Schoolgirl Hitchhikers [Blu-ray] [1973] [US Import]

Product Information

Southern Charm' Star Olivia Flowers Shades 'RHOBH' Star Crystal Kung Minkoff After BravoCon: "I Thought She Was Rude" Taylor Ann Green Confesses That She "Initiated" Kiss With Austen Kroll On 'Southern Charm': "I Caught Him Off Guard"

And for the horror fans, yes, they do torture one of the girls with a whip and they do use a pincer to crush some nipples but it's so badly done and don't think that the erotic scene's will give you a warm feeling, the girls exaggerate with every touch of their body, but at the end of the day, it's Jean Rollin, do I need to say more? Stream It Or Skip It: ‘The Velveteen Rabbit’ on Apple TV+, a Charming and Typically Tearjerking Adaptation of the Classic Children's Book

Sorry, your search returned no results.

Extras are slim, limited to a static menu offering up chapter selection and trailers for a few other Jean Rollin titles available on DVD and Blu-ray from Kino/Redemption. Final Thoughts: Stephen Colbert Forced To Cancel 'The Late Show' This Week After Undergoing Surgery For Ruptured Appendix Alyssa Farah Griffin Defends Justin Timberlake Following Britney Spears' Explosive Abortion Claims On 'The View': "They Were Both In A Very Toxic Environment" At the start the two girls have sex, proclaiming their devotion only to each other. Then Fred arrives... The sheer manliness of his moustache clearly 'turns' the girls - because they both have sex with him (?) Virginie Sélavy on ‘The Shiver of the Vampire’ (2023): appreciation by the author and film historian

Others here have detailed all the horrors (no pun intended) so all I'll add is that I quite liked the brunette (in all her glory); her blonde pal didn't appeal, but..one man's meat is another's poison!

As you enter the crimson heart of the theatre, the stage looms large in presence as everyone takes their seats. The lights dimly fade as a heavy mist starts to enter the quiet as a forgotten grave arena. Masculine footsteps can be heard on the floorboards as lights shaded red, green, and blue reveal the figure. A man with short dark hair that is starting to thin ever so slightly has appeared. His light eyes and gaze possess a mixture of innocence and untouchable observer. This magician waves his pale hand as the towering screen behind him lights up and displays image after image of a world that is as expansive as it is singular and as enchanting as it is haunting. It is soon very apparent that our magician is more than just a slight-of-hand weaver-of-worlds but is the creator of the holiest-unholy moving visuals that play before us. His name? Stream It Or Skip It: 'Christmas in Notting Hill' on Hallmark, in Which Soccer, Love, and London Collide With a story as skimpy as that, one can only hope it delivers on the goods suggested on the cover. It does, if you enjoy naked women. Ladies may be disappointed to learn no men get naked (really, that's a good thing with the male cast that was assembled), but there's definitely no shortage of female flesh. Beatrice never reveals what she's hiding under her threads, but she seemingly relishes whipping supple young women, much like her mature disciplinarian counterparts such as Madame Olga and Ilsa of the SS. And that's a good thing, although it's pretty tame by comparison. Another good thing is Joí«lle Coeur, one of the sexiest women Jean Rollin ever filmed. A beautiful body, sexy bedroom eyes, and a smile that makes men drop to their knees. She appears to be having a good time rolling around with Gilda Arancio, and that makes her even more fantastic. It starts off with overly dramatic narration from the lead woman and continues its aggressively comic-book style up until the end. The whole thing is a smart, sexy goof on film noir. I'm slightly surprised Rollin even bothered to give the characters names since they're only meant to be archetypes.

Jean Rollin on ‘Two Orphan Vampires’ (2002): extensive, newly edited archival interview with the filmmaker exploring the themes of Two Orphan Vampires and his wider oeuvre Featuring startling performances from novice leads Alexandre Pic and Isabelle Teboul, alongside Tina Aumont ( Modesty Blaise) and Rollin regulars Nathalie Perrey ( The Shiver of the Vampires) and Brigitte Lahaie ( Fascination), Two Orphan Vampires is a beautiful and melancholy summation of Rollin’s unique and arresting style. Arriving at a decrepit chateau for their honeymoon, young newlyweds undergo a series of surreal and sinister encounters, and come to realise that they are the prey of the resident vampires... How 'The Buccaneers' Crafted Josie Totah and Mia Threapleton’s "Joyful" Queer Romance: "Never Even a Discussion" Brigitte Lahaie, Vincent Gardere, Dominique Journety, Bernard Papineau, Rachel Mhas, Cathy Stewart, Nathalie Perrey, Christiana Farina, Élodie Delage, Jean Hérel, Jacques Gail.

Prices

It had been a bad Monday when I popped this one in to the 'ol DVD player. I just wanted to wind down and be entertained and this film delivered. Grindhouse veteran Jean-Jacques Renon was the cinematographer for this film (credited as Oscar Lapin) and gave the film the only hint of class it has. Honestly, great camera work and lighting here with some gutsy angles. Tiffany Haddish Jokes About Her DUI Arrest Just Hours After Her Release: "I Prayed To God To Send Me A Man With A Job, Preferably In A Uniform"

Stream It Or Skip It: ‘Oppenheimer’ on VOD, Christopher Nolan's Sprawling, Urgent Three-Hour Nuclear Biopic Stream It Or Skip It: 'Christmas at the Chalet' on Lifetime, Where Divorcée Teri Hatcher Explores Love, Purpose, and Skiing in Aspen The tone is set from the opening credit cards, which each show two women engaged in some sort of lesbian act... after a dozen or so of those pictures, you might be surprised if the picture was completely clean and family friendly. And do not worry, ten minutes in the girls are undressing each other. It’s a moonless, starry night as you approach the theatre. It’s one of those large structures of former gilded antiquity that has somehow survived past wars, chaotic economics, and the sterile-fast-food chains masquerading as movie multiplexes. (After all, survival is the closest thing anyone can get to winning in this life.) Inside, the lobby walls are decorated with huge posters sporting intricate and colorful illustrations of beautiful crimson-haired women, bare-breasted vampiresses, shadowy figures, and hauntingly decadent men. Behind you, someone mutters the name of “Philippe Druillet,” as the illustrator of these art-deco-meets-eros-macabre posters. Jean Rollin’s third feature film, 1971’s The Shiver of the Vampires ( Le Frisson des vampires), established themes and visual motifs to which he would return throughout his career, blending horror, eroticism, fairy tale, and surrealism to create his unique cinema of the fantastique.The reel itself is full of scratches and the inserts of close-ups were shot with another color temperature. I may even say that it is so bad that, yes you can guess it, it even becomes good. It is up to now available everywhere as an ode to Jean Rollin who died in 2010 but I guess it will disappear soon as an OOP. While the many soft-core sex scenes are played with gusto, especially by Coeur, the story is just a means of allowing the cast to disrobe for lengthy periods of time. Let's not worry about that too much.