Harry Potter Boxed Set (Adult Edition) (Contains all 7 books in the series)

Product Information

Rowling to kill two in final book". BBC News. 27 June 2006. Archived from the original on 3 August 2009 . Retrieved 25 July 2007.

Gallardo, Ximena; Smith, C. Jason (2003). "Cinderfella: J. K. Rowling's wily web of gender". In Anatol, Giselle Liza (ed.). Reading Harry Potter: Critical Essays. Praeger. ISBN 9780313320675. Last Day 12 June 2010". Snitchseeker.com. Archived from the original on 17 August 2010 . Retrieved 24 February 2011. Introducing the enhanced streaming service: Max". Wizarding World. 12 April 2023. Archived from the original on 12 April 2023 . Retrieved 13 April 2023. Book 'Oscar' for Potter author". BBC News. 30 May 2001. Archived from the original on 27 December 2008 . Retrieved 28 September 2008. Greenwald, Janey; Greenwald, J (Fall 2005). "Understanding Harry Potter: Parallels to the Deaf World" (Free full text). The Journal of Deaf Studies and Deaf Education. 10 (4): 442–450. doi: 10.1093/deafed/eni041. PMID 16000691.

Harry Potter Deluxe Illustrated Slipcase Editions

Bell, Crystal (27 July 2012). "London Olympics: Voldemort, Mary Poppins Have An Epic Duel". The Huffington Post. Archived from the original on 14 April 2017 . Retrieved 15 August 2017.

Harry Potter tour to open at Leavesden studios in 2012". BBC News. 5 March 2011. Archived from the original on 25 March 2011 . Retrieved 18 May 2011. Eberhardt, Maeve (2017). "Gendered representations through speech: The case of the Harry Potter series". Language and Literature. 26 (3): 227–246. doi: 10.1177/0963947017701851. S2CID 149129001.

About the contributors

Differences in the UK and US Versions of Four Harry Potter Books". FAST US-1. 21 January 2008. Archived from the original on 19 March 2015 . Retrieved 17 August 2008. The portrayal of women in Harry Potter has been described as complex and varied, but nonetheless conforming to stereotypical and patriarchal depictions of gender. [127] Gender divides are ostensibly absent in the books: Hogwarts is coeducational and women hold positions of power in wizarding society. However, this setting obscures the typecasting of female characters and the general depiction of conventional gender roles. [128] According to scholars Elizabeth Heilman and Trevor Donaldson, the subordination of female characters goes further early in the series. The final three books "showcase richer roles and more powerful females": for instance, the series' "most matriarchal character", Molly Weasley, engages substantially in the final battle of Deathly Hallows, while other women are shown as leaders. [129] Hermione Granger, in particular, becomes an active and independent character essential to the protagonists' battle against evil. [130] Yet, even particularly capable female characters such as Hermione and Minerva McGonagall are placed in supporting roles, [131] and Hermione's status as a feminist model is debated. [132] Girls and women are more frequently shown as emotional, more often defined by their appearance, and less often given agency in family settings. [128] [133] Anne Le Lievre, Kerrie (2003). "Wizards and wainscots: generic structures and genre themes in the Harry Potter series". CNET Networks . Retrieved 1 September 2008. [ dead link] Cripps, Karla (16 July 2014). "Universal Studios Japan's 'Wizarding World of Harry Potter' opens". CNN. Archived from the original on 12 September 2014 . Retrieved 12 September 2014.

Natov, Roni (2002). "Harry Potter and the extraordinariness of the ordinary". In Whited, Lana A. (ed.). The Ivory Tower and Harry Potter: Perspectives on a Literary Phenomenon. University of Missouri Press. ISBN 9780826214430. Chan, Melissa. "J.K. Rowling Is About to Release 3 New 'Harry Potter' Books". Time. Archived from the original on 16 December 2016 . Retrieved 22 December 2016.Bell, Christopher, ed. (2012). Hermione Granger Saves the World: Essays on the Feminist Heroine of Hogwarts. Jefferson, North Carolina: McFarland & Company. ISBN 978-0-7864-7137-9.