Korg - Nu:Tekt NTS-1 Digital Synth Kit

Product Information

The “i” variable in the “for” statement increments one by one, so if we calculate 0, 1, 2, 3 and so on respectively, the results get separated into even and odd numbers. Thanks to its ribbon controller, simple interface and display, the NTS-1 can be played and enjoyed very intuitively. Deeper parameter changes are also possible with several combinations of buttons / knobs, furthering the possibilities. Don’t let its size fool you; NTS-1 goes deep but keeps it all easily accessible. The NTS‑1 comes with Waves; a morphing wavetable oscillator made up of two wavetables of 46 waves. Select wave A and B and you can morph between the two. The controls are accessed via a special edit menu that you get to by holding the Osc button and moving the Type knob. You can then release the button and its LED flashes to show that you're in Edit mode. The Type knob now selects various parts of the oscillator and knobs A and B alter the parameters — the equivalent of 'Shape' and 'Shift+Shape' on the bigger synthesizers. With Waves you have a Sub you can mix in, or you can use it as a Ring Modulation source, and then there's a Bit Crusher. Knob A remains steadfastly the Shape control which in this case morphs between the waveforms and can be modulated from the oscillator LFO. When using 3rd party plugins on the NTS-1 please consult with the developer first as the content may sound differently than with minilogue xd or prologue based on polyphony.

void MODFX_INIT(uint32_t platform, uint32_t api) { lastSampleL = 0.f; lastSampleR = 0.f; count = 0; } Previously, we received a value from the knob, and if that value multiplied by 64 exceeded the “count”, it would be reset to zero. Although this effect is a simplified version of the stop effect found in DOTEC-AUDIO’s “DeeFX,” the principles are the same. I think you’ve gotten a lot out of looking at this one. This is for the final “if” statement, so that the “next” does not exceed the array. You’ve seen this before, right? We’ll be making another effect this time, so as the designer of the DSP I’ll be in charge of this part.If the input volume is still too low, we can overcome this by setting the vocoder parameter A to “Gain” and adjusting this knob to amplify the volume by 100 times maximum. Last, go the “Send/Recv.” menu and select “Send User Data” to transfer these two effects to the NTS-1. To begin, let’s talk about what an “SDK” is. SDK stands for “Software Development Kit,” which is a set of tools necessary to develop specific software. Korg provides no warranty in relation to any Third Party Software supplied and all warranties whether express or implied as to the condition, quality, performance, merchantability or fitness for purpose of the Third Party Software or any part of the same are (in so far as may be permitted by law) hereby excluded. Take note at the function used specially for delfx. About the only thing different is the name, right.

Although there may be an infinite number of ways to make your solution work, it all comes down to how you want to build the sound you’re looking for, between the input and the output. In the event that there is any physical defect in the disk (storage device, etc.) on which the Licensed Program is supplied, Korg will exchange the defective disk with a non-defective disk of the same model at no charge, provided that you have notified Korg of the existence of such defect within 28 days from the date you have received the disk, and provided that Korg shall never be held liable to replace the disk or data in the event that the defect is attributed to accident, abuse, misuse or other such causes outside of Korg’s control.The last button is the Arpeggiator, which is useful considering the keyboard, and also a lot of fun. Press to enable, hold it for a second to engage the latch, touch a couple of notes and let it go. While holding the Arp button the other six buttons become chord selectors; Octave, Major Triad, Major Suspended, Major Augmented, Minor Triad and Minor Diminished. You can use the keyboard to transpose if you try really hard. Continuing to hold the button down the Type knob selects between 10 different arpeggiator modes including Random and Stochastic. Knob A sets the pattern length from one to 24 steps and knob B handles the tempo or step duration if externally sync'ed. There's no opportunity as yet to edit the Arp chords or add your own but this may become possible via a firmware update or software editor. But as it is it's comprehensively fun to use. The versatility, the effects, the price and the fun to be had with the NTS‑1 are pretty unbeatable. Multi-Engine For Linux, which is basically Unix, or macOS, which is based on Unix, you’ll be able to install using a bare minimum of tools. However, for Windows you’ll need an additional environment that can execute Unix commands. Simply put, MSYS2 is a platform for executing Unix commands on Windows. Because of this, if you’re developing with Windows and MSYS2, you’ll run your commands within the “MSYS2” window. For instance, you’ll use the Windows SDK to develop apps for Windows, or the iOS SDK to develop apps for the iPhone. When developing for the NTS-1, we use the “logue SDK.” https://github.com/korginc/logue-sdk

There are two methods used to show the sizes of numbers in digital audio data: fixed decimal and floating point. Floating point is commonly used in our ordinary lives, in the same way as when we say "50% more." It's easier for people to understand. However, the downside of floating point is that calculations get processed slower. Using Notepad, Hidemaru or whatever text editor you prefer, open the “main.c” file located in the “bitcrusher” folder. a) to Korg at its own expense using all reasonable endeavours to rectify any non-conformance with the warranty by repair (by way of a patch, work around, correction or otherwise) within a reasonable period of time or, To develop programs, you need a “compiler,” which is a software that converts programs written by humans into machine language that’s readable by a computer. With the logue SDK, we’ll use the “GNU Compiler Collection” (GCC for short). The SDK that’s released here is the logue SDK itself. The best thing to do is to use Git software to obtain the latest version of the SDK, but to do that you’ll need to know how to use Git.

Once you’ve entered the “bitcrusher” folder using the cd command, use “make” as we explained last time. This time, we’re writing an initialization process. The contents of the variable we created are reset to “0”, but what does the “f” in “0.f” stand for? This simply means that we’re committing to a float type. Try doing a search for this.

Finally, as with last time we’ll type the name of the effect we created into the “name” parameter in “manifest.json” and in the “PROJECT” parameter of “project.mk”. The “rate” variable is used for the main processing, which is why I’ve explained this function first. With MSYS2, we’ll move to a different folder using the command “cd ” instead of the mouse. Now I’ll show you a bit of an easier way to do this. As if you weren’t already presented with enough sound sculpting possibilities for a synth of this size and price, the Korg NuTekt NTS-1 also features a high-quality stereo effects engine (Modulation, Delay, Reverb) inspired by the Minilogue XD/ XD Module and Prologue. An added bonus is the 3.5mm stereo input, which means that you can use the NTS-1 as a customisable, standalone effects unit too!The next formula calculates the value for deriving the value for the previous median point. We’re only adding several percent here, the difference from the next value to the initial value. For instance, if the values progress like “0, 10”, the value of the location when we increase 20% from zero is: Using the button and the three knobs it's possible to access a number of parameters and modes, some of which are obvious and others that are somewhat hidden away. The buttons let you select either Oscillator, Filter, Envelope, Modulation effect, Delay or Reverb for editing. The left-hand knob always selects the 'Type' of whatever button you've selected, so oscillator type, filter type, etc, and the other two knobs change the parameters. Holding the button reveals some modulation possibilities for that part of the synth. Make” is a tool that lets you configure a single command to save you the trouble of executing many commands and compiling your files each time. (Make is another tool we could take up a whole book to write about.) First, we use the length equivalent to the monaural part of the buffer to set a variable name that’s easy to understand.