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This is the opportunity to revisit and simplify some of sbt’s design to improve the developer experience. During this quarter, we will complete the consolidation of the Scala 2 and Scala 3 documentations as a single, unified one.

In particular, we expect to polish our work on pipelining, and further optimize large areas in CPU and memory profiles. Better Compilation Error Messages First, we are going to refactor some aspects of Scastie to build on new foundations that came out of the Tooling Summits. Cindy Sherman is known for her conceptual portraits. The artist’s most famous works, including “Untitled Film Stills” (1978-80), feature herself in different guises: the star of a B-movie for example, or the subject of a European portrait painting. For her latest project – created in collaboration with Harper’s Bazaar – she’s devised a wholly different kind of alter ego: a modern-day street-style star. In this series satirical portraits, which are to be published in the magazine’s March issue, Sherman poses in a selection of outfits by Prada, J.W.Anderson, Marc Jacobs, Miu Miu, Gucci and Chanel. Of course, this isn’t Sherman’s first foray into the world of fashion; Raf Simons cited her as inspiration for his most recent collection, she collaborated with Louis Vuitton on a handbag and starred in a 90s Comme des Garçons campaign.in build tools, make sure that we get the most recent scala-library among the library dependencies, like any other library, instead of the one matching the version number of the compiler, and Adjustments to the final piece to help shape it up to what they're looking for, such as correcting the style, or elaborating on a specific point in the brief Eugene Yokota wrote a post with ideas of sbt 2.x about six months ago, and wrote an initial PR that switches to Scala 3. We are going to develop a set of supportive tools to empower Scala enthusiasts who want to promote Scala better in their workplace and communities. Communication

There is something profoundly uncanny about seeing Cindy Sherman in person for the first time. When she greets me at the door of her SoHo studio one afternoon in April, casually dressed and wearing no obvious make-up, I recognise her features, but not, exactly, her face. For more than 40 years, Sherman has appeared in nearly all of her work, but never as herself. With the help of stage make-up, prosthetics, wigs, costumes and, more recently, digital tools, she has shapeshifted into hundreds of characters, among them B-movie ingénues, terrifying clowns, Renaissance Madonnas, and society matrons. I catch myself staring more than once during our conversation, wondering how she manages to transform herself so thoroughly in her photographs that her face seems unfamiliar even though I’ve seen it so many times. The compiler should help developers write correct code instead of “just complaining” about incorrect code. Sherman was one of the first artists to work with high fashion. "But hang on, didn't Dalí do some stuff?" she says, laughing. "One of my first projects was in the early '90s, for Harper's Bazaar, actually. They sent tons of clothes to my studio and said, 'Do what you want.' That got me started on looking at magazines. I've always been interested in fashion photography." We have to leverage the type information and the closed world assumptions of Scala.js to achieve a similar effect. We will also coordinate with the other projects that provide worksheets to use a common implementation.The contain a lot of compiler-generated helpers, and only display the JVM erased types of parameters and result. In particular, we will work towards merging that initial PR to switch to Scala 3, as it is impractical for any work to be done before that. On Twirl, customers can request adjustments to the completed piece you've sent their way. This can be for:

Although the fundamentals are ready (notably a complete rewrite of the type system, compared to Scala 2), there are still a number of Scala 3-only features that we need to integrate. Cut 8 strips of paper. I cut it from the long side of the paper, 11 inches long. They are just over 1/2 inch in width. I used 8 different colors to make it rainbow and colorful. But you can do it all from one piece of paper, too! Local and global variable renaming can be performed by other front-end tooling, such as Rollup through Vite. We will polish their work and get it to a state where it can be fully reviewed and merged. Community and Contributor Experience

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With the help of tasty-query, we are developing a library that links run-time JVM classes and methods to the original TASTy symbols, corresponding to the source code, which we will release during this quarter. Finally, we will keep improving the stability of the integration with Metals and the compiler. sbt 2.x Instead of systematically printing fully qualified types, we will minify them to match the source code for better readability. The compatibility policy of the standard library forbids the addition of new features (new classes or methods).

I just loved the description of these people,” Sherman says. “These characters who go to the fashion shows – and twirl, as you talk about.”

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Sherman is currently preparing for a retrospective at the National Portrait Gallery in London this summer (27 June–15 September). It will include examples of all Sherman’s major bodies of work – including all 70 photographs from her breakthrough series, the Untitled Film Stills (1977–80), as well as a number of rarely exhibited works from the mid 1970s. Sherman has been actively involved in the selection, she tells me, introducing the exhibition’s curator Paul Moorhouse – the author of a 2014 Phaidon monograph on Sherman’s photographs – to several ‘earlier pieces that he didn’t even know about’. Cindy Sherman (American, 1954) is a conceptual and socially critical photographer who explores contemporary identity and its representation through images that feature Sherman as model cloaked in personas and guises. To make her images, Sherman takes on the roles of photographer, model, makeup artist, hairdresser, stylist and wardrobe director. Her guises have assumed the identities of hundreds of characters in tableau settings including clowns, screen sires, aging socialites, clergymen and female clichés depicted in 20th century pop culture. We will create an online shop where individuals will be able to give donations to the Scala Center in exchange for goodies,