A Conversation on Carol Rama’, Jo Applin, Mark Godfrey, and Cristina Mundici in Carol Rama (Paris: LGDV, 2022), 14-35. Cut off Your Nose’ in Rachel Maclean: Spite Your Face (London: Zabludowicz Collection, 2018), 16-21. The confidentiality of your financial information is important to us, and we're committed to keeping it secure.

Let’s look at some examples of how to write the words CC’d and CC’ed in a sentence. You can use whichever form of this word you prefer. As we wrestle with climate change, energy crises and the threat of new global conflict, Conway shows why these substances matter more than ever before, and how the hidden battle to control them will shape our geopolitical future. This is the story of civilisation - our ambitions and glory, innovations and appetites - from a new perspective: literally from the ground up.The Nazit Mons, a mountain on Venus, is named for Nazit, an "Egyptian winged serpent goddess". [18] According to Elizabeth Goldsmith, the Greek name for Nazit was Buto. [19] Gallery [ edit ] The Egyptian word wꜣḏ signifies blue and green. It is also the name for the well-known "Eye of the Moon". [11] Indeed, in later times, she was often depicted simply as a woman with a snake's head, a woman wearing the uraeus, or a lion headed goddess often wearing the uraeus. The uraeus originally had been her body alone, which wrapped around or was coiled upon the head of the pharaoh or another deity. [8]

Strange Encounters: Claes Oldenburg’s Proposed Monuments for New York and London’, Art History, 34:4, (September 2011), 838-857. From the Temple of Kom Ombo an engraving depicts surgical equipment among which is a set of Wadjet eyes denoting it's uses as a medical item and Wadjet's role as a protector deity. Within the wider relief it's contains a depiction of a Roman pharaoh offering the Wadjet Eyes to Haroeris and Senetneferet (meaning the good sister), his consort. While only the lower portion of the relief remains it's inscription describes the pharaoh's desire for Haroeris to cleanse the eyes symbolizing the two halves of Egypt and in turn restore Egypt itself. Once again this denotes Wadjet's role as a protector and unifier of Egypt. [14] Etymology [ edit ] Same Old: Ryman’s Repetitions’ in Robert Ryman, eds. Stephen Hoban and Courtney J. Martin (New Haven and London: Yale University Press and Dia Art Foundation, 2017), 311-321. Another early depiction of Wadjet is as a cobra entwined around a papyrus stem, [7] beginning in the Predynastic era (prior to 3100 B.C.) and it is thought to be the first image that shows a snake entwined around a staff symbol. This is a sacred image that appeared repeatedly in the later images and myths of cultures surrounding the Mediterranean Sea, called the caduceus, which may have had separate origins. The English language is constantly evolving. In the digital age, most people will need to know how to use the verb CC’ed.

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Carolee Schneemann’s Constructed Environments’ in Carolee Schneemann: A Retrospective (London: Barbican Art Gallery, 2022), 48-53.

Eccentric Abstraction’, ‘Eva Hesse’, and ‘Louise Bourgeois’, entries for Elles font l’abstraction (Paris: Centre Pompidou, 2021), 236-240. COPPENS, FILIP, and HANA VYMAZALOVÁ. “MEDICINE, MATHEMATICS AND MAGIC UNITE IN A SCENE FROM THE TEMPLE OF KOM OMBO (KO 950).” Anthropologie (1962-) 48, no. 2 (2010): 127–32. JSTOR 26292902. These are the six most crucial substances in human history. They took us from the Dark Ages to the present day. They power our computers and phones, build our homes and offices, and create life-saving medicines. But most of us take them completely for granted. Jo Applin is a specialist in modern and contemporary art, with a particular emphasis on American and British art since 1945. She studied at the University of Essex and at UCL, where she was subsequently Henry Moore Postdoctoral Fellow. She joined The Courtauld in 2016, after eleven years teaching at the University of York. From 2018 to 2021 she was Head of the History of Art Department at The Courtauld. Jo is currently an Elected Member of the Courtauld’s Governing Board and Director of the Centre for American Art.

She was associated with the land and depicted as a snake-headed woman or a snake—usually an Egyptian cobra, a venomous snake common to the region; sometimes she was depicted as a woman with two snake heads and, at other times, a snake with a woman's head. Her oracle was in the renowned temple in Per-Wadjet that was dedicated to her worship and gave the city its name. This oracle may have been the source for the oracular tradition that spread to Greece from Egypt. [9] Introduction: London Art Worlds’, with Catherine Spencer and Amy Tobin, in London Art Worlds: Mobile, Kinetic, and Ephemeral Networks 1960-1980, eds. Jo Applin, Catherine Spencer and Amy Tobin (University Park: Penn State University Press, 2018), 1-21.

Decadent Islander: Richard Smith’ in This was Tomorrow: The Invention of Pop Art in Great Britain, ed. Uta Ruhkamp (Wolfsburg: Kunstmuseum, 2016), 351-358. Alice Adams: Woven Forms, Eccentric Objects’ in Alice Adams: Woven Forms and Post Minimal Sculpture 1959-1973 (Boston: David Hall Fine Art, 2018), 1-4. Lee Lozano: Not Working (New Haven and London: Yale University Press, 2018). Winner of the Suzanne and James Mellor Book Prize, National Museum of Women in the Arts, Washington DC If I measure it must exist’ in Frances Richardson: If I measure it must exist (London: Karsten Schubert, 2021), 2-8 . Towards a Haunted Art History?’ in Technologies of Intuition, ed. Jennifer Fisher (Toronto: YYZ Books, 2006), 247-260.

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Wadjet was closely associated in ancient Egyptian religion with the Eye of Ra, a powerful protective deity. [5] The hieroglyph for her eye is shown below; sometimes two are shown in the sky of religious images. Buto also contained a sanctuary of Horus, the child of the sun deity who would be interpreted to represent the pharaoh. Much later, Wadjet became associated with Isis as well as with many other deities. In Material World, Ed Conway travels the globe - from the sweltering depths of the deepest mine in Europe, to spotless silicon chip factories in Taiwan, to the eerie green pools where lithium originates - to uncover a secret world we rarely see. Revealing the true marvel of these substances, he follows the mind-boggling journeys, miraculous processes and little-known companies that turn the raw materials we all need into products of astonishing complexity. I’m Here but Nothing: Yayoi Kusama’s Environments’ in Yayoi Kusama, ed. Frances Morris (London: Tate Publishing, 2012), 176-186.