Wiseguy

Product Information

urn:oclc:873216236 Republisher_date 20131030175837 Republisher_operator [email protected] Scandate 20131029213835 Scanner scribe3.sanfrancisco.archive.org Scanningcenter sanfrancisco Source

When he was arrested for a range of offences, including drug-dealing (which his Mob bosses had told him to stay away from), he agreed to testify against his fellow ‘wiseguys’ and was given a new identity, under the US government’s Witness Protection Program. This was where Pileggi came in. Part of me wishes that I had read this book, which directly inspired Goodfellas, without having seen or even having any knowledge of the movie. There’s so much about Goodfellas that seems outrageous and over-the-top and made up, so it was almost weird to learn that Henry Hill was a real person, and that everything he describes in his memoir actually happened. Having seen the movie created this weird mental disconnect where even though I knew I was reading a memoir, it still felt kind of like a novel. (It also doesn’t help that the narration in Goodfellas is practically lifted word-for-word from the text of Hill’s memoir, to the point where I hope he got a screenwriter’s credit for the movie) The book is based on the true story of the mobster Henry Hill. It is the book that Goodfellas was made after, in fact Nicholas Pileggi co-wrote the script and the version I listened to had an introduction by Martin Scorsese. I had not realized how closely Goodfellas was based on true events so the book had the added benefit of making me appreciate the movie even more. The book and movie are thus very much alike, with the book just going deeper into characters and events, the epilogue was also very interesting. So what sort of man was Henry Hill? "He was a hustler. He wasn’t a mean man, he wasn’t a violent man – not that he wouldn’t commit violence – but he was hyperactive, and always into mischief." He was also very clever, with a genius for thinking up moneymaking scams. When Pileggi came out of the men’s room, Hill said, "Come on, let’s get out of here!" Straight away, Pileggi saw why Hill was so keen to leave. "I looked over and I realised Henry had hit the Maitre D' in the head with a wine bottle. The guy was bleeding." "What happened?" asked Pileggi, as they drove away. "The guy gave me some lip," said Hill, by way of explanation.

Nicholas Pileggi ( / p ɪ ˈ l ɛ dʒ i/, Italian: [piˈleddʒi]; born February 22, 1933) is an American author, producer and screenwriter. He wrote the non-fiction book Wiseguy and co-wrote the screenplay for Goodfellas, its 1990 film adaptation, for which he received a nomination for the Academy Award for Best Adapted Screenplay. I was a journalist since I was young," says Pileggi. "Right out of college, I went to work at the Associated Press in New York City, in the mid Fifties. I was assigned to cover crime – I covered the police, I covered corruption. That period, in the 1950s and 1960s, was also the period that began to expose Organised Crime, as we came to know it." What amazed me most is how closely the movie aligns with the book, because let’s be honest people, Hollywood screenwriters have butchered many a book. A lot of Ray Liotta’s, um, I mean Henry Hill’s classic one liners and pithy monologues are straight from the book. Much of the praise for the movie belongs to Pileggi; like the film, Wiseguy is entertaining from start to finish. It’s nonstop. A thriller and absolute banger right to the very end. Oh how I loved it. FIVE STARS! Wiseguy reads so well because Pileggi knew the world he wrote about. And GoodFellas plays so well because Scorsese knew that world too. The project is centered on Vito Genovese and Frank Costello, two Italian-American crime bosses that ran their respective families in the middle of the 20th century. In 1957, Genovese attempted to assassinate Costello but failed, although he was wounded and decided to retire, as much as one can retire from the Mafia.

Access-restricted-item true Addeddate 2012-12-12 17:36:29 Boxid IA120121212-IA1 Boxid_2 CH114201 Camera Canon EOS 5D Mark II City New York, NY Donor It wasn’t that Henry was a boss. And it had nothing to do with his lofty rank within a crime family or the easy viciousness with which hoods from Henry’s world are identified. Henry, in fact, was neither of high rank nor particularly vicious; he wasn’t even tough as far as the cops could determine. What distinguished Henry from most of the other wiseguys who were under surveillance was the fact that he seemed to have total access to all levels of the mob world.” The Boston College point shaving scheme, for example. It's barely alluded to in Goodfellas (just once, by a low level con man named Morris, right before Tommy, Joe Pesci's famously terrifying character, drives a shiv repeatedly into his brain stem). Wiseguy, with more room to roam, delves into the nitty gritty. If, like me, you're fascinated by such details, then the book is an indispensable companion of the film.Pileggi, Nicholas (1976). Blye, Private Eye (Firsted.). Playboy Press, Chicago. ISBN 978-0-87223-475-8. Nicholas Pileggi admitted somewhere that the screenplay for Goodfellas, co-written with Martin Scorsese, improved on his book: it's more succinct, more impactful. He was right. Wiseguy even has some advantages over its still-more-brilliant offspring. A two-and-a-half- hour biopic must necessarily simplify and omit events. In Henry Hill's case, a lot of those events are interesting.

He was visualising the movie, where the camera would be, what he would be focusing on, while we were writing the script. He already sees the movie in his head." Hill didn’t feel sorry about the crimes he’d committed, so much as the high life he’d left behind. "He was grieving for the life he’d lost – he loved being a gangster," says Pileggi. "He loved being with those guys. They were his family." This was his main source of regret. "He felt awful because he had to give up the life he really wanted to live. He could no longer be a gangster." Pileggi co-wrote the pilot of the CBS television series Vegas, which first aired in September 2012. [2] Personal life [ edit ] He grew up with those people - he knows the culture better than any other movie director out there," says Pileggi. "Marty knows it, Marty grew up with it, Marty lived it. I had the same experience - I knew those people, so there was an intimacy with that material that gave Marty tremendous freedom." Henry sees no reason to change his lifestyle. He enjoys the fruits of other people's labor, taking over and bankrupting in weeks legitimate business that others have worked their entire lives to create. For Henry, there are no consequences. No matter how many businesses and personal fortunes he destroys for his own gain, there is always someone else out there to be lied to, stolen from, or conned. Even when Henry gets ten years in prison, he bribes all manner of guards and officials to get out after four years, and those four years are spent in relative luxury. Karen spends this time in a small, shabby apartment, supporting herself and the children even while helping Henry carry out his schemes so he can continue to live in the style to which he is accustomed.The book “Wiseguy” is about Henry Hill a member of the Lucchese crime family.The book itself tells a different perspective of the “Mob”. Its seen through the eyes of Nicholas Pileggi the author but told to by Hill himself . It displays an interesting outlook,Mob movies books characters have fascinated the world for so long and its the belief that their is another world more exhilarating and exciting fast paced and the common person is just looking to escape the real world into a book or another life. At the age of twelve my ambition was to become a gangster. To be a wiseguy. Being a wiseguy was better than being President of the United States. To be a wiseguy was to own the world." -- Henry Hill For Pileggi, the portrayal of Hill in GoodFellas felt entirely authentic. " Ray Liotta nailed him. He had that charm, he was good-looking, and people just liked him. He wasn’t cold. He didn’t come on like a tough guy." GoodFellas' is an amazing tale, and a wonderful evocation of a bygone era but is one of those rare occasions where the film is all you really need.