization in various so-called "multi verses"? This may be a salient if not exactly pressing question, since in this variety of aspect ratios, as is documented in some of the screenshots I've uploaded to accompany this review. The IMDb lists the Arri Alexa Mini and a

Everything Everywhere All At Once is presented on Blu-ray courtesy of Lionsgate Films and A24 with an AVC encoded 1080p transfer in aas an underlying conceit that "this" Evelyn is, to borrow a concept from that aforementioned Wachowski enterprise, "the one" who may be able to The kind of interesting thing about Everything Everywhere All At Once is how it frankly revisits a number of tropes that have been doled film provides a perhaps career defining (in more ways than one) role (or, maybe more accurately, roles) for Michelle Yeoh, but it also offers a

alternate universes to a completely befuddled Evelyn. That results in one of the first comedic showstoppers of the film, where the fractious if banal This is another feature shot with Arri cameras where I personally wished things had been a little less murky in some of the most dimly lit material, a lotCalibrated with Calman color calibration software and Portrait Displays C6 HDR2000 colorimeter from Portrait.com) This is a contemporary and stylish visual film, that adheres to sepia tones and color grading, which ultimately leaves some sequences appearing less visually engaging than others. Color reproduction is consistent, with primaries like blue and red appearing richer, and more delineated. Secondary hues look great, although not appreciably better. The increase in resolution isn't always on display but, in general, wide-angle, well-lit shots both interior and exterior look great. Close-ups tend to offer appreciable refinement and deeper resolvable texture on surfaces and physical features compared to the Blu-ray. The differences, while not staggering, are easily discernible. things careen into territory that can only be termed hallucinogenic, but it's the performances (which include Jenny Slate as yet When an interdimensional rupture unravels reality, an unlikely hero must channel her newfound powers to fight bizarre and bewildering dangers from the multiverse as the fate of the world hangs in the balance.

Putting Everything on a Bagel: Cooking up the Multiverse– This is, essentially, more of the same as the above. We get The Daniels as they discuss the story, the cast and everything in between. understand the visceral reactions Everything Everywhere All At Once seems to have engendered, for while the film's "the Daniels" (more screenplay by co-directors Daniel Kwan and Daniel Scheinert, the pair also responsible for the similarly bizarre if also completely different Swiss Army Man, things remain at least relatively clear within the context of a harried couple who own a perhaps faltering laundromat who have had the additional calamity of being audited by the most natural looking palette overall, even if that can be kind of dowdy, as in the IRS office. The "multi verses" are almost a carnival ride of differentGiven the nature of the film, it’s hard to really classify how this truly looks. That’s a bit misleading, I realize, as it’s all part of the same cohesive film, but with the various different “universes” some have a unique look and feel. The film also employs different aspect ratios with some scenes being presented in 2.39:1 and others in a more traditional 1.85:1. What I will say is that this 4K image looks spot on. It’s nearly perfect. There seem to be a few instances in which the image appeared a bit soft, but it might have just been me. Colors pop, detail is off the charts (Jamie Lee Curtis has certainly looked better) and there’s even an animated sequence to mix things up more. Audio: How’s it sound? about them in a moment) make a case that this is their riff on elements from Fight Club combined with a certain franchise by the Wachowskis, what the film may actually play more like is any The everything bagel threatens the multiverse on Ultra HD with an awesomely beautiful and often mesmerizing HEVC H.265 encode. Shot on the Arri Alexa digital cameras capable of up to 3.4K resolution and mastered to a 4K digital intermediate, the native 4K transfer comes with excellent definition and clarity, exposing every nook and cranny of the Wang home and the laundromat. Fine lines and details are sharp and distinct, from the stitching and threading of the costumes to the individual objects of the IRS offices, but some of the digital effects and the fast-paced action are not always as discrete, which may have to do with the filmmaker's visual aesthetic. Deleted Scenes– We get nearly 15 minutes’ worth of deleted scenes with some optional commentary by The Daniels. Given the 2+ hour running time, these were wisely cut. Plot: What’s it about? Video: How’s it look? Audio: How’s it sound? Supplements: What are the extras? The Bottom Line Plot: What’s it about?