Below are the links for the individual seasons for those wanting a more elaborate review of the story in each season. objectives, establishing who will finally assume the duties of the Iron Throne, and also documenting the epochal battle of Winterfell between the

Color Reproduction: Compared to the 1080p Blu-ray Disc the colors here appear wider thanks in part to the 4K’s Wide Color Gamut resulting in both more natural, lifelike colors as well as bold ones too. While bold at times the colors are mostly neutral, natural and never overblown from what I saw. Colors are going to differ tonally from sequence to sequence here. There’s also the added benefit of Dolby Vision! Besides the reds and fiery moments the blue eyes of Sansa and the Whitewalkers in Season 7 are quite striking and rich too. You also have to love the “stark” contrast between the sun drenched moments and those of the white winter. Subtitles: English SDH, French, Latin American Spanish, Castilian, German, Italian SDH, Brazilian Portuguese, Czech, Hungarian, Polish, Russian, Dutch, Danish, Finnish, Norwegian, Swedish, Greek, Hebrew, Portuguese, Romanian, Slovenian, Turkish, Complex Chinese, Korean, Thai least incrementally as the subsequent seasons unfold. (You'll note that my 4K score for the previously released UHD version of Season 1 was "only"Cersei doesn't get the sort of send off she deserves in Season 8. Photo: Game of Thrones Season 8, HB occasionally and intermittently engage various longtime viewers of the series, even if there may be an undeniable feeling of things ending not with Animated Histories: Learn about the mythology of Westeros as told from the varying perspectives of the characters themselves In addition to Season 1 episodes, fans can go beyond what started it all, with hours of gripping bonus features, from behind-the-scenes, making-of sequences, audio commentaries and much more.

version, though overall shadow detail is still at least marginally better here, helping at least a little in long dark scenes as are found in the third episode. The now famous tag line "winter is coming" has morphed into "winter is here" on some of the press material accompanying the eighth and final

A Few Season 8 Highlights

Noise/Artifacts: Things are for the most part very clean (maybe some noise here or there in shadows) and not overly problematic at all throughout. Alright, let’s take that plastic off so our pictures aren’t so reflective. As you can see down below I graciously provided you with a shot of the front, rear and spine of the what would be a…spoiler alert…giant slip cover. Best of all this thing is embossed! If you don’t like fantasy, it’s the character drama that makes this series great. The heroes are deeply flawed. Most of the villains have a redeeming quality or two, or at least the odd empathetic moment. All of the characters are dimensional and complex. And over the course of the series, each grows and changes in unexpected ways. What’s more, this is very much an ensemble cast. Initially, the company includes Sean Bean ( The Lord of the Rings), Mark Addy ( The Full Monty), Lena Headey ( Terminator: The Sarah Connor Chronicles), Emilia Clarke ( Solo), Kit Harington ( Spooks aka MI5), Peter Dinklage ( The Station Agent), Nikolaj Coster-Waldau ( Nightwatch), Charles Dance ( Alien 3), and many more. New cast members are added each season, among them Gwendoline Christie ( Star Wars: The Force Awakens), Aidan Gillen ( The Wire), Jason Momoa ( Aquaman), Stephen Dillane ( John Adams), and Diana Rigg ( The Avengers). The music score is beautifully mixed over the platform so as to add natural dimension and prioritization to its orchestrated elements while complimenting the story's thematic details. This is done to very good effect, correlating with the onscreen events quite nicely as the most minute audio cues are fully realized.

bits along the way, including what is obviously meant to be a mind blowing reveal about Jon in the first episode (but which may not come as The grading differences courtesy of HDR and Dolby Vision are at times subtle, but noticeable. The many blue tones that are employed in some of the eight seasons, there is still a noticeable improvement in fine detail in particular starting about halfway through the run, a quality which improves at Byzantine and ornate costumes look fantastic throughout, especially (again) in the later seasons, where some of the intricate designs and even

As noted earlier, though, even the darkest shots stand a chance of suddenly being punctuated by some really extreme HDR highlights. And when that happens, those highlights stand out so starkly against the HDR-enhanced darkness that they genuinely seem to burn off the screen. From the Book to the Screen - executive producers David Benioff and D.B. Weiss along with author George R.R. Martin talk about the challenges of bringing Martin's epic fantasy novel to life on HBO.