Snow Country: SUNDAY TIMES BESTSELLER

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As Anton becomes more successful, assignments to Paris and Moscow follow as well as a trip to report on the US-led construction of the Panama Canal. The latter has resonance for citizens of France because of the earlier involvement of Ferdinand de Lesseps, for a time a national hero because of his role in the construction of the Suez Canal. Unfortunately, his attempts to build a sea-level canal across the isthmus of Panama ended in failure with investors in the project losing everything. However, the outbreak of the First World War has momentous consequences for Anton, leaving emotional scars and unanswered questions. Lena – born to an alcoholic mother who enjoys the experience of pregnancy but rather avoids what comes after.

Sebastian Faulks: Snow Country review - insects under a stone Sebastian Faulks: Snow Country review - insects under a stone

There is some beautiful writing in Snow Country, but this is nowhere near the author's best work, of which my personal favourite is Birdsong. With a heart-breaking and compelling storyline Snow Country encapsulates a period of history that saw forceful changes in history. Everyone at the time suffered in some manner either through war or illness, with the Spanish Flu adding to the death toll. The spirituality and minds of many were tested to the extreme and not everyone could cope, escaping into their heads looking for a better alternative reality. After the war, in a progressive and radical asylum in the Austrian mountains, Lena and Anton will meet again. Is the link Lena imagined to be reciprocated? Can Anton step beyond the loss of Delphine (and others from his life)? Will he discover what happened to Delphine? Can another fill her place? From 2013–2018, he sat on the Government Advisory Group for the Commemoration of the First World War. [16] Novels [ edit ]I had read two of Sebastian Faulks’ novels before this, Birdsong and Enderby, one of which I liked and one of which I did not. Snow Country, set mainly in Austria before, (briefly) during and after the First World War, falls into the former category. I liked it. The novel focuses on the effects of war, the political tensions in Austria and the rise of facism as well as the growth of psychoanalysis away from Freud’s theories to more compassionate and gentle treatments. Lena and Anton are both recipients of Martha’s wise counselling, freeing them to move on with their lives. It’s a literary novel with beautiful prose, particularly the description of the Schloss and it’s lake. I found the sections in the Schloss and the discussion of current psychotherapy interesting and very much liked Martha and her ideas. Overall, the novel is fairly slow moving, being mostly driven by the three main characters and their personal insecurities, loves and losses. While I enjoyed reading it, it didn’t affect me in the same way that Birdsong did, but maybe that’s too much to ask for.

Scala Radio Book Club: Snow Country by Sebastian Faulks Scala Radio Book Club: Snow Country by Sebastian Faulks

In this book, which is so very character driven, the author manages to weave his fiction around the facts of what is happening in the world in the times in which the book is set. More obviously the war and the state of politics, but also the leaps they are making in the world of psychiatry and mental health. It follows the relationships and interactions between the three characters and how they manage to get on in the world despite all it throws at them. They are all very different but, at the same time, all the same. It's emotional in all the right places and also gave me food for thought as well as the chance to learn more about certain things I discovered along the way. The Literary Review has said that "Faulks has the rare gift of being popular and literary at the same time"; The Sunday Telegraph called him "One of the most impressive novelists of his generation ... who is growing in authority with every book". [17] Faulks's 2005 novel, Human Traces, was described by Trevor Nunn as "A masterpiece, one of the great novels of this or any other century." [6]

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THE AUTHOR: Sebastian Faulks was born in 1953, and grew up in Newbury, the son of a judge and a repertory actress. He attended Wellington College and studied at Emmanuel College, Cambridge, although he didn’t enjoy attending either institution. Cambridge in the 70s was still quite male-dominated, and he says that you had to cycle about 5 miles to meet a girl. He was the first literary editor of “The Independent”, and then went on to become deputy editor of “The Sunday Independent”. Sebastian Faulks was awarded the CBE in 2002. He and his family live in London. There are others too, perhaps too many for my taste, whose lives are to intersect. Love is found and love is lost – and sometimes love is found again – as historical events unfold around them. I felt the narrative was jerky and I struggled to get into its flow. I was interested in what was happening around the characters but not gripped by lives of people who kept flitting in and out of the frame. Amongst the cast, Lena appealed to me most: she’d led such a tough life, struggling to find anything at all to latch on to – could it be that there would at least be a happy ending for her? I did love the section devoted to the building of the Panama Canal. It was such a huge feat, built at the cost of so many lives, and I had never before considered the logistics of the task. Faulks made this very real for me. Mark then asked about Sebastian’s career change from journalist to author. ‘You mentioned that you were able to give up the day job as a newspaper journalist. I wonder when you yourself, actually began to believe that you did have what it takes to become a success, and you would be able to become a full-time writer.’ In 2007, Faulks published Engleby. Set in Cambridge in the 1970s, it is narrated by Cambridge University fresher Mike Engleby. Engleby is a loner, and the reader is led to suspect that he may be unreliable, particularly when a fellow student disappears. Faulks says of the novel's genesis, "I woke up one morning with this guy's voice in my head. And he was just talking, dictating, almost. And when I got to work, I wrote it down. I didn't know what the hell was going on; this wasn't an idea for a book". [17] It was remarked upon as a change of direction for Faulks, both in terms of the near-contemporary setting and in the decision to use a first-person narrator. [19] The Daily Telegraph said the book was "distinguished by a remarkable intellectual energy: a narrative verve, technical mastery of the possibilities of the novel form and vivid sense of the tragic contingency of human life." [20]