The Hobbit: Illustrated by the Author

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The Hobbit: Illustrated by the Author

The Hobbit: Illustrated by the Author

RRP: £125.00
Price: £62.5
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O inglês de “O Hobbit” é relativamente simples; embora o autor utilize alguns termos arcaicos, sua sintaxe é clara e o vocabulário pode ser dominado logo (sugiro a consulta ao “Google Imagens” para os nomes de acidentes geográficos). Yes, I already know that Tauriel and Legolas are not in the book, and that Tauriel is purely a movie character. But the addition of Tauriel is one of the rare instances where I appreciate the director/ scriptwriter’s artistic liberty. There was also not a single named female character in the book! This new edition of The Hobbit follows similar editions of Tolkien’s other books featuring the author’s hand-drawn maps and artwork. There’s The Lord of the Rings Illustrated, which came out in 2021 and The Silmarillion Illustrated, which arrived last fall.

Furthermore, I enjoyed the humor throughout the book. It was so cute and humorous! The lightheartedness of these funny moments, stood in stark contrast with the darker parts of the story. The return of Mr. Bilbo Baggins created quite a disturbance, both under the Hill and over the Hill, and across the Water; it was a great deal more than a nine days’ wonder.» It was in addition nice to see the less noble sides of the elven race. Even elves can be petty, impulsive, rude, etc. I doubt that we would ever meet a benevolent troll, goblin, or orc, though. The First Impression of the first UK edition was published September 21, 1937 by George Allen &Unwin Ltd. It was limited to only 1500 copies. It exists out a light green cloth I present only a singular critique of this film and it has nothing to do with the body of the movie itself: I feel compelled to comment that the decision to incorporate the endless scroll of Tolkien Fan Club members' names within the end credits is ill-advised and indirectly demeaning to the actual cast and crew. What do these people actually contribute to the film's production? Loyalty and moral support? The folks who have indeed delivered something more tangible are appropriately noted elsewhere within the credits. But most of the listed individuals have played no real part whatever, regardless of the syrupy patronization conducted by the film-makers toward this particular faction of Tolkien enthusiasts. Including these names in the film credits, which also takes in the so-called self-appointed "guardians" of Tolkien's work [a trivial minority of Tolkien Fan Club members], amounts to little more than a shallow ego-bribe. It's presumptuous as the devil to assert that Tolkien's books *need* guarding by anyone -- the affiliation here is more akin to pretentious posthumous tail-gating on the venerable Old Master.

From the publisher

The Hobbit Illustrated will feature a forward by Christopher Tolkien, with additional notes from Tolkien scholars Wayne G. Hammond and Christina Scull. Here’s an exclusive look at one of the spreads you’ll find in The Hobbit Illustrated: As primeiras páginas do Capítulo V, “Riddles in the Dark”, brindam-nos com uma série de frases deliciosas. Olhe por alguns instantes para fotografias do velho J.R.R. Tolkien, e em seguida leia seu texto em voz alta, como um avô lendo para seus netos — ou como seu avô para você. I dunno. It’s kind of fun that they started with the “illustrated” concept, and tried out to see what they could pull off by stretching the concept to its limits. Even without the illustrations, these books are an attractive format, which people are obviously (I would say) buying. So let’s see if we can stretch the definition further, with a little imagination… Ulmo wrote:I dunno. It’s kind of fun that they started with the “illustrated” concept, and tried out to see what they could pull off by stretching the concept to its limits. Even without the illustrations, these books are an attractive format, which people are obviously (I would say) buying. So let’s see if we can stretch the definition further, with a little imagination…

Furthermore, I think the point of having a fellowship of the ring, was not merely to dunk the ring into the fire at Mount Doom. It was also about building character for the adventurers, and having them learn to get along with people of other species. (Most notably, Legolas the elf and Gimli the dwarf become good friends.) Velmeran wrote:I hope they stop the Illustrated by the Author line here though, as they already had to stretch the definition of an illustration pretty thin for The Silmarillion and I don't think there is enough material left to fill another book after this release. In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. »The First Impression of the first US edition was published in 1938 by Houghton Mifflin Co. of Boston &New York. For the first time ever, a special enhanced edition of the enchanting prelude to The Lord of the Rings, illustrated throughout with over 50 sketches, drawings, paintings and maps by J.R.R. Tolkien himself [20 b/w, 36 col illus] and with the complete text printed in two colours. HarperCollins have announced a new edition of The Hobbit, illustrated with “a greatly enhanced” gallery of 50 paintings, maps and drawings – due out on 14 September It could be called Adventures of Tom Bombadil & other talesA collection of previously illustrated works with a few extra illustrations mixed in for padding, I could probably get behind that, because I agree the design/format is nice enough (though I'm still unsure on the green for Sil). It could also include miscellaneous pieces (with obvious thematic connections) like “Water, Wind & Sand”

Part I largely focuses upon the history of the dwarves and the initial hazards that they encounter during their single-minded quest, chiefly battling orcs in the Misty Mountains and finishing with their tribulations with the giant spiders of the vast and ominous Mirkwood forest. Por fim, Tolkien mostra-se habilidoso na técnica de produzir tempo e espaço com palavras. “O Hobbit” é um conto de aventura e viagem, e para descrever uma viagem é preciso fazer com que a distância entre os diferentes cenários deixe-se sentir por mais do que palavras indicativas de lapso temporal (“três dias”) ou espacial (“trinta milhas”).Wow, this was amazing! I liked The Hobbit more than Lord of the Rings, because The Hobbit had a much more reasonable amount of setting description, imo. The setting descriptions were still fantastic and impressive in The Hobbit. I especially enjoyed the word paintings of the Misty Mountains goblin tunnels and the scary Mirkwood. For the first time ever, a special enhanced edition of the enchanting prelude to The Lord of the Rings, illustrated throughout with 50 sketches, drawings, paintings and maps by J.R.R. Tolkien himself. In the first of the two *The Hobbit* entries [sub-titled: *Into The Wilderness*], a more youthful Bilbo Baggins is craftily crow-barred by Gandalf into embarking upon a great adventure (Hobbits *despise* adventures!) and by serving as a burglar for a grumbly troupe of thirteen dwarves, all of whom are determined to reclaim their lost family treasure from the Evil dragon, Smaug; however, the actual battle with Smaug at the Lonely Mountain will have to wait until Part II [to be entitled: *Into the Fire*] is released. With better than a baker's dozen of little folks in starring roles the temptation to over-incorporate moments of comic relief [vignettes of Gimli] must have rivaled the gnawing urge which only The One Ring could normally generate. While some tasteful levity fell well within the bounds of a palatable script, I did actually breathe a sigh of relief once I realized that few such incidents were forthcoming.



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