Joined in 2023 
82 
63 About this deal
To reach this entrance, enter the Royal Festival Hall via the Southbank Centre Square Doors. Take the JCB Glass Lift to Level 2 and exit to the Riverside Terrace. Turn right to find the Queen Elizabeth Hall main entrance. Your support makes our work on our stages and with our communities possible. Please consider making a donation today. Donate Now Follow us
The bestselling Tales from Acorn Wood are a series of interactive board books from world-renowned author Julia Donaldson and illustrator Axel Scheffler, the iconic duo behind classic children's books The Gruffalo and The Snail and the Whale. I am really happy that the Tales from Acorn Wood are now moving to the stage. Fans of the books are bound to enjoy seeing the four main characters - Fox, Bear, Pig and Rabbit - brought to life through Norwell Lapley’s clever staging. Live performance and songs are both very close to my heart and I am sure this production will delight children and families. Select Family Offer price type and discount will apply when you have added all four seats to your basket GROUPS For step-free access from the Queen Elizabeth Hall Slip Road off Belvedere Road to the Queen Elizabeth Hall auditorium seating (excluding rows A to C) and wheelchair spaces in the Rear Stalls, plus Queen Elizabeth Hall Foyer and the Purcell Room, please use the Queen Elizabeth Hall main entrance.Talk to a member of staff at the auditorium entrance if you have a disability that means you can’t queue, or you need extra time to take your seat. They can arrange priority entry for you as soon as the doors open. A performance well worth a visit for children ages 1 to 5 years or older children who are fans of the book. It will have you singing along and dancing together in no time, a perfect family experience. For dates of audio-described, captioned or British Sign Language (BSL) interpreted performances, please see below. These vary from show to show. It is always best to book through our Access phone line 0121 689 1060 when booking assisted performances.
The performers multirole with ease, making the intricate handling of the puppets look like child’s play, while voicing numerous characters at the same time and giving flawless vocal performances. They work so perfectly as a company that there is no stand out performance. They all give the stage to the puppets and disappear behind the marionettes perfectly, occasionally stepping out to give the young audience an opportunity to stretch and shake between stories with fun, playful and story based participation.
See you soon
classification organisation. That means all age recommendations are subjective and should be treated as
Great Deal 
New Comment